Aya: Love in Yop City comprises the final three chapters of the Aya story, episodes never before seen in English. Aya is a lighthearted account of life in the Ivory Coast during the 1970s, a particularly thriving and wealthy time in the country's history. While the stories found in Aya: Love in Yop City maintain their familiar tone, quick pace, and joyfulness, we see Aya and her friends beginning to make serious decisions about their future. When a professor tries to take advantage of Aya, her plans to become a doctor are seriously shaken, and she vows to take revenge on the lecherous man. With a little help from the tight-knit community of Yopougon, Aya comes through these trials stronger than ever. This second volume of the complete Aya includes unique appendices, recipes, guides to understanding Ivorian slang, street sketches, and concluding remarks from Marguerite Abouet explaining history and social milieu. Inspired by Abouet's childhood, the series has received praise for offering relief from the disaster-struck focus of most stories set in Africa. Aya is the winner of the Best First Album award at the Angouleme International Comics Festival; was nominated for the YALSA's Great Graphic Novels list; and was included on "best of" lists from The Washington Post, Booklist, Publishers Weekly, and School Library Journal. Aya: Love in Yop City has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as Hostage by Guy Delisle and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

"For the residents of Yopougon, everyday life is good. It is the early 1970s, a golden time work is plentiful, hospitals are clean and well equipped, and school is obligatory. The Ivory Coast is as an island of relative wealth and stability in West Africa. For the teenagers of the town, though, worries are plentiful, and life in Yop City is far from simple. Aya tells the story of its nineteen-year-old heroine, the clear-sighted and bookish Aya, and her carefree and fun-loving friends Adjoua and Bintou. Navigating meddling relatives and neighbours, the girls spend a last summer of their childhood on the sun-warmed streets of Yop City sneaking out for dancing at open-air bars, strong solibra beer, chicken in peanut sauce and avoiding at all costs the scandal pages of the Calamity Morning . Aya is a captivating, colourful and hugely entertaining portrayal of an Africa we rarely see, spirited and resilient, and full of the sounds, sights and smells of a prosperous town and its varied inhabitants."

Long-time creative team Marguerite Abouet and Clément Oubrerie make a stunning comeback after a lengthy twelve-year hiatus. The seventh installment in the Aya series takes us all back to Yop City—home to the hustle and bustle of the Ivory Coast. As Solibra’s newest intern, clear-eyed college student Aya finds an unexpected adversary in the beer giant’s brand-new head of HR. Her friend Moussa, heir apparent to the company’s CEO Mr. Sissoko vies for his father’s attention while struggling to tone down his tendency to party. After being outed, Albert must find a new place to stay and grapples with the realities of insufficient student housing. His old flame Inno discovers first-hand how difficult life can be for undocumented migrants in France. Back at home, Bintou navigates the ups and downs of newfound soap opera stardom. All the while, Didier just wants to take Aya out to dinner—if she can ever find the time. Now translated from the French by Edwige Dro, Aya and all her friends greet the bigger, bolder world of the 80s in true Abidjan style, delighting fans both old and new with vibrant but too often unseen depictions of middle-class life in Africa.

Aya is a high elven princess living in exile on Earth after her home called OutWorld was taken over by Niburi and his servant Kear. Only just a child, Aya was saved by her mother, Queen Netara, when she was transported to Earth, leaving Queen Netara in the hands of Niburi. For years, Aya lived an ordinary life on Earth, and her identity was concealed from her by the Shiften people looking after her. That is until she started having vivid dreams of what she thinks is the future, and of a dark and mysterious man named Drako, a dragon prince also from OutWorld. The dreams persist and her attraction to Drako becomes stronger, and the truth unravels a destiny that would take her back to OutWorld and she would take back her home by defeating Niburi. Her dreams reveal to her the power that she possesses and help her in finding the Alphas, leaders of the Shiften people, diverse races of wolf, bear, panther, and dragon. Together, they must save Queen Netara and the enslaved Shiften and unite them to defeat Niburi's army of the dead. But Aya is not sure how, and it is only when she trusts the fate that is laid out to her does she truly see who she is meant to become.

For fans of Sophie Anderson and South Asian myths and legends comes a fairytale based on Bengali folklore that puts brown girls centre-stage, from the author of Rumaysa: A Fairytale. Filled with gorgeous black and white illustrations by Kaley McKean. Aya has been fascinated by stars ever since she can remember. But never in her wildest imagination did she expect to get struck by one and develop powers beyond her control. When the evil Abnus takes over the region of Alferra in search of power, Aya quickly learns there is a great darkness afoot. Can Aya learn to control her burgeoning magic and keep her friends and family safe before it's too late? Aya and the Star Chaser is a brilliant gothic fairytale from Radiya Hafiza.

When a young girl, Aya Wright, develops extraordinary abilities and becomes a target of the world's most powerful fader, Eve must protect her. But at what price? In the twenty-five years since she exposed the existence of faders, Eve Cooper has survived the collapse of her country and the loss of her closest friends. Now she lives a mostly solitary life in rural Indiana, where she runs a secret network and safe house for faders -individuals like her with extraordinary abilities. In nearby Chicago, a young girl named Aya Wright becomes a target of the world's most powerful fader because of her unparalleled abilities. When she arrives at the safe house after an attack, Aya soon sets in motion a series of events that threaten not only to upend Eve's settled life but potentially change the world. As Eve struggles to reconcile her past with the choices in front of her, she must decide whether to leave her recluse life to protect Aya or allow the headstrong girl to find her own way in the world...

Patrick Tataw Obenson, alias Ako-Aya, the rabid critic, social crusader and witty journalist, all rolled up in one, was indeed a popular and widely admired pioneer in daring journalism and social commentary in Cameroon. Little wonder that when he died, he left behind countless painful hearts and many questions on the lips of his admirers. As a man of the people, the fallen hero of Cameroon's Fleet Street shared his experiences, be they good or bad, with his readers. He was a virile critic even of the sordid things in which he himself secretly indulged. Obenson's mind was open, and through his popular newspaper column - Ako-Aya - he exposed society and social action in all their dimensions. He had an axe to grind with all perpetrators of social vices, especially those of them that infringed on the rights of the common man. He gave them a good fight, using his newspaper as his only weapon - a weapon which could not be neutralized even by the most affluent nor the most coercive leadership. And he did so with nerve and valour and venom. Only Tataw Obenson could spit out really scathing pieces of satire, aimed directly at the highest governing authorities of his society. Only Obenson could make allusions even to his own apparently ugly self. Only he could be liberal and honest enough to confess how he boarded a taxi and later bolted without paying the driver. Only Obenson was able to foresee his imminent demise from the face of the earth and literarily wrote his own epitaphÖ

"The Amazing Adventures of Aya & Pete" series tells the stories of a little girl named Aya who travels the world with her parents and her buddy, Pete. Aya & Pete visit Paris, where they try croque-monsieur sandwiches, and explore the famed landmarks of the City of Light. Aya and Pete also learn basic language, currency, geography and local customs. At the end of each story, Aya collects a souvenir unique to the destination to remind her of their travels.The Aya & Pete series explores the world through a child's eye and shares the adventure and excitement of visiting new destinations.

An evocative novel from the award-winning author of Dreams of Maryam Tair. Aya Dane creates mixed media paintings and writes a diary in her studio above a strange, old Cambridge townhouse. There she lives alone, having left her childhood home in Tangiers. Though she has carved a name for herself in the art world, she allows herself just one close relationship, to an intimate companion named David. One day, Aya receives a letter from a powerful, enigmatic patron, an invitation to submit her ultimate work to his collection. If he deems it worthy, he promises, her art will live on forever. Aya finds herself unable to resist the mysterious invitation, and challenge. But as she begins to work on the commissioned painting, from her top-floor perch, the streets of Tangiers reappear to her. Their white-and-blue walls, purple bougainvillea, sweetness and sorrow bring back to life people and events she thought she’d left behind. Aya becomes haunted by forgotten scenes, only to discover that she herself is being painted, on a canvas from which it seems impossible to escape. Aya Dane creates mixed media paintings and writes a diary in her studio above a strange, old Cambridge townhouse. There she lives alone, having left her childhood home in Tangiers. Though she has carved a name for herself in the art world, she allows herself just one close relationship, to an intimate companion named David. One day, Aya receives a letter from a powerful, enigmatic patron, an invitation to submit her ultimate work to his collection. If he deems it worthy, he promises, her art will live on forever. Aya finds herself unable to resist the mysterious invitation, and challenge. But as she begins to work on the commissioned painting, from her top-floor perch, the streets of Tangiers reappear to her. Their white-and-blue walls, purple bougainvillea, sweetness and sorrow bring back to life people and events she thought she’d left behind. Aya becomes haunted by forgotten scenes, only to discover that she herself is being painted, on a canvas from which it seems impossible to escape.