India, That Is Bharat, the first book of a comprehensive trilogy, explores the influence of European 'colonial consciousness' (or 'coloniality'), in particular its religious and racial roots, on Bharat as the successor state to the Indic civilisation and the origins of the Indian Constitution. It lays the foundation for its sequels by covering the period between the Age of Discovery, marked by Christopher Columbus' expedition in 1492, and the reshaping of Bharat through a British-made constitution-the Government of India Act of 1919. This includes international developments leading to the founding of the League of Nations by Western powers that tangibly impacted this journey. Further, this work also traces the origins of seemingly universal constructs such as 'toleration', 'secularism' and 'humanism' to Christian political theology. Their subsequent role in subverting the indigenous Indic consciousness through a secularised and universalised Reformation, that is, constitutionalism, is examined. It also puts forth the concept of Middle Eastern coloniality, which preceded its European variant and allies with it in the context of Bharat to advance their shared antipathy towards the Indic worldview. In order to liberate Bharat's distinctive indigeneity, 'decoloniality' is presented as a civilisational imperative in the spheres of nature, religion, culture, history, education, language and, crucially, in the realm of constitutionalism.

On 15 August 2014, in his maiden Independence Day address to the country, Narendra Modi became the first Prime Minister of India to take on the national shame of open defecation. Launched a few weeks later, on Gandhi Jayanti, the Swachh Bharat Mission has come a long way over the past five years. India is now close to declaring itself an Open Defecation Free nation on 2 October 2019, the 150th birth anniversary of the Father of the Nation. The Swachh Bharat Revolution looks at all that went into making this remarkable transformation happen, and how a nation of over a billion people led the largest people's movement in the world to make the impossible possible. This is a compendium of essays -- with names such as Arun Jaitley, Amitabh Kant, Ratan Tata, Sadhguru, Amitabh Bachchan, Akshay Kumar, Tavleen Singh, Bill Gates and many more, along with a message from Prime Minister Modi himself -- that celebrates a historic national achievement.

The rise of the Bharatiya Janata Party (BJP) was much more than an ordinary electoral phenomenon: it brought to the fore two contrasting views of nationhood: between those who saw modern India in terms of secular republicanism and on the other hand were those who sought to blend technological modernity with the country's Hindu inheritance. The Right's ascendancy and the debates that accompanied it, anticipated many of the concerns that find reflection today in the United States and Europe. The phenomenon of Hindu nationalism was also a profound intellectual challenge to the loose Left-liberal consensus that had prevailed in India since Jawaharlal Nehru became Prime Minister in 1947. The idea of Hindutva and the political character of the BJP have been closely scrutinised by scholars, and the impulse has been to view India's Right-wing politics as either a variant of fascism or merely a collection of sectarian prejudices. In fact, the inspiration for the Right in India has come from multiple and often contradictory sources, including the influence of individuals such as Sarvarkar, Bankim Chandra Chatterjee, Swami Vivekananda and Sri Aurobindo, not to mention the Arya Samaj movement. This collection is an attempt to showcase the phenomenon of Hindu nationalism in terms of how it perceives itself. Many of the concerns that drive the Indian Right are located in the country's nationalist culture. In trying to locate some of the ideas, attitudes and beliefs that define the Indian Right, Awakening Bharat Mata also seeks to identify the nature of Indian conservatism and identify its similarities and differences with political thought in the West. This book is not about Hindu nationalism in power but as a social and political movement and its aim is to encourage a more informed understanding of an idea that will remain relevant in Indian life far beyond victories and defeats in elections.

Includes contributed articles.

Poetry. LGBT Studies. "This writing is the New Brave. Few writers have so given in to the entropic forces that disentangle our bodies in the end, while at the same time furiously pooling social content into observable patterns. And there are thousands! Millions! Billions! In biological systems, DNA nucleotides are linked by enzymes in order to make long, chainlike, polynucleotides of defined sequence. In writing, the sub-social is linked by signs that make ringlets of undefined sequence. Only we can make think to make thought from it. It cannot be conceived of in advance. It cannot be found on the web. No se vende ni se compra. edwards' radical neo-communitarian impulse is something that's blood-borne, but not bloody, something that's keen & observant, but not oculocentric. Like Antonin Artaud, edwards sought to make Writing = Life"--Rodrigo Toscano. Venn Diagram Productions is the collaborative intersection between Belladonna Books and Litmus Press. This imprint actualizes our mutual commitment to publishing innovative, cross-genre, multicultural, feminist and queer work by writers and artists working beyond and between borders.

“My favorite book of the year.”—Doug McMillon, CEO, Wal-Mart Stores Harvard Business School Professor of Strategy Bharat Anand presents an incisive new approach to digital transformation that favors fostering connectivity over focusing exclusively on content. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BLOOMBERG Companies everywhere face two major challenges today: getting noticed and getting paid. To confront these obstacles, Bharat Anand examines a range of businesses around the world, from The New York Times to The Economist, from Chinese Internet giant Tencent to Scandinavian digital trailblazer Schibsted, and from talent management to the future of education. Drawing on these stories and on the latest research in economics, strategy, and marketing, this refreshingly engaging book reveals important lessons, smashes celebrated myths, and reorients strategy. Success for flourishing companies comes not from making the best content but from recognizing how content enables customers’ connectivity; it comes not from protecting the value of content at all costs but from unearthing related opportunities close by; and it comes not from mimicking competitors’ best practices but from seeing choices as part of a connected whole. Digital change means that everyone today can reach and interact with others directly: We are all in the content business. But that comes with risks that Bharat Anand teaches us how to recognize and navigate. Filled with conversations with key players and in-depth dispatches from the front lines of digital change, The Content Trap is an essential new playbook for navigating the turbulent waters in which we find ourselves. Praise for The Content Trap “A masterful and thought-provoking book that has reshaped my understanding of content in the digital landscape.”—Ariel Emanuel, co-CEO, WME | IMG “The Content Trap is a book filled with stories of businesses, from music companies to magazine publishers, that missed connections and could never escape the narrow views that had brought them past success. But it is also filled with stories of those who made strategic choices to strengthen the links between content and returns in their new master plans. . . . The book is a call to clear thinking and reassessing why things are the way they are.”—The Wall Street Journal

This absurd story of a child's flight of imagination is richly coloured with highly original quilted images, put together with fabric collected during the artist's trip to India.

Key changes have emerged in Bollywood in the new millennium. Twenty-First Century Bollywood traces the emerging shifts in both the content and form of Bollywood cinema and examines these new tendencies in relation to the changing dynamics of Indian culture. The book historically situates these emerging trends in relation to previous norms, and develops new, innovative paradigms for conceptualizing Bollywood in the twenty-first century. The particular shifts in contemporary Bollywood cinema that the book examines include the changing nature of the song and dance sequence, the evolving representations of male and female sexuality, and the increasing presence of whiteness as a dominant trope in Bollywood cinema. It also focuses on the increasing presence of Bollywood in higher education courses in the West, as well as how Bollywood’s growing presence in such academic contexts illuminates the changing ways in which this cinema is consumed by Western audiences. Shifting the focus back on the cinematic elements of contemporary films themselves, the book analyses Bollywood films by considering the film dynamics on their own terms, and related to their narrative and aesthetic usage, rather than through an analysis of large-scale industrial practices. It will be of interest to students and scholars of South Asian Studies, Film Studies, and Cultural Studies.

The decade from the 2008 global financial crisis to the 2020 coronavirus pandemic has seen a real transformation of the world order. The very nature of international relations and its rules are changing before our eyes. For India, this means optimal relationships with all the major powers to best advance its goals. It also requires a bolder and non-reciprocal approach to its neighbourhood. A global footprint is now in the making that leverages India's greater capability and relevance, as well as its unique diaspora. This era of global upheaval entails greater expectations from India, putting it on the path to becoming a leading power. In The India Way, S. Jaishankar, India's Minister of External Affairs, analyses these challenges and spells out possible policy responses. He places this thinking in the context of history and tradition, appropriate for a civilizational power that seeks to reclaim its place on the world stage.

We are aware of the Puranas in Hindu society. As an Indian even if you have not read them, they shape your behavior. These stories permeate the air of Bharat. Whether we believe in them or not, they determine our value system. All our festivals, ceremonies, and the way we celebrate them, are narrated to us in these Puranic stories. There are thousands of stories, and even for a brilliant mind, it is impossible to remember all of them. Collectively, as a society, we remember these stories, but as individuals, we struggle to know all. The purpose of these stories was to unite society. The stories that unite people depend on the society. The type of stories that will unite people depends on the political system, ethnic diversity in society, available resources, wealth distribution among citizens, geographical features such as deserts, snowy mountains, overflowing riverbanks, plateaus with good agriculture and water, or areas surrounded by dense forests with unknown diseases, etc. After twelve hundred years of barbaric invasions and colonization, when Bharat became free on 15th August 1947 and chose to be a democratic nation with immense diversity, the question arises: how do we unite the society? Stories revolving around military heroes or successful business ventures are one way to connect with people and unite society. However, these individual stories do not provide us with the broader narrative of a civilizational nation. We cannot unite Bharat in the same way as the USA, Greece, Iran, Saudi Arabia, or China. Bharat is a civilizational nation, and on top of that, we have vast diversity, population, and poverty. Engaging 1.4 billion people of a democratic nation who speak over 400+ languages, and embrace dozens of religious and ethnic diversities in nation-building is an immense challenge. That's why, despite one's education, experience, or intelligence, without divine blessings, whether you are a nation or an individual both will suffer. Bharat has a long tradition of writing and narrating Pauranic stories, and in a democratic system, we need to harness this art to unite society. However, this time, the stories should steer clear of concepts like heaven and hell. They should also avoid focusing on the gods and goddesses of the sky. Citizens should not prioritize to an afterlife but instead strive for a meaningful, peaceful existence on the land we call Rashtra or nation. Namo Purana is a grand narrative of Bharat. Glory, struggle, and progress from Vedic times to 2023 are compressed within this book. It encapsulates everything essential about Bharat, its Vedic time, peaks, struggle, rise, and resurgence. This is not a book focused on any specific topic like spirituality, history, geography, or economy. Instead, it is a Purana that delves into every aspect of Maa Bharati's life. Readers will encounter a wide range of topics in this work, including spirituality, dharma, religion, history, geography, trade and business, economy, culture, politics, geopolitics, war and conflicts, agriculture, literature, biographies, Bhakti Yoga, Jnyana Yoga, Karma Yoga, sociology, colonization, patriotism, nationalism, constitution, law and order, and the dos and don'ts of good governance. Each is discussed briefly to inspire the citizens of Bharat to understand their motherland, its struggles, and challenges. One should neither look up to any other nation with awe nor look down on any other nation. All nations on the planet are equal, and their residents are our family members residing in different houses. Therefore, it's important to respect and care for all, while ensuring that our Rashtra, our home, is safe and peaceful for ourselves and future generations.