The bestselling story behind Ross Hunter’s classic melodrama starring Susan Hayward and John Gavin. When “fly girl” and gorgeous socialite Ray Schmidt first meets Walter Saxel in Cincinnati, their attraction is instant and everlasting. As their bond deepens, Ray finds herself envisioning a future with Walter, until one fateful day when the settling of her family affairs interferes with their plans to meet, and his relationship with another woman forms. Though years pass and Ray manages to carve out a life for herself in New York City, Walter remains in her memory, and a chance run-in with him leads them both to fall into their former ways. What unfolds is the fascinating tale of what life was for selfless, devoted Ray, a prisoner to her love for the one man who would never fully love her back. Originally published in 1931, this bestselling classic novel about the heartbreak of living along the “back streets” of a man’s life was adapted into film three times. With a new foreword by Cari Beauchamp. Vintage Movie Classics spotlights classic films that have stood the test of time, now rediscovered through the publication of the novels on which they were based.

New York Times Notable Book: A “beautifully written” memoir by the daughter of the brilliant, troubled poet (Detroit Free Press). This is an honest, unsparing account of the anguish and fierce love that bound a difficult mother and the daughter she left behind. Linda Sexton was twenty–one when her mother killed herself, and now she looks back, remembers, and tries to come to terms with her mother’s life. Growing up with Anne Sexton was a wild mixture of suicidal depression and manic happiness, inappropriate behavior and midnight trips to the psychiatric ward. Anne taught Linda how to write, how to see, how to imagine—and only Linda could have written a book that captures so vividly the intimate details and lingering emotions of their life together. Searching for Mercy Street speaks to everyone who admires Anne Sexton and to every daughter or son who knows the pain of an imperfect childhood. “Sexton forcefully communicates the fear, repulsion, neediness, and sorrow that filled her childhood, as well as the agony of her own mental breakdown and her terror of becoming like her mother, in lucid and vivid prose.” —The Boston Globe “A candid, often painful depiction of a daughter’s struggles to come to terms with her powerful and emotionally troubled mother.” —The New York Times

No place like home. But what if home is unsafe and violent? Fifteen year old Simone is lured by her new boyfriend with promises of a better life in a big city. On the run from a dangerous environment and her drug addicted sister, she arrives in Palmino with stars in her eyes and hope in her heart.Reality check? Okay. But what is reality when her boyfriend turns violent, the other itinerants brand her an intruder, and home becomes a drain or a squat?Simone's story is the story of a society in which no child was going to have to live in poverty: a land of milk and honey, which for some people turns sour and is filled with despair.'The way it is'? Not necessarily. With someone to tell it straight and someone to listen, this can be a story called BACK ON TRACK.

Today power is in the hands of Wall Street and Silicon Valley. How do we understand this transformation in power? And what can we do about it? We cannot change anything until we have a better understanding of how power works, who holds it, and why that matters. Through upgrading the concept of hegemony-understanding the importance of passive consent; the complexity of political interests; and the structural force of technology-Jeremy Gilbert and Alex Williams offer us an updated theory of power for the twenty-first century. Hegemony Now explores how these forces came to control our world. The authors show how they have shaped the direction of politics and government as well as the neoliberal economy to benefit their own interests. However, this dominance is under threat. Following the 2008 financial crisis, a new order emerged in which the digital platform is the central new technology of both production and power. This offers new opportunities for counter hegemonic strategies to win back power. Hegemony Now outlines a dynamic socialist strategy for the twenty-first century.

The American urban scene, and in particular New York's, has given us a rich cultural legacy of slang words and phrases, a bonanza of popular speech. Hot dog, rush hour, butter-and-egg man, gold digger, shyster, buttinsky, smart aleck, sidewalk superintendent, yellow journalism, breadline, straphanger, tar beach, the Tenderloin, the Great White Way, to do a Brodie--these are just a few of the hundreds of popular words and phrases that were born or took on new meaning in the streets of New York. In The City in Slang, Irving Lewis Allen traces this flowering of popular expressions that accompanied the emergence of the New York metropolis from the early nineteenth century down to the present. This unique account of the cultural and social history of America's greatest city provides in effect a lexicon of popular speech about city life. With many stories Allen shows how this vocabulary arose from city streets, often interplaying with vaudeville, radio, movies, comics, and the popular songs of Tin Pan Alley. Some terms of great pertinence to city people today have unexpectedly old pedigrees. Rush hour was coined by 1890, for instance, and rubberneck dates to the late 1890s and became popular in New York to describe the busloads of tourists who craned their necks to see the tall buildings and the sights of the Bowery and Chinatown. The Big Apple itself (since 1971 the official nickname of New York) appeared in the 1920s, though first in reference to the city's top racetracks and to Broadway bookings as pinnacles of professional endeavor. Allen also tells fascinating stories behind once-popular slang that is no longer in use. Spielers, for example, were the little girls in tenement districts who danced ecstatically on the sidewalks to the music of the hurdy-gurdy men and, when they were old enough, frequented the dance halls of the Lower East Side. Following the trail of these words and phrases into the city's East Side, West Side, and all around the town, from Harlem to Wall Street, and into the haunts of its high and low life, The City in Slang is a fascinating look at the rich cultural heritage of language about city life.

The Backstreets is an astonishing novel by a preeminent contemporary Uyghur author who was disappeared by the Chinese state. It follows an unnamed Uyghur man who comes to the impenetrable Chinese capital of Xinjiang after finding a temporary job in a government office. Seeking to escape the pain and poverty of the countryside, he finds only cold stares and rejection. He wanders the streets, accompanied by the bitter fog of winter pollution, reciting a monologue of numbers and odors, lust and loathing, memories and madness. Perhat Tursun’s novel is a work of untrammeled literary creativity. His evocative prose recalls a vast array of canonical world writers—contemporary Chinese authors such as Mo Yan; the modernist images and rhythms of Camus, Dostoevsky, and Kafka; the serious yet absurdist dissection of the logic of racism in Ellison’s Invisible Man—while drawing deeply on Uyghur literary traditions and Sufi poetics and combining all these disparate influences into a style that is distinctly Perhat Tursun’s own. The Backstreets is a stark fable about urban isolation and social violence, dehumanization and the racialization of ethnicity. Yet its protagonist’s vivid recollections of maternal tenderness and first love reveal how memory and imagination offer profound forms of resilience. A translator’s introduction situates the novel in the political atmosphere that led to the disappearance of both the author and his work.

La Gina is a smart, Hurricane Katrina survivor who used her physical gifts to achieve material gain. La Gina is now settled in a new life with her husband, Earl Cuyler, a police detective with strong convictions and a wandering eye. Although Earl claims to love La Gina, her friends think otherwise, but they have their own personal battles. Raymond thinks he is too poor to marry his woman. Suzi is in love with her neighbor, Zege, who is interested in a casual friendship with benefits. Everything changes when La Gina is diagnosed with breast cancer. Earl abandons her because he could not tolerate the effects that chemotherapy was having on his pride and joy_La Gina's body and her long, beautiful hair. Earl tells La Gina, "well, that is your problem, your sickness or illness, whatever, not mine." La Gina thinks her illness is one of her greatest challenges--until Earl is charged with murdering his mistress and her unborn child. Throughout her illness, La Gina undergoes a paradigm shift and begins to govern her behavior by reasoning and logic. She decides to stand by Earl while he is being investigated for the horrific crime. Her friends think that she has gone cray-cray. All of that is about to change when friends help her realize that she may be an accomplice to the murders. Back Street to Happy is the suspenseful tale of a woman's journey to attain her dreams, despite a betrayal by the man she loves.

In Take on the Street, Arthur Levitt--Chairman of the Securities and Exchange Commission for eight years under President Clinton--provides the best kind of insider information: the kind that can help honest, small investors protect themselves from the deliberately confusing ways of Wall Street. At a time when investor confidence in Wall Street and corporate America is at an historic low, when many are seriously questioning whether or not they should continue to invest, Levitt offers the benefits of his own experience, both on Wall Street and as its chief regulator. His straight talk about the ways of stockbrokers (they are salesmen, plain and simple), corporate financial statements (the truth is often hidden), mutual fund managers (remember who they really work for), and other aspects of the business will help to arm everyone with the tools they need to protect—and enhance—their financial future.

Last volume! It’s the final concert for this dishonorable idol enterprise! After President Inugane sacrificed his own jewels to avoid a scandal, he ends up going to prison for being a flagrant offender! This means the girls can wash their hands of this hellish idol lifestyle for good … doesn’t it? Read and find out what tomorrow will bring for the three Gokudols now that they’ve found freedom!