"...excellent coverage...essential to worldwide bibliographic coverage."--AMERICAN REFERENCE BOOKS ANNUAL. This comprehensive reference provides current finding & ordering information on more than 75,000 in-print books published in or about Australia, or written by Australian authors, organized by title, author, & keyword. You'll also find brief profiles of more than 7,000 publishers & distributors whose titles are represented, as well as information on trade associations, local agents of overseas publishers, literary awards, & more. From D.W. Thorpe.

Author Kevin O’Halloran’s new book Rwanda UNAMIR 1994/95 is the first in the new Australian Army History Units Australian Military History Series focusing on the nuts and bolts on this type of support missions. Rwanda is no stranger to violence. In 1994, an orgy of killing swept across the tiny land-locked nation and genocide – the size and magnitude unseen since the Hitler horrors of WWII, erupted. Around one million men, women and children were mercilessly shot, hacked to death or burnt alive. To alleviate the suffering and restore order, a group of Australian UN peacekeepers was sent to Rwanda under a United Nations’ mandate. These Australians would be exposed to a lack of humanity they were not prepared for and found hard to fathom. On 22 April 1995, the daily horror and tragedy they had witnessed escalated out of control. At a displaced persons’ camp in Kibeho, in full view of the Australian soldiers, over 4,000 unarmed men, women and children died in a hail of bullets, grenades and machete blades at the hands of the Rwandan Patriotic Army. Constrained by UN peacekeeping Rules of Engagement, these Australians could only watch helplessly and try to assist the wounded under the gaze of the trigger-happy killers. Rwanda – UNAMIR 1994/95 is a detailed account of what happened during this peacekeeping mission. Kevin O’Halloran, a Platoon Sergeant at the time, has recorded these events using material from numerous interviews and eyewitness accounts. For many, their service in Rwanda would come with a personal toll. No Australians died during this operation though as this book testifies, the suffering and tragedy is embedded in their memories. Rwanda is Kevin’s second book. His first book Pure Massacre: Aussie soldiers reflect on the Rwandan Genocide (Big Sky Publishing, 2010), was received with Australian and international acclaim as ‘heartfelt and frank, showing the world that genocide did happen in Rwanda.’

Annotation " ... It is highly recommended to anyone who thinks they have a serious interest in the book ... or would like to discover to discover something of the complexity of the well-springs of the Australian psyche." Biblionews Paper Empires explores Australian book production and consumption from 1946 to the present day, using wide-ranging research, oral history and memoir to explore the worlds of book publishing, selling and reading. After 1945, Australian publishing went from a handful of fledgling businesses to the billion dollar industry of today with thousands of new titles each year and a vast array of imported books. Publishing's postwar expansion began with the baby boom and the increased demand for school texts, with independent houses blossoming during the 1960s and 70s followed by the current era dominated by global conglomerates.

With complete bibliographic information on titles from New Zealand & the Pacific Islands, this is an essential guide to the publishing industry in the Pacific. Entries are indexed by title, publisher, & subject. Also included are a book trade FAX directory, all literary awards, association addresses, bookseller, libraries & more.

A unique survey of each country in the region. It includes an extensive collection of facts, statistics, analysis and directory information in one accessible volume.

The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.