For the last decade, Rob Sears has been painstakingly combing the words of Donald J. Trump for signs of poetry. To the surprise of many, he has found riches. By simply cutting up and reordering lines from Trump’s tweets, Truths and transcripts, Sears has unearthed a trove of exquisite verse that was just waiting to be found. In this expanded edition of a poetry classic, fans can rediscover a writer of rare conviction (thirty-four felony charges and counting), and for the first time ponder the full span of Trump's artistic flowering and the paradoxes it poses. Like: How can one and the same person unite critics with beautiful poems, yet prove so divisive in his 'other life' as a political leader? And how can a man many consider desperately flawed produce works of such grace as 'All I ask is fairness', 'My hands are normal hands' and 'Shithole countries'? The Beautiful Poetry of Donald Trump is a carefully curated collection for our times that will make a thought-provoking addition to any poetry-lover’s library.

"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.

The New York Times Best Seller For the first time ever, 75 beloved songs from Mister Rogers’ Neighborhood and The Children's Corner are collected in this charmingly illustrated treasury, sure to be cherished by generations of children as well as the millions of adults who grew up with Mister Rogers. It’s you I like. It’s not the things you wear, It’s not the way you do your hair— But it’s you I like. From funny to sweet, silly to sincere, the lyrics of Mister Rogers explore such universal topics as feelings, new siblings, everyday life, imagination, and more. Through these songs—as well as endearing puppets and honest conversations—Mister Rogers instilled in his young viewers the values of kindness, self-awareness, and self-esteem. But most of all, he taught children that they are loved, just as they are. Perfect for bedtime, sing-along, or quiet time alone, this beautiful book of meaningful poetry is for every child—including the child inside of every one of us.

From love and war to Shark Week and college football, this award-winning poetry collection “makes both the marvelous and quotidian buzz with brilliance” (Matt Rasmussen). Incantatory, intimate, and incendiary, the poems of this award-winning debut are filled with explosive wit and humor like “a knife you don’t see coming.” A kaleidoscopic intelligence flows through Beautiful Zero, embracing forms of culture high and low in effort to finding meaning in the chaos. A series of poems set in a Kaiser Permanente hospital tear into the world of privatized health care while simultaneously charting a story of love in the face of catastrophe. Yet even at her most surreal, Willoughby always finds the pulsing heart at the core of the poem. She embraces what she cannot understand about both the world and herself because after all, “Nothing is as random as they say it is. / You were born the weirdo that you are.” Winner of the 2015 Lindquist & Vennum Prize for Poetry

“[A] confident, mystical, expansive project.”—Publishers Weekly “[D]azzling and timeless . . . focus is so unwaveringly aimed toward the transcendent—not God, but the beloved—that we seem to slip into a less cluttered time.”—The Virginia Quarterly Review, “Editor’s Choice” "Mary Oliver calls him '...a Walt Whitman without an inch of Whitman's bunting or oratory.' In these pages, he is more nearly a modern-day Rumi. This is not primarily a poetry of image, but of ideas, perfectly distilled. Orr brings together the monumental themes of love and loss in small, spare, and exquisite koan-like poems."—ForeWord "...magnetic poems that open the world of lyrical verse to the larger questions of what is true and timeless." —The Bloomsbury Review Gregory Orr continues his acclaimed project on the “beloved” with a lyrical sequence about the joys and hungers of being fully engaged in life. Through concise, perfectly formed poems, he wakes us to the ecstatic possibilities of recognizing and risking love. Mary Oliver has called this project “gorgeous,” and said that he "speaks of the events that have no larger or more important rival in our lives—of our love and our loving." If to say it once And once only, then still To say: Yes. And say it complete, Say it as if the word Filled the whole moment With its absolute saying. Later for “but,” Later for “if.” Now Only the single syllable That is the beloved. That is the world. Gregory Orr is the author of ten books of poetry. He teaches at the University of Virginia and lives in Charlottesville.

She is Fierce: Brave, Bold and Beautiful Poems by Women is a powerful collection of 150 poems written by women – from classic, much loved poets to bold modern voices. Collected by poet Ana Sampson, this collection celebrates the centenary of women's suffrage at a time when we are still having important conversations about women's right to be treated as equals. It speaks of universal experiences and emotions. The anthology is divided into the following sections: Roots and Growing Up Friendship Love Nature Freedom, Mindfulness and Joy Fashion, society and body image Protest, courage and resistance Endings She is Fierce contains an inclusive array of voices, from modern and contemporary poets such as Maya Angelou and Grace Nichols to poets from previous centuries including Emily Dickinson, Christina Rossetti, Ella Wheeler Wilcox and Charlotte Bronte. Immerse yourself in poems from Wendy Cope, Carol Ann Duffy, Fleur Adcock, Liz Berry, Jackie Kay, Hollie McNish, Imtiaz Dharker, Helen Dunmore, Mary Oliver and Dorothy Parker, to name but a few! Featuring short biographies of each poet, She is Fierce is a stunning collection and an essential addition to any bookshelf.

A TIME Magazine Best Paperback of 2017 One of Oprah Magazine's "Ten Best Books of 2017" "This singular poetry collection is a dynamic meditation on the experience of, and societal narratives surrounding, contemporary black womanhood. . . . These exquisite poems defy categorization." —The New Yorker The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly-laughing in the therapist’s office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, ruthless, and sequined, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and deja vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You’re gonna give us the love we need.

What can the rise of this century's most feared politician teach us about life, work and love? Rob Sears satirises the machinations that enabled Putin to dominate the Kremlin and undermine the United States of America as ways to help you take control of your mundane life. Would you like to ruin your enemies by sharing compromising material about that time they didn't wash their hands? Fancy hacking democracy at the parent-teacher association to ensure you're a shoo-in for social secretary? Or serving up a cold dish called revenge in a high street restaurant? Filled with stories of Putin's extraordinary and chilling actions, with mocking ideas and illustrations to help you emulate him on a small scale, Vladimir Putin: Life Coach is the ultimate parody guide to releasing the pseudo-elected, judo black belt, 5D chess-playing autocrat inside each and every one of us.

In this new collection of poetry, written after retirement from his scientific career, author Nirander M. Safaya portrays the thrills and challenges of life in general and of love in particular. Reflections on Being Human shows how our ordinary needs and experiences lead us to the light of self-knowledge. Divided into three thematic sectionsLife, Love, and Lightthese verses provide a thought-provoking panoramic view of the pragmatic, romantic, and spiritual aspirations that lie at the core of human nature. In parts I and II, Safaya seeks to capture the feelings, moods, and perplexing questions invoked by the fundamental conditions of our being. In part III, he reflects on the philosophical and spiritual underpinnings of human nature and experience, necessary aspects of the search for true peace and happiness. Appealing and uplifting, this collection presents 152 poems reminiscent of classical poetry and expressing the joys and sorrows of life and love and the saving grace of light.

The first definitive edition in English of writings by poet, painter, pickpocket-plagiarist, and consummate anti-artist Francis Picabia, one of Dada's leading figures. Poet, painter, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence, Francis Picabia was a defining figure in the Dada movement; indeed, André Breton called Picabia one of the only “true” Dadas. Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.