Set in a male burlesque theater, this debut novel follows the mercenary life of a young dancer who falls in love for the first time. What ensues is a raw, poetic love story that resonates like a tragic Mexican corrido.

In this thought-provoking and sensitive book, a noted Jungian scholar explores the deepest elements in the American psyche that need healing to bring forth the best in both of the worlds we walk in: the highly differentiated and technologically developed Western civilization and the indigenous native "soul" that is the essence of each human being. The author demonstrates that this soul is forcefully represented in America in the experience of the Native American peoples and their relationship to the land and to the ancient "indigenous one" at the heart of our human rights.The author explores not only the best of Native American spiritual thought to rediscover that soul, but also the terrible psychic damage done to later settlers by five hundred years of violence against the original peoples. He sketches positive directions that will create a partnership between the two worlds of our past and bring them together in a "dance" that will encourage a more redemptive spiritual order+

Ordered to hold an abandoned army post, John Dunbar found himself alone, beyond the edge of civilization. Thievery and survival soon forced him into the Indian camp, where he began a dangerous adventure that changed his life forever. Relive the adventure and beauty of the incredible movie, DANCES WITH WOLVES.

Between Beats: The Jazz Tradition and Black Vernacular Dance offers a new look at the complex intersections between jazz music and popular dance over the last hundred-plus years. Author Christi Jay Wells shows how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development even as jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of choreographies of listening, the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. It also unpacks the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, it advances participatory dance and embodied practice as central topics of analysis in jazz studies. As it explores the fascinating history of jazz as popular dance music, it exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status.

Focusing on Berlin's heyday as a hotbed of both artistic excellence and moral decadence, this survey also assesses the political and historical factors that encouraged - or failed to prevent - the rise of Nazism.

Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.

Dance and literary studies have traditionally been at odds: dancers and dance critics have understood academic analysis to be overly invested in the mind at the expense of body signification; literary critics and theorists have seen dance studies as anti-theoretical, even anti-intellectual. Bodies of the Text is the first book-length study of the interconnections between the two arts and the body of writing about them. The essays, by scholar-critics of dance and literature, explore dances actual and fictional to offer powerful new insights into issues of gender, race, ethnicity, popular culture, feminist aesthetics, historical "embodiment," identity politics, and narrativity. The general introduction traces the genealogy of dance studies in the academy to suggest why critical and theoretical attention to dance--and dance's challenges to writing--is both compelling and overdue. A milestone in interdisciplinary studies, Bodies of the Text opens both its fields to new inquiry, new theoretical precision, and to new readers and writers.

An assault on the senses, part murder mystery, part metaphysical speculation; a fable for our times as catchy as a rock song blasting from the window of a sports car. High-class call girls billed to Mastercard. A psychic 13-year-old dropout with a passion for Talking Heads. A hunky matinee idol doomed to play dentists and teachers. A one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem. Combine this offbeat cast of characters with Murakami's idiosyncratic prose and out comes Dance Dance Dance. 'If Raymond Chandler had lived long enough to see Blade Runner, he might have written something like Dance Dance Dance' Observer

Dancing For Him is a helpful handbook about dancing for the Lord during praise and worship, ministry, and gospel presentations. Written from a dance team leader's perspective, the topics include:Dance During Praise SongsDance During WorshipTeam UnityMinistering LoveMinistering DeliveranceMinistering PropheticallyPerformance Vs. MinistryChoreography TipsSuccessful RehearsalsOld and New Testament words relating to praise through movement (along with the associated scriptures)It contains great testimonies, and is wonderful for someone just starting a dance team, as well as for one more experienced.People have said, "I wish I had this book before starting in dance ministry. It certainly would have helped."Also, many dance leaders order one copy for each member of their team, so they may have weekly studies.