In the 1880s, the Ozark hills around Taney County, Missouri, echoed with the sound of Winchester rifles. Men were lynched from tree limbs by masked night riders. Bundles of switches were tossed on the porches of "loose" men and women as a grim warning to reform or leave the area. In this action-filled saga of the notorious eight-year career of the vigilantes, journalist Mary Hartman and historian Elmo Ingenthron have produced the most comprehensive account of the Bald Knobber era. They trace the roots of the group in the region's border struggles during the Civil War, and examine the organization of anti-Bald Knobbers which sprang up to oppose them. Giant Nat Kinney founded the Bald Knobbers, and led them in their violent campaign for law and order. Andrew Coggburn wrote satirical songs to infuriate Kinney and the other vigilantes. Seventeen-year-old Billy Walker murdered an innocent family and was hanged by the beleaguered authorities. Five opponents of the Bald Knobbers vowed to kill Nat Kinney, and played cards to decide who would do the deed. Elmo Ingenthron was an Ozarks historian, and collected Bald Knobbers lore for more than thirty-five years. Mary Hartman is a veteran journalist and freelance writer.

In the twenty-first century, the word vigilante usually conjures up images of cinematic heroes like Batman, Zorro, the Lone Ranger, or Clint Eastwood in just about any film he’s ever been in. But in the nineteenth century, vigilantes roamed the country long before they ever made their way onto the silver screen. In Faces Like Devils, Matthew J. Hernando closely examines one of the most famous of these vigilante groups—the Bald Knobbers. Hernando sifts through the folklore and myth surrounding the Bald Knobbers to produce an authentic history of the rise and fall of Missouri’s most famous vigilantes. He details the differences between the modernizing Bald Knobbers of Taney County and the anti-progressive Bald Knobbers of Christian County, while also stressing the importance of Civil War-era violence with respect to the foundation of these vigilante groups. Despite being one of America’s largest and most famous vigilante groups during the nineteenth century, the Bald Knobbers have not previously been examined in depth. Hernando’s exhaustive research, which includes a plethora of state and federal court records, newspaper articles, and firsthand accounts, remedies that lack. This account of the Bald Knobbers is vital to anyone not wanting to miss out on a major part of Missouri’s history.

This account of nineteenth-century Missouri vigilantes is “a first rate adventure story [and] an extremely valuable study of the roots of violence in America” (Gary Paulsen, Newbery Medal–winning author of Hatchet). In the 1880s, the Ozark hills around Taney County, Missouri, echoed with the sound of Winchester rifles. Men were lynched from tree limbs by masked night riders. Bundles of switches were tossed on the porches of “loose” men and women as a grim warning to reform or leave the area. This action-filled saga of the notorious eight-year career of the vigilantes is the most comprehensive account of the Bald Knobber era. It traces the roots of the group in the region’s border struggles during the Civil War, and examines the organization of anti-Bald Knobbers which sprang up to oppose them. Giant Nat Kinney founded the Bald Knobbers, and led them in their violent campaign for law and order. Andrew Coggburn wrote satirical songs to infuriate Kinney and the others. Seventeen-year-old Billy Walker murdered an innocent family and was hanged by the beleaguered authorities. Five opponents of the Bald Knobbers vowed to kill Nat Kinney, and played cards to decide who would do the deed. This book, with photos and illustrations, provides “the most accurate accounting to date of this vigilante group” (Springfield (MO) News-Leader). “Has the sweep and drama of a major novel, with the power and authority of historical truth.” —Loren D. Estleman, Shamus Award-winning author of Monkey in the Middle “Meticulously detailed and carefully constructed . . . fills a gap in the recorded history of Missouri.” —The Kansas City Star

A boy's book report on Reconstruction Era vigilantes known as the Bald Knobbers sends him on a quest for justice.

The Shepherd of the Hills is the classic story of the stranger who takes the Old Trail deep into the Ozark Mountains, many miles from civilization. His appearance signals intellect and culture, yet his countenance is marked by grief and disappointment. What is his purpose in taking on the lowly work of tending local sheep? And how is it that he befriends these simple hill folk, despite his coming from the world beyond the ridges? Mystery and romance envelop this gentle yet compelling story as the identity and purpose of the stranger-turned-shepherd is gradually unveiled.

Taney County, located in southern Missouri on the Arkansas state line was rough country with rolling limestone hills and ridges. It was covered with trees, underbrush and rife with steep rocky cavernous ravines. Cool clear springs and creeks flowed out of these ravines and valleys and into the White River. During the Civil War and for many years after, outlaws took refuge there. The county government was in disarray, and nearly all crimes committed were totally ignored. After the Civil War, there was a land rush as the federal government expanded the Homestead Act. Families moved here from other parts of the country and acquired property. The locals, at first, considered them "outsiders" for they had no right, in their eyes, to tell them how they should live their lives. Some of the "newcomers" came from large cities and "civilized society" and they were astounded that this area, called God's Country by the natives, had virtually no judicial system. Many of the newcomers and, even those who had lived here for many years, were hoping for change. The event that sparked that change was the murder of a businessman, by the name of Jim Everett, and the subsequent trial in which his killer was acquitted. This unjust event spawned a vigilante band of night riders made up, initially, of notable men; attorneys, merchants, lawmen, and landowners. Stories were published in national newspapers and the group became notorious. Things, however, did not turn out as expected. This story takes place between 1883 and 1891. It is eight years of brutality and corruption that, to this day, remains burned into the memories of the people of southern Missouri. But this is not just about the Bald Knobbers. It is about the people and the land, life and death during hard uncertain times, families and their children, grandfathers and grandmothers, resistance and submission, hate and love, seasons and rural life in southern Missouri during the last part of the 19th century.

In the early 1800s, rugged and self-sufficient pioneers left their native homelands to tame the wild Ozark territory. These early settlers left their mark on history, as they settled Taney County, and became Missouri's first families.With family stories and photographs passed down from generation to generation, Ozark Pioneers shares the experiences of the first residents of the area. Family names such as Allen, Coggburn, Smith, Whorton, Layton, Bollinger, Brittain, and Rittenhouse appear throughout the history of Taney County, demonstrating the roots and growth of the wild Ozark territory. From the bloody days of battle in the Civil War, to the continuous fight against the outlaws in the Bald Knobber era, these pages detail the courage, hardships, and strength of theses founding families in an untamed land.

Historians have long known that German immigrants provided much of the support for emancipation in southern Border States. Kristen Layne Anderson's Abolitionizing Missouri, however, is the first analysis of the reasons behind that opposition as well as the first exploration of the impact that the Civil War and emancipation had on German immigrants' ideas about race. Anderson focuses on the relationships between German immigrants and African Americans in St. Louis, Missouri, looking particularly at the ways in which German attitudes towards African Americans and the institution of slavery changed over time. Anderson suggests that although some German Americans deserved their reputation for racial egalitarianism, many others opposed slavery only when it served their own interests to do so. When slavery did not seem to affect their lives, they ignored it; once it began to threaten the stability of the country or their ability to get land, they opposed it. After slavery ended, most German immigrants accepted the American racial hierarchy enough to enjoy its benefits, and had little interest in helping tear it down, particularly when doing so angered their native-born white neighbors. Anderson's work counters prevailing interpretations in immigration and ethnic history, where until recently, scholars largely accepted that German immigrants were solidly antislavery. Instead, she uncovers a spectrum of Germans' "antislavery" positions and explores the array of individual motives driving such diverse responses.. In the end, Anderson demonstrates that Missouri Germans were more willing to undermine the racial hierarchy by questioning slavery than were most white Missourians, although after emancipation, many of them showed little interest in continuing to demolish the hierarchy that benefited them by fighting for black rights.

"Lovingly written and painted, this strange and silly book will delight everyone who reads it. The grown-up people who read it may find it confusing. But young people, I think, will understand that in its strangeness and silliness it mirrors our own strange and silly world." --Eleanor Davis, author ofStinky andHow to Be Happy Thomas is a friend to all plants. He even has a cactus collection! One morning, he discovers his mother has been replaced by a ferna monstrous fern! What happened? Is this the start of a plant revolt? Did the fern eat her? Where did this fern come from, anyway? Will it eat his father too? And then Thomas?That Night, A Monster . . . is a beautifully painted all-ages graphic novel exploring imagination: its power and its dark side. Marzena "Marzi" Sowais a Polish graphic novelist living in France. She was born in 1979 in the small industrial city Stalowa Wola. She left her country in 2001 and settled in Bordeaux.Marzi, her graphic memoir about childhood in communist Poland, was published by Vertigo in 2011. The book has been translated in several languages. Marzi loves dictionaries, is afraid of spiders, and is crazy about skateboarding and cheesecake. Berenika KoÅ,omyckais a cartoonist, sculptor, and illustrator. In 2011, she received the Grand Prix at the Å odz International Comics Festival. She lives in Poland.

Lawyer and journalist, entrepreneur and philanthropist, Louis Houck is often called the “Father of Southeast Missouri” because he brought the railroad to the region and opened this backwater area to industrialization and modernization. Although Houck’s name is little known today outside Missouri, Joel Rhodes shows how his story has relevance for both the state and the nation. Rhodes presents a more complete picture of Houck than has ever been available: reviewing his life from his German immigrant roots, considering his career from both social and political perspectives, and grounding the story in both state and national history. He especially tells how, from 1880 to the 1920s, this self-taught railroader constructed a network of five hundred miles of track through the wilderness of wetlands known as “Swampeast Missouri”—and how these “Houck Roads” provided a boost for population, agriculture, lumbering, and commerce that transformed Cape Girardeau and the surrounding area. Rhodes discusses how Houck fits into the era of economic individualism—a time when men with little formal training shaped modern industry—and also gives voice to Houck’s critics and shows that he was not always an easy man to work with. In telling the story of his railroading enterprise, Rhodes chronicles Houck’s battle with the Jay Gould railroad empire and offers key insight into the development of America’s railway system, from the cutthroat practices of ruthless entrepreneurs to the often-comic ineptness of start-up rail lines. More than simply a biography of a business entrepreneur, the book tells how Houck not only developed the region economically but also followed the lead of Andrew Carnegie by making art, culture, and formal education available to all social classes. Houck also served for thirty-six years as president of the Board of Regents of Southeast Missouri State Teacher’s College, and as a self-taught historian he wrote the first comprehensive accounts of Missouri’s territorial period. A Missouri Railroad Pioneer chronicles a multifaceted career that transformed a region. Solidly researched, this lively narrative also offers an entertaining read for anyone interested in Missouri history.