We all have a tale to tell about how we started wearing nappies (or diapers!) and each tale is different. There are varying themes, but there is the one consistent one that nappies 'called to us' when we were young and that attraction grew to become a 'siren call'. We were helpless in the embrace of that cloth nappy or plastic disposable that for reasons we didn't understand - and maybe never did - drew us to wear and wet them. For some, it was part of wanting to be a baby again and for others, a response to extended bedwetting. For others still, it was just the nappy; just the feel of its comfort and security. As children, these feelings are tough to handle, never-mind understand. Adults don't understand and most react badly... or worse. This 60,000 word, illustrated book is the story of one UK boy growing up in the 70s and 80s as a late bedwetter whose attraction to nappies has remained to him up until this day.

The sissy baby is a very common and wonderful part of the wide ABDL landscape. A boy/man that wants nappiesfor sure, but also panties and perhaps a bra. They want baby clothes like we all do, but mainly baby girl dresses - frilly bonnets, pink outfits, a pink dummy, dolls to play with, and a feminine crib and nursery. This collection of four wonderful books is all about that. About boys who want to be sissy baby girls, even if they don't know that at the beginning. These are not erotic tales of sissy sex or sizzling adventures into sissyhood. Rather, they are stories of how real-life sissy babies appear and develop and the people/family around them that embrace and enhance their lives. You will love these wonderful books and the characters you will meet as they discover and realise their true identity as a Sissy Baby Girl. The book titles are: ** A Mother's Love ** Home Detention ** The Book Club Baby ** Where Big Babies Live 167,000 words

‘Why am I not white like everybody else?’ Nan came and sat on the edge of my bed. ‘What do you mean?’ A tender finger brushed against my cheek. ‘Well, everyone in this house is white. Why am I Black?’ A generation of Nigerian children were born in Britain in the fifties and sixties, privately fostered by white families, then taken to Nigeria by their parents. Coconut is the story of one of those children. 1963, North London. Nan fosters one-year-old Florence Ọlájídé and calls her ‘Ann.’ Florence adores her foster mother more than anything but Nan, and the children around her, all have white skin and she can’t help but feel different. Then, four years later, after a weekend visit to her birth parents, Florence never returns to Nan. Two months after, sandwiched between her mother and father plus her three siblings, six-year-old Florence steps off a ship in Lagos to the fierce heat of the African sun. Swapping the lovely, comfortable bed in her room at Nan’s for a mat on the floor of the living room in her new home, Florence finds herself struggling to adjust. She wants to embrace her cultural heritage but doesn’t speak Yoruba and knows nothing of the customs. Clashes with her grandmother, Mama, the matriarch of the family, result in frequent beatings. Torn between her early childhood experiences and the expectations of her African culture, she begins to question who she is. Nigerian, British, both? Florence’s story is an unputdownable tale of loss and loneliness, surviving poverty, maltreatment and fighting to get an education. Most of all, it’s a moving, uplifting and inspiring account of one woman’s self-determination to discover who she is and find her way to a place she can call home. Perfect for fans of Lemn Sissay’s My Name is Why and Tara Westover’s Educated. Audiobook narrated by Adjoa Andoh and featured on the Graham Norton Bookclub What readers are saying about Coconut: ‘Wow, how do I even do this book justice… I absolutely loved this… I would recommend this book to everyone… important and powerful… completely captivating and fascinating… stunning.’ Sibzzreads ⭐⭐⭐⭐⭐ ‘Heart-breaking… eye-opening… heart-warming… I couldn't recommend this enough… fantastic!’ NetGalley reviewer ‘Extraordinarily moving...a stunning read, beautifully written with searing honesty and humor.’ Abi Daré, international bestselling author of The Girl with the Louding Voice ‘One of the best non-fiction books I have read…Amazing.’ NetGalley reviewer ‘I sped through it as I could not put it down.’ Goodreads reviewer ‘Remarkable…with grace, wit, insight and not a little heartbreak.’ Adjoa Andoh, actress and star of Netflix series Bridgerton ‘Incredible… There were places I was shocked; places I was saddened; places I was amazed, and places where I laughed… Florence is now right up there at the top of my mental list of 'inspirational people'. NetGalley reviewer ⭐⭐⭐⭐⭐ ‘I found myself completely immersed from the start! Florence writes with honesty, beauty and courage…delving deeply into some of the most important issues of our times.’ Christy Lefteri, international bestselling author of The Beekeeper of Aleppo ‘A piece of poetic resilience, Coconut is an integral intervention in our understanding of race, identity and belonging.’ David Lammy ‘Fascinating, emotional and enlightening… I felt myself rooting for Florence all the way… captivating. Highly recommended.’ Karen King

We all have a tale to tell about how we started wearing nappies (or diapers!) and each tale is different. There are varying themes, but there is the one consistent one that nappies 'called to us' when we were young and that attraction grew to become a 'siren call'. We were helpless in the embrace of that cloth nappy or plastic disposable that for reasons we didn't understand - and maybe never did - drew us to wear and wet them. For some, it was part of wanting to be a baby again and for others, a response to extended bedwetting. For others still, it was just the nappy; just the feel of its comfort and security. As children, these feelings are tough to handle, never-mind understand. Adults don't understand and most react badly... or worse. This 60,000 word, illustrated book is the story of one UK boy growing up in the 70s and 80s as a late bedwetter whose attraction to nappies has remained to him up until this day.

Wanting to be a baby again, wanting to wear nappies, to suck on a dummy/pacifier, or preferring soft toys to older interests didn't magically appear at 18. It began when we were younger, usually MUCH younger. For many now adult babies, we wanted all these things from our pre-teen years and even as preschoolers. We effectively 'came of age' while internally wanting to reject growing up, staying as babies in nappies and wetting the bed, and having all the items and activities that went with it. This book contains four stories of a young boy wanting to remain not just as a baby, but as a baby girl. It is a struggle that many of us go through.

Every Adult Baby or every Sissy knows exactly what it is like to have a double identity. One is an adult and the other is a baby or even a baby girl. It is part of the struggle in real life. Mark and Debbie are married and it becomes apparent that there is a 'secret' that is damaging their relationship. And before long, it is discovered that there is a DOUBLE IDENTITY at play. A wonderful book by Christine Kringle

The adult baby world is full of sissy babies - men who want to be baby girls and to enjoy the wonders and excitement of being nappied, wearing pretty baby dresses and all the frills and lace of being a baby girl. Being an infant is a wonderful and thrilling experience. A sissy baby herself, Christine brings us stories of adult babies who want to be more than just a baby. They want to be baby girls! A wonderful collection of stories written to bring out the baby girl in YOU! Every night, before you go to sleep, read one of these stories and drift off to dreamworld imagining that you are once again... a baby girl. Six Sissy Baby stories for your enjoyment! Pickup Artist Double Identity Experimental Variations Caught in The Act Second Chance Therapeutic Doses

John Marshall was born in 1961 in Australia. This 40,000 word book is the story of his early life through to university, as he struggled as a life-long bedwetter and his desire to become a baby girl. Through nappies, baby dummies and feeding bottles, John’s struggle will resonate with many whose infantile desires began early and never ceased. Finding himself in a world that expected men to be men and boys to be boys, John Marshall fought to be the baby girl he felt inwardly, while still having a rewarding school life and finally, professional career. John is an adult baby – a sissy baby, but before that, he was a five-year-old boy wearing nappies and going to school, trying to find who he – or she – was. Long term bedwetters, ABDLs and those who simply feel unsure of their identity will relate to this story of growing up babyish, girlish and bedwetting.

A gay South African endures military conscription during the Angola Bush War in this autobiographical novel of persecution and hope— An “electrifying debut” (Shelf Awareness). Nicholas van der Swart always knew he was different, but to avoid the violent punishments that come with being gay in Apartheid South Africa, he has carefully kept his true self a secret. By the standards of his brutal father and the machismo culture of Afrikaners, “moffies” like him deserve nothing but scorn. Then, at nineteen years old, Nicholas is drafted into the South African army. He soon finds himself caught in a world entirely at odds with his identity, forced to fight for a cause he doesn’t believe in. Here, he will face the hatred and violence of his tormenters, but will also experience his first glimmers of love, and finally find the strength to survive. A long overdue account of Apartheid South Africa’s criminalization of homosexuality, André Carl van der Merwe’s acclaimed debut novel is the basis for the critically acclaimed film Moffie, directed by Oliver Hermanus.

That's My Testimony is a collaboration of inspirational short stories. Women have many issues that they deal with in life. Some they share and a lot they don't. There are experiences they are too ashamed to mention. That's My Testimony removes the mask and unveils topics that are taboo. These stories will intrigue the reader and grip their soul through its intimate details. They share the abuse, heartache, and infidelity that women tend to hide or block out of their memory. Although these characters are fictional, their stories are real. They are compilations of different people's lives. Not only do these characters expose their skeletons, they also reveal how these traumatic episodes wooed them to a tender-loving God. These women are survivors and have purposed to fulfill their destiny at any cost.