A universal narrative on the significance of distance with love; remember to hold on to what you believe in. Ideal for those “whose love knows no bounds," The Space Between Us is full of profound anecdotes and messages, illustrating the courage and heartache of enduring physical distance. The Space Between Us explores the trials of love and what it's like to live a life separated by distance from someone you care about. Its content is thoughtfully divided into five chapters, or phases, of the long-distance experience: At First Glance Living for Tomorrow Lonely Nights Grow Together/Grow Apart When I See You. A combination of poems and prose are sporadically connected with small graphics and maps to visualize the journey of physical distance. These poems serve as an adhesive between the reader and the ones they miss, the longing, the anticipation, and the eventual relief. Though both authors bring with them a unique perspective, the lens is singular; each is attuned to navigating this complex terrain.

In Instructions for an Animal Body, Kelly Gray leads readers on a journey where body is both the death ground of grief and the birthplace of resilience. Using natural history to flip human constructs around predator and prey, violence and sensuality, Gray reimagines a lush modern mythology. From the work of vultures to weather systems between legs, these poems will transport you into a gritty world where boundaries between beasts and humans merge and the beautiful monster-within reigns supreme.

The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. —from “WHEREAS Statements” WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

There are unforgettable things we lift to the light. There are unforgettable things we wish would stay buried. In her second collection, S.L. Gray tells the story of loss and healing through poetry and prose.

Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.

A reissue of this classic, essential companion to Frank O'Hara's Collected Poems, with a new introduction by Bill Berkson.

Karyna MyGlynn takes readers on tour through the half-haunted house of the contemporary American psyche with wit, whimsy, and candid confession. Disappointing lovers surface in the bedroom; in the bathroom, "the drained tub ticks with mollusks & lobsters;" revenge fantasies and death lurk in the basement where they rightly belong. With lush imagery and au courant asides, Hothouse surprises and delights. Karyna McGlynn is the author of I Have to Go Back to 1994 and Kill a Girl and three chapbooks. She is currently a Visiting Assistant Professor of Creative Writing and Translation at Oberlin College.

A riveting lyrical constellation centered on the Battle of Passchendaele in Flanders Fields and tibetan protective magic In the foreword to her book-length poem, Salient, Elizabeth Gray writes, “This work began by juxtaposing two obsessions of mine that took root in the late 1960s: the Battle of Passchendaele, fought by the British Army in Flanders in late 1917, and the chöd ritual, the core ‘severance’ practice of a lineage founded by Machik Lapdrön, the great twelfth-century female Tibetan Buddhist saint.” Over the course of several decades, Gray tracked the contours and traces of the Ypres Salient, walking the haunted battlefield ground of the contemporary landscape with campaign maps in hand, reading “not only history, poetry, and fiction, but also unit diaries; contemporary reports and individual accounts; survey information and maps of all kinds; treatises on aerial photography and artillery tactics; and manuals on field engineering and tactical planning.” Out of this material, through a process of collage, convergence, and ritual chöd visualization, Gray has composed a spare, fascinating lyrical engagement with The Missing, in shell hole and curved trench, by way of amulets and obstacles. What is salient rises from the secret signs in song, like a blessing, protected from harm.

Poetry for the soul that walks a fine line between losing yourself in the world and finding yourself again, often in the smallest of moments. Courtney Peppernell, author of the internationally best-selling poetry series Pillow Thoughts delivers another collection of prose and poetry that asks the reader to look deep within themselves and heal the ache. The Road Between is the journey you take from the shadows to the light. Settle in, lose yourself in the pages, and find the strength to come back home.

Dear Midnight is a poetic love letter to the darkest moments. A hello to the moon. A break from the idea that love can only be found in the daylight. ______________________ we are a generation of almost lovers, gazing with gleaming eyes at the moon, knowing she empathizes with our same hearts always missing each other by nothing more than those few minutes that separate darkness from daylight.