In 1994, the Pacific island village of Matupit was partially destroyed by a volcanic eruption. This study focuses on the subsequent reconstruction and contests over the morality of exchanges that are generative of new forms of social stratification. Such new dynamics of stratification are central to contemporary processes of globalization in the Pacific, and more widely. Through detailed ethnography of the transactions that a displaced people entered into in seeking to rebuild their lives, this book analyses how people re-make sociality in an era of post-colonial neoliberalism without taking either the transformative power of globalization or the resilience of indigenous culture as its starting point. It also contributes to the understanding of the problems of post-disaster reconstruction and development projects.

Most people visit Big Bend National Park and have a wonderful, incident-free vacation. For a tiny number, however, a simple mistake, unpreparedness, or pure bad luck has lead to catastrophe. Massive rescue efforts and fatalities, while rare, do happen at the park. Heat stroke, dehydration, hypothermia, drowning, falls, lightning, and even murder have claimed victims at Big Bend. This book chronicles selected rescues and tragedies that have happened there since the early 1980s. The lessons you learn reading this book may save your life.

In this riveting account of Biggie's remarkable life, hip hop journalist Cheo Hodari Coker tells the story you've never heard about the dramatic, tension-filled world of Biggie, Tupac, Puff Daddy, and Suge Knight, tracing their friendships and feuds from the beginning to the bitter end. Despite the clash of personalities and styles, all four were key players in a volatile and creative era of hip hop, a time when gangsta rap became popular music. Before he rocketed to fame as Biggie, Christopher Wallace was a young black man growing up in Brooklyn with a loving single mother. An honors student who dropped out of school to sell drugs, Biggie soon discovered that he had a gift for rocking the mike. Coker's narrative is based on exclusive interviews with Biggie's family and friends, some of whom have never spoken publicly about Biggie before. Compellingly written and brilliantly illustrated, with rare color and black-and-white photographs from VIBE's archives and Biggie's family, this is an in-depth look at the life and afterlife of an icon whose music is as powerful and prevalent as ever. A virtuoso of flow as well as a master storyteller, Biggie was arguably the greatest rapper of all time. We've heard a lot of speculation about Biggie's death. Now it's time to remember his life and celebrate his work.

A journalist’s story of corruption in the LAPD and hip-hop’s most infamous murders—“the most thorough examination of these much-publicized events” (Renée Graham, The Boston Globe). Acclaimed journalist Randall Sullivan follows Russell Poole, a highly decorated LAPD detective who, in 1997, was called to investigate a controversial cop-on-cop shooting, eventually to discover that the officer killed was tied to Marion “Suge” Knight’s notorious gangsta rap label, Death Row Records. During his investigation, Poole came to realize that a growing cadre of outlaw officers were allied not only with Death Row, but with the murderous Bloods street gang. And incredibly, Poole began to uncover evidence that at least some of these “gangsta cops” may have been involved in the murders of rap superstars Notorious B.I.G. and Tupac Shakur. Igniting a firestorm of controversy in the music industry and the Los Angeles media, the release of LAbyrinth helped to prompt two lawsuits against the LAPD (one brought by the widow and mother of Notorious B.I.G., the other brought by Poole himself) that may finally bring this story completely out of the shadows.

"Big Happiness is extremely important to our community. Mark Panek’s biography of Percy Kipapa speaks to the consequences of the destruction of Hawai‘i’s rural neighborhoods, unchecked development, the ice epidemic, the failures of government, sumo, intricate family and neighbor relationships, and more. What is most impressive is Panek’s ability to weave all of these complex topics together in a seamless narrative that connects all the dots. Part mystery, part investigative journalism, part poignant Island portrait, this work contains an emotional element that binds the reader to the subjects in a dignified yet touching way, showing compassion and even affection for people while revealing their flaws and shortcomings. This book will resonate with an Island audience and with anyone interested in Hawai‘i." —Victoria Kneubuhl, Hawai‘i writer and playwright "This book tells of personal triumphs and failures, and also the triumphs and failures of families, communities, organizations, agencies, governments, and churches dealing with the multiple consequences of ‘progress’ in contemporary Hawai‘i. There have been heroes and villains at all levels—frequently, the same individuals and agencies are both at the same time. The story of Percy Kipapa is especially poignant because professional sumo gave him a unique opportunity to transcend Hawai‘i’s culture of colonialism, racism, poverty, and drug addiction, which in the end all brought him down anyway. Mark Panek has done a masterful job of weaving these strands together."—Reverend Bob Nakata, former Hawai‘i state senator "Spanning the history of Waikane and the brutality of Japan’s national sport, Big Happiness is a remarkably ambitious piece that links one man’s murder to the ice epidemic, land development, and political corruption in Hawai‘i. Mark Panek’s meticulously researched, skillfully written, heartbreaking story, filled with voices that ring true, is an indictment of an entire system that crushed a gentle giant. While other Hawai‘i writers dwell in ‘take me back to da kine’ nostalgia, Panek tells it like it really is." —Chris McKinney, author of The Tattoo and Mililani Mauka

A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.

Do our lives have meaning? Should we create more people? Is death bad? Should we commit suicide? Would it be better to be immortal? Should we be optimistic or pessimistic? Since Life, Death, and Meaning: Key Philosophical Readings on the Big Questions first appeared, David Benatar’s distinctive anthology designed to introduce students to the key existential questions of philosophy has won a devoted following among users in a variety of upper-level and even introductory courses. While many philosophers in the "continental tradition"—those known as "existentialists"—have engaged these issues at length and often with great popular appeal, English-speaking philosophers have had relatively little to say on these important questions. Yet, the methodology they bring to philosophical questions can, and occasionally has, been applied usefully to "existential" questions. This volume draws together a representative sample of primarily English-speaking philosophers' reflections on life's big questions, divided into six sections, covering (1) the meaning of life, (2) creating people, (3) death, (4) suicide, (5) immortality, and (6) optimism and pessimism. These key readings are supplemented with helpful introductions, study questions, and suggestions for further reading, making the material accessible and interesting for students. In short, the book provides a singular introduction to the way that philosophy has dealt with the big questions of life that we are all tempted to ask.

/Bronwyn Carlton Death remains one of society's last taboos, a subject few are willin gto acknowledge, let alone discuss. THE BIG BOOK OF DEATH looks the Grim Reaper in the fact and laughs, with tales of outmoded methods of execution, captial punishment, visits to famous cemetaries, body disposal, weird deaths and stupid murders and more. G

A Valentine's Day getaway is on the rocks when a young winemaker discovers a body at an alpine resort in this delightful cozy mystery. When Parker Valentine decides to take a weekend getaway with her boyfriend Reid, a ski trip seems like the perfect choice. Between hitting the slopes and persuading the resort's wine director to sell her mulled wine, Parker is eager to mix business with pleasure. But her plans are muddled when she finds the resort owner's body on a treacherous portion of ski trail near the resort. As a result, not only is Parker's romantic weekend thrown into chaos, but now that the owner has died, her business deal is due for a frosty reception, and her life might be in danger as well. After a series of unfortunate mishaps befall Parker, she realizes that whoever killed the resort owner might want to tie up loose ends. Parker's going to need all of the investigative skills at her disposal to catch a killer before they put her on ice.