Language of the Gods sets out to challenge the way we see the world, our adopted belief systems and coordinates within world history. It exposes how the potential of a united humanity has been suppressed by various forms of control over thousands of years. The book is a journey of discovery into our true connection to the universe, and the relationship between the macrocosm and microcosm. The reader will come away with a fresh empowering view of how planetary cycles and energies along with human consciousness are the drivers behind geopolitical events and the ever changing fortunes of time. The book was the result of years of research into this subject. It tries to show how the control system have used deceit, fear; debt and division to keep themselves firmly at the helm while offering the rest of us an array of sophisticated techniques not only to divide us consciously but also subconsciously, perverted versions of spirituality disguised as monotheistic planet worshiping religions. I also set out to discover a correlation between consciousness, the energetic cycles of the planets and what the ancient Egyptians were trying to tell us. From a deep understanding of natural universal cycles I also wanted to know if it was possible to gain an insight into what cosmic forces will be prominent in our near future and how they will influence the geopolitical landscape.

Publisher description

Fifteen hundred years ago, Teotihuacan was one of the world's greatest cities. Some 200,000 people lived in this Mexican metropolis, with its massive public buildings, grid plan of streets and imposing murals and sculpture. Its trading empire dominated much of ancient Mexico. Then, in the 8th century, came a mysterious collapse. Even knowledge of the original name was lost: Teotihuacan, City of the Gods, was a title bestowed by the Aztecs six hundred years later.

Dr Francis S. Collins, head of the Human Genome Project, is one of the world's leading scientists, working at the cutting edge of the study of DNA, the code of life. Yet he is also a man of unshakable faith in God. How does he reconcile the seemingly unreconcilable? In THE LANGUAGE OF GOD he explains his own journey from atheism to faith, and then takes the reader on a stunning tour of modern science to show that physics, chemistry and biology -- indeed, reason itself -- are not incompatible with belief. His book is essential reading for anyone who wonders about the deepest questions of all: why are we here? How did we get here? And what does life mean?

Thompson examines the altar traditions in cultures from the Atlantic coast region of Africa, South America, the Caribbean, and the United States.

What does God say about the arts? Can you be a Christian and an artist? How do the arts impact your church? The creation sings to us with the visual beauty of God's handiwork. But what of man-made art? Much of it is devoid of sacred beauty and is often rejected by Christians. Christian artists struggle to find acceptance within the church. If all of life is to be viewed as "under the lordship of Christ," can we rediscover what God's plan is for the arts? Philip Graham Ryken brings into sharp focus a biblical view of the arts and the artists who make art for God's sake. This is a concise yet comprehensive treatment of the major issue of the arts for all who seek answers.

A book of breathtaking scope, in which the mystery of how the world began infolds in an epic narrative that sets the Gods against the world's great artists, their rivals in creative energy. Despite the best efforts of scientists, theologians and aestheticians, creation and creativity both remain mysterious. How did our world begin? Where do we come from? And how can we understand or describe that obscure source we call imagination, from which works of art emerge? Peter Conrad’s book investigates these mysteries, in a survey of cultural history that begins with the differing accounts of creation and advances to our own world, where creativity seems to have warped into a fierce delight in destruction. He describes the long illness and eventual demise of the Christian God, and shows how artists and scientists were ready and eager to take over a creative role that was once a heavenly prerogative. At the same time, he probes the creative impulse of writers, painters and musicians, celebrating the audacity of the restless, rebellious beings who first questioned the limits placed on thoughts and dreams, supplemented nature with their own creations, and came to be known as artists.

"The artistic expression of religion and myth, the core and center of Greek civilization, is the focus of the book." -book jacket.

Gods in Print is the first comprehensive collection of early hand-colored lithographs, multiple-block chromolithographs, and offset print images of India’s world of gods and goddesses. India’s love of gods in print began in the 1870s with the founding of the Calcutta Art Studio and the Chitrashala Press. In 1894, artists Ravi and Raja Varma set up the Ravi Varma Fine Art Lithographic Press outside Bombay. By the early 1900s, these presses had begun selling their prints throughout the subcontinent. Collectors Mark Baron and Elise Boisante have traveled to remote corners of India to document and preserve this fragile and beautiful popular art form. Their diligence in tracking down “God prints” and restoring them to their original brilliance has resulted in the extraordinary and comprehensive collection featured in this volume. For the first time, the full scope of India’s sacred imagery in print can be viewed from its earliest days.