John Hazlett's engaging study of writers from the 1960s demonstrates the ways in which the idea of the generation has affected autobiographical writing in this century. Autobiographers from the sixties claim to speak on behalf of all members of their generation. However, each writer presents a unique political and personal agenda.

Why have so many figures throughout American history proclaimed their life stories when confronted by great political problems? The Claims of Experience provides a new theory for what makes autobiography political throughout the history of the United States and today. Across five chapters, Nolan Bennett examines the democratic challenges that encouraged a diverse cast of figures to bear their stories: Benjamin Franklin amid the revolutionary era, Frederick Douglass in the antebellum and abolitionist movements, Henry Adams in the Gilded Age and its anxieties of industrial change, Emma Goldman among the first Red Scare and state opposition to radical speech, and Whittaker Chambers amid the second Red Scare that initiated the anticommunist turn of modern conservatism. These historical figures made what Bennett calls a "claim of experience." By proclaiming their life stories, these authors took back authority over their experiences from prevailing political powers, and called to new community among their audiences. Their claims sought to restore to readers the power to remake and make meaning of their own lives. Whereas political theorists and activists have often seen autobiography to be too individualist or a mere documentary source of evidence, this theory reveals the democratic power that life narratives have offered those on the margins and in the mainstream. If they are successful, claims of experience summon new popular authority to surpass what their authors see as the injustices of prevailing American institutions and identity. Bennett shows through historical study and theorization how this renewed appreciation for the politics of life writing elevates these authors' distinct democratic visions while drawing common themes across them. This book offers both a method for understanding the politics of life narrative and a call to anticipate claims of experience as they appear today.

Scott Nearing lived one hundred years, from 1883 to 1983--a life spanning most of the twentieth century. In his early years, Nearing made his name as a formidable opponent of child labor and military imperialism. Having been fired from university jobs for his independence of mind, Nearing became a freelance lecturer and writer, traveling widely through Depression-era and post-war America to speak with eager audiences. Five-time Socialist candidate for president Eugene V. Debs said, "Scott Nearing! He is the greatest teacher in the United States." Concluding that it would be better to be poor in the country than in New York City, Scott and Helen Nearing moved north to Vermont in 1932 and commenced the experiment in self-reliant living that would extend their fame far and wide. They began to grow most of their own food, and devised their famous scheme for allocating the day's hours: one third for "bread work" (livelihood), one third for "head work" (intellectual endeavors), and one third for "service to the world community." Scott (who'd grown up partly on his grandfather's Pennsylvania farm) taught Helen (who was raised in suburbia, groomed for a career as a classical violinist) the practical skills they would need: working with tools, cultivating a garden and managing a woodlot, and building stone and masonry walls. For the rest of their lives, the Nearings chronicled in detail their "good life," first in Vermont and ultimately on the coast of Maine, in a group of wonderful books--many of which are now being returned to print by Chelsea Green in cooperation with the Good Life Center, an educational trust established at the Nearings' Forest Farm in Harborside, Maine, to promote their ongoing legacy. With a new foreword by activist historian Staughton Lynd, The Making of a Radical is freshly republished-Scott Nearing's own story, told as only he could tell it.

A study of autobiography in twentieth-century African American culture.

Angela Davis, Assata Shakur (a.k.a. JoAnne Chesimard), and Elaine Brown are the only women activists of the Black Power movement who have published book-length autobiographies. In bearing witness to that era, these militant newsmakers wrote in part to educate and to mobilize their anticipated readers. In this way, Davis's Angela Davis: An Autobiography (1974), Shakur's Assata (1987), and Brown's A Taste of Power: A Black Woman's Story (1992) can all be read as extensions of the writers' political activism during the 1960s. Margo V. Perkins's critical analysis of their books is less a history of the movement (or of women's involvement in it) than an exploration of the politics of storytelling for activists who choose to write their lives. Perkins examines how activists use autobiography to connect their lives to those of other activists across historical periods, to emphasize the link between the personal and the political, and to construct an alternative history that challenges dominant or conventional ways of knowing. The histories constructed by these three women call attention to the experiences of women in revolutionary struggle, particularly to the ways their experiences have differed from men's. The women's stories are told from different perspectives and provide different insights into a movement that has been much studied from the masculine perspective. At times they fill in, complement, challenge, or converse with the stories told by their male counterparts, and in doing so, hint at how the present and future can be made less catastrophic because of women's involvement. The multiple complexities of the Black Power movement become evident in reading these women's narratives against each other as well as against the sometimes strikingly different accounts of their male counterparts. As Davis, Shakur, and Brown recount events in their lives, they dispute mainstream assumptions about race, class, and gender and reveal how the Black Power struggle profoundly shaped their respective identities.

The 1970s and 1980s heralded the rise of neoliberalism in United States culture, fundamentally reshaping life and work in the United States. Corporate culture increasingly penetrated other aspects of American life through popular press CEO autobiographies and management books that encouraged individuals to understand their lives in corporate terms. Propelled into the public eye by the publication of 1989’s The Art of the Deal, ostensibly a CEO autobiography, Donald Trump has made a career out of reversing the autobiographical impulse, presenting an image of his life that meets his narrative needs. While many scholars have sought a political precedent for Trump’s rise to power, this book argues that Trump’s aesthetics and life production uniquely primed him for populist political success through their reliance on the tropes of popular corporate culture. Trump and Autobiography contextualizes Trump’s autobiographical works as an extension of the popular corporate culture of the 1980s in order to examine how Trump constructs an image of himself that is indebted to the forms, genres, and mechanisms of corporate speech and narrative. Ultimately, this book suggests that Trump’s appeal and resilience rest in his ability to signify as though he is a corporation, revealing the degree to which corporate culture has reshaped American society’s interpretive processes.

In Fireweed, Gerda Lerner, a pioneer and leading scholar in women's history, tells her story of moral courage and commitment to social change with a novelist's skill and a historian's command of context. Lerner's memoir focuses on the formative experiences that made her an activist for social justice before her academic career began. The child of a well-to-do Viennese Jewish family, she was still a teenager when a fascist regime came to power in 1934, and she became involved in the underground resistance movement. The Nazi takeover of Austria cast her into prison, then forced her and her family into exile; she alone was able to leave Europe. Once in the United States, she experienced the harshness of the Depression and despair over the fate of her family. Still, she persisted in adapting to the new culture and to becoming a writer. Here she met and married her life-long partner, Carl Lerner, a film editor and director. Together they become deeply involved in left-wing activities, from struggling to unionize the film industry and resisting the blacklist in Hollywood to community organizing for peace, for an interracial civil rights movement, and for better schools in New York City. Lerner insists that her decades of grassroots organizing largely account for the theoretical insights she was later able to bring to the development of women's history. In Fireweed, Lerner presents her life in the context of the major historical events of the twentieth century and the repression of dissent. Hers is a gripping story about surviving hardship and summoning the courage to live according to one's convictions. Author note: Gerda Lerner, a past president of the Organization of American Historians, is Robinson-Edwards Professor of History, Emerita, at the University of Wisconsin-Madison. Her eleven books in history include Creation of Patriarchy, Creation of Feminist Consciousness, Why History Matters, and Black Women in White America: A Documentary History.

This volume provides a novel approach to international relations. In the course of fifteen essays, scholars write about how life events brought them to their subject matter. They place their narratives in the larger context of world politics, culture, and history. Autobiographical International Relations believes that the fictive distancing associated with academic prose creates disaffection in both readers and writers. In contrast, these essays demonstrate how to reengage the "I" while simultaneously sustaining theoretical precision and historical awareness. Authors highlight their motives, their desires, and their wounds. By connecting their theoretical and practical engagements with their needs and wounds, and by working within the overlap between theory, history, and autobiography, these essays aim to increase the clarity, urgency, and meaningfulness of academic work. These essays are autobiographical, but focused on the academic aspect of authors’ lives. Specifically, they are set within the domain of international relations/global politics. They are theoretical, but geared to demonstrate that theoretical decisions emerge from theorists’ needs and wounds. Theoretical precision, rather than being explicitly deduced, is instead immanent to the autobiographical and the historical/cultural narrative each author portrays. And, these essays are framed in historical/cultural terms, but seek to bind together theory, history, culture, and the personal into a differentiated and vibrant whole. This book moves the field of International Relations towards greater candidness about how personal narrative influences theoretical articulations. No such volume currently exists in the field of international relations.

Revised and updated version of the bestselling political biography of 2010. This edition contains some completely new content from Mr Howard, including his thoughts on the 2013 election campaigns. John Howard's autobiography, Lazarus Rising, is the biggest-selling political memoir Australia has seen. In it he talks about his love for his family, his rollercoaster ride to the Lodge and how - as prime minister - he managed a strongly growing Australian economy and led Australia's war on terrorism. Drawing on his deep interest in history, he paints a fascinating picture of a changing Australia. In this edition, fully updated to take into account the return of the Liberal National Party to government after the 2013 election, Howard analyses the crucial years between the 2010 election which gave rise to the minority government of Julia Gillard, and the consequent unprecedented and destabilising leadership struggles within the Labor party. He discusses the significance of tony Abbott's achievements in defeating the Labor Government in 2013, and provides a masterful summary of legacy of the Rudd/Gillard years for Australia. Lazarus Rising is essential reading for all followers of politics. PRAISE FOR LAZARUS RISING: 'John Howard has written a magisterial autobiography, compulsively readable in its way' the Weekend Australian 'Underneath Howard's plain political style lies an excellent communicator. His capacity to express his thoughts clearly, calmly and simply shines through' Sydney Morning Herald