Samuel Beckett has become the standard work on the enigmatic, controversial, and Nobel Prize-winning creator of such contributions to 20th-century theater as Waiting for Godot and Endgame. 16 pages of black-and-white photographs.

A powerful, genre-defying meditation, with Beckett at its origin, that touches on mysteries as varied as literary celebrity, baseball, and why we feel the need to be cruel to one another Following the schema of Samuel Beckett's unpublished "Long Observation of the Ray," of which only six manuscript pages exist, poet and critic Michael Coffey interleaves multiple narratives according to an arithmetic sequence laid out by Beckett in his notes. This rhythm of themes and genres--involving personal memoir, literary criticism, Beckett studies, contemporary political reportage and accounts of state-sponsored torture in appropriated texts, plus an Arabian Tale and even a baseballplay-by-play--produce a work at once sculptural, theatrical, mathematical and above all lyrical, a new form of narrative answering to a freshened rule set. In executing Beckett's most radical undertaking--one scholar referred to "Long Observation of the Ray" as a "monument to extinction"--Coffey gives readers access to an open field in which ruminations on writing mix with an engagement with Beckett scholarship as well as the unsettling chaos in today's world. Although Beckett, like any writer, had his share of abandoned works, he was in the habit of "unabandoning" on occasion. Coffey's effort here salvages a Beckett project from a half-century ago and brings it to the surface, with the contemporary markings of its hauling.

Forming a pair with the voice, the gaze is a central structuring element of Samuel Beckett’s creation. And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. The collapse of conventional reality and the highlighting of seeing devices—eyes, mirrors, windows—point to the absence of a unified representation. While masks and closed spaces show the visible to be opaque and devoid of any beyond, light and darkness, spectres—manifestations without origin—reveal a realm beyond the confines of identity, where nothing provides a mediation with the seen, or sets it within perspective. Finally, Beckett’s use of the audio-visual media deepens his exploration of the irreducibly real part of existence that escapes seeing. This study systematically examines these essential aspects of the visual in Beckett’s creation. The theoretical elaborations of Jacques Lacan—in relation with corresponding developments in the history and philosophy of the visual arts—offer an indispensible framework to understand the imaginary not as representation, but as rooted in the fundamental opacity of existence.

Applies an understanding of Zen Buddhism to the 'absurdity' of Beckett, which is seen as an expression of deepest spiritual anguish.

Follow Beckett (the little boy that lived) through his tragic beginnings and exciting journey of becoming a Navy SEAL. Based on true stories about faith, family, the military and the Navy SEALs. This book series is dedicated to the men and women that serve this country.

Essays by Beckett's biographer and friend and hitherto unknown photographs by one of the leading theatre photographers in the field.

L. X. Beckett's Dealbreaker is the thrilling sci-fi sequel to Gamechanger, perfect for fans of Neuromancer and Star Trek Rubi Whiting has done the impossible. She has proved that humanity deserves a seat at the galactic table. Well, at least a shot at a seat. Having convinced the galactic governing body that mankind deserves a chance at fixing their own problems, Rubi has done her part to launch the planet into a new golden age of scientific discovery and technological revolution. However, there are still those in the galactic community that think that humanity is too poisonous, too greedy, to be allowed in, and they will stop at nothing to sabotage a species determined to pull itself up. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Neuromancer meets Star Trek in Gamechanger, a fantastic new book from award-winning author L. X. Beckett. First there was the Setback. Then came the Clawback. Now we thrive. Rubi Whiting is a member of the Bounceback Generation. The first to be raised free of the troubles of the late twenty-first century. Now she works as a public defender to help troubled individuals with anti-social behavior. That’s how she met Luciano Pox. Luce is a firebrand and has made a name for himself as a naysayer. But there’s more to him than being a lightning rod for controversy. Rubi has to find out why the governments of the world want to bring Luce into custody, and why Luce is hell bent on stopping the recovery of the planet. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This book focuses on Samuel Beckett's psychoanalytic psychotherapy with W. R. Bion as a central aspect both of Beckett's and Bion's radical transformations of literature and psychoanalysis. The recent publication of Beckett's correspondence during the period of his psychotherapy with Bion provides a starting place for an imaginative reconstruction of this psychotherapy, culminating with Bion's famous invitation to his patient to dinner and a lecture by C.G. Jung. Following from the course of this psychotherapy, Miller and Souter trace the development of Beckett's radical use of clinical psychoanalytic method in his writing, suggesting the development within his characters of a literary-analytic working through of transference to an idealized auditor known by various names, apparently based on Bion. Miller and Souter link this pursuit to Beckett's breakthrough from prose to drama, as the psychology of projective identification is transformed to physical enactment.

This is the first monograph to analyse Beckett’s use of the visual arts, music, and broadcasting media through a transdisciplinary approach. It considers how Beckett’s complex and varied use of art, music, and media in a selection of his novels, radio plays, teleplays, and later short prose informs his creative process. Investigating specific instances where Beckett’s writing adopts musical or visual structures, Lucy Jeffery identifies instances of Beckett’s transdisciplinarity and considers how this approach to writing facilitates ways of expressing familiar Beckettian themes of abstraction, ambiguity, longing, and endlessness. With case studies spanning forty years, she evaluates Beckett’s stylistic shifts in relation to the cultural context, particularly the technological advancements and artistic movements, during which they were written. With new examples from Beckett’s notebooks, critical essays, and letters, Transdisciplinary Beckett evidences how the drastic changes that took place in the visual arts and in musical composition influenced Beckett and, in turn, were influenced by him. Transdisciplinary Beckett situates Beckett as a key figure not just in the literary marketplace but also in the fields of music, art, and broadcasting.