Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali’s booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property. Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether performed live on stage, broadcast on the radio, or shared over the Internet, music is a privileged mode of expression that suffuses Bamako’s urban soundscape. It animates professional projects, communicates cultural values, pronounces public piety, resounds in the marketplace, and quite literally performs the nation. Music, the artists who make it, and the audiences who interpret it thus represent a crucial means of articulating and disseminating the ethics and aesthetics of a varied and vital Afropolitanism, in Bamako and beyond.

Seydou Keita was born in Bamako, Mali in 1921, then part of the colony of French Sudan and a bustling transportation hub on the route to Dakar. With a Kodak Brownie given to him by his uncle, Keita took up photography at the age of 14, going on to establish what would become Bamako's most successful portraiture enterprise of the 1950s and 60s. "Photographs, Bamako, Mali 1949-1970" draws on an expanded archive to offer over 400 portraits, mostly unpublished, from the height of the photographer's productivity in downtown Bamako. Providing lushly patterned backdrops and props that now serve to date distinct periods in his career, the artist often styled his subjects but also encouraged their active participation, hanging sample portraits around the studio as inspiration. Migratory youth, government officials, shop owners and Bamako's cultural elite all make appearances here, and while Keita's photographs served as both family record and cultural status symbol for the clients who commissioned them, these images have become a lasting visual record of Mali at that time. Seydou Keita's work made its first international appearance in 1991 and has been exhibited extensively across Europe, Japan and the United States.

This book proposes a new approach for a systemic and dynamic analysis of urban and peri-urban land markets in West Africa and applies it to Bamako, Mali. Based on a description of 'land delivery' processes, it sheds light on the challenges faced by the urban poor in accessing secure land.

How do people survive and thrive in the uncertain and risk-prone Sahel? Land, Investment, and Migration seeks to answer this question through a long-term study of the people of Dlonguébougou in Central Mali. It uses a combination of infographics, satellite images, interviews, and survey data to present the strategies and fortunes of individuals and their families in this region over 35 years. In the early 1980s Camilla Toulmin spent two years in Dlonguébougou. She has since revisited to explore how climate change, population growth, new technologies, and land-grabs have been affecting the livelihoods and prospects of local people since. Land, Investment, and Migration: Thirty-five Years of Village Life in Mali brings together her findings. A trebling in population, unpredictable rainfall, and the arrival of Chinese investment have forced people into new ways of making ends meet and building up wealth - some doing much better than others. This book presents the search for new cash incomes, the shift of people from village to town, and the erosion of collective solidarity at household and village levels. Land, Investment, and Migration presents a mixed picture of a changing society. It shows the vibrancy of the village economy, rapid uptake of mobile phones and solar panels, and increased migration. It also shows the persistence of large family structures which offer some protection from the risks that many villagers face.

**New York Times Book Review Editors' Choice** To save ancient Arabic texts from Al Qaeda, a band of librarians pulls off a brazen heist worthy of Ocean’s Eleven in this “fast-paced narrative that is…part intellectual history, part geopolitical tract, and part out-and-out thriller” (The Washington Post) from the author of The Falcon Thief. In the 1980s, a young adventurer and collector for a government library, Abdel Kader Haidara, journeyed across the Sahara Desert and along the Niger River, tracking down and salvaging tens of thousands of ancient Islamic and secular manuscripts that were crumbling in the trunks of desert shepherds. His goal: preserve this crucial part of the world’s patrimony in a gorgeous library. But then Al Qaeda showed up at the door. “Part history, part scholarly adventure story, and part journalist survey…Joshua Hammer writes with verve and expertise” (The New York Times Book Review) about how Haidara, a mild-mannered archivist from the legendary city of Timbuktu, became one of the world’s greatest smugglers by saving the texts from sure destruction. With bravery and patience, Haidara organized a dangerous operation to sneak all 350,000 volumes out of the city to the safety of southern Mali. His heroic heist “has all the elements of a classic adventure novel” (The Seattle Times), and is a reminder that ordinary citizens often do the most to protect the beauty of their culture. His the story is one of a man who, through extreme circumstances, discovered his higher calling and was changed forever by it.

A second edition of the first English-language travel guide to Mali, full of practical information and cultural background for the independent traveler.

Mali is a landlocked country in West Africa, bordered by Niger to the east, Burkina Faso to the south-east, Côte d'Ivoire to the south, Guinea to the south-west, Senegal to the west, and Mauritania to the north and north-west. The country has a rich cultural history, with evidence of human settlement as far back as 10,000 BC. From the ancient Malian Empire of the 13th and 14th centuries to the present-day challenges of political instability, Mali has experienced significant changes over time. Today, Mali remains one of the least developed countries in the world, with high poverty rates, food insecurity, and limited access to education and healthcare. Despite these challenges, Mali is rich in natural resources, including gold, and has potential for economic growth and development. As a former French colony, French is the official language of Mali, but many people also speak the regional languages of Bambara, Songhai, and Tamashek. Islam is the dominant religion in Mali, though there are also significant Christian and traditional animist populations. Mali is home to several important cultural sites, including the ancient city of Timbuktu and the Dogon people, known for their unique architecture and spiritual practices. Mali also has a strong tradition of music and dance, with the griot tradition of oral storytelling and praise singing being an important part of the country's cultural heritage.

Warfare in the twenty-first century goes well beyond conventional armies and nation-states. In a world of diffuse conflicts taking place across sprawling cities, war has become fragmented and uneven to match its settings. Yet the analysis of failed states, civil war, and state building rarely considers the city, rather than the country, as the terrain of battle. In Cities at War, Mary Kaldor and Saskia Sassen assemble an international team of scholars to examine cities as sites of contemporary warfare and insecurity. Reflecting Kaldor’s expertise on security cultures and Sassen’s perspective on cities and their geographies, they develop new insight into how cities and their residents encounter instability and conflict, as well as the ways in which urban forms provide possibilities for countering violence. Through a series of case studies of cities including Baghdad, Bogotá, Ciudad Juarez, Kabul, and Karachi, the book reveals the unequal distribution of insecurity as well as how urban capabilities might offer resistance and hope. Through analyses of how contemporary forms of identity, inequality, and segregation interact with the built environment, Cities at War explains why and how political violence has become increasingly urbanized. It also points toward the capacity of the city to shape a different kind of urban subjectivity that can serve as a foundation for a more peaceful and equitable future.

This ethnography of fertility provides a fascinating contribution to the debate on population growth in Sub-Saharan Africa. The thorough analysis of the rapidly changing urban environment illuminates the interests, strategies, and means of the various parties involved in demographic change.

Allison Moore examines the tensions between the local and the global in the art photography movement that blossomed in Bamako, Mali, in the 1990s, showing contemporary Malian photography to be a rich example of Western notions of art meeting traditional cultural precepts to forge new artistic forms, practices, and communities.