Diccionario Bilingüe de Metáforas y Metonimias Científico-Técnicas presents the extensive range of metaphoric and metonymic terms and expressions that are commonly used within the fields of science, engineering, architecture and sports science. Compiled by a team of linguists working across a range of technical schools within the Universidad Politécnica de Madrid, this practical dictionary fills a gap in the field of technical language and will be an indispensable reference for students within the fields of science, engineering or sports science seeking to work internationally and for translators and interpreters working in these specialist fields.

Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.

How an electronically connected world will shape cities and urban relationships of the future. The global digital network is not just a delivery system for email, Web pages, and digital television. It is a whole new urban infrastructure—one that will change the forms of our cities as dramatically as railroads, highways, electric power supply, and telephone networks did in the past. In this lucid, invigorating book, William J. Mitchell examines this new infrastructure and its implications for our future daily lives. Picking up where his best-selling City of Bits left off, Mitchell argues that we must extend the definitions of architecture and urban design to encompass virtual places as well as physical ones, and interconnection by means of telecommunication links as well as by pedestrian circulation and mechanized transportation systems. He proposes strategies for the creation of cities that not only will be sustainable but will make economic, social, and cultural sense in an electronically interconnected and global world. The new settlement patterns of the twenty-first century will be characterized by live/work dwellings, 24-hour pedestrian-scale neighborhoods rich in social relationships, and vigorous local community life, complemented by far-flung configurations of electronic meeting places and decentralized production, marketing, and distribution systems. Neither digiphile nor digiphobe, Mitchell advocates the creation of e-topias—cities that work smarter, not harder.

Passive and Low Energy Architecture contains the proceedings of the Second International PLEA Conference held in Crete, Greece, on June 28 to July 1, 1983. The book is organized into four parts as the topics of the conference. The first part brings together papers dealing with case studies of individual buildings or groups of buildings, completed or to be built, and of community planning. The case studies cover examples from 13 countries in Europe, North and Latin America, North Africa, the Middle East, and Asia. The second part contains papers on experimental work and technical developments with passive and low energy systems and components. The third section focuses on the ill-defined but crucial to designers, area of design aids. The fourth section centers on implementation and management of these energy systems, including topics of international programs, education, and training of design professionals. The book will be useful to energy conscious designers, architects, engineers, and planners in this field of interest.

MAD works in forward-looking environments developing futuristic architecture based on a contemporary interpretation of the eastern spirit of nature. All of MAD's projects - from residential complexes or offices to cultural centres - desire to protect a sense of community and orientation toward nature, offering people the freedom to develop their own experience. Founded in 2004 by Ma Yansong, the office first earned worldwide attention in 2006 by winning an international competition to design a residential tower near Toronto, expected to be completed in the summer of 2012. MAD has been commissioned by clients of all backgrounds, leading to an intriguing combination of diverse project designs. MAD's ongoing projects include two major cultural projects in Harbin: the China Wood Sculpture Museum and Harbin Culture Island, an opera house and cultural center that will retain the original wetlands as an urban park between the old and new city. MAD is led by Ma Yansong, Dang Qun and Yosuke Hayano. They have been awarded the Young Architecture Award from the New York Institute of Architects in 2006 and the 2011 RIBA international fellowship.

The Resili(g)ence publication is part of the outputs produced within the European project KAAU, Knowledge Alliance for Advanced Urbanism (www.ka-au.net), Erasmus + program, and consists of two volumes: the first Resili(g)ence Intelligent Cities / Resilient Landscapes offers reflections on the general framework and on the theme of resilience applied to intelligent cities and the landscape, while the second volume GOA Resili(g)ent City, analyses the case study of Genoa. RESILI(G)ENCE is a combined word, created by Manuel Gausa, merging the words resilience and intelligence. Intelligence is intended not only as the artificial but also as the human one, though undoubtedly today the world of BigData and OpenData can help the better understand of the city and its dynamics. Resilience, instead, is a term derived from the materials science and indicates the property that some materials have to maintain their structure or to regain its original shape after being subjected to crushing or deformation. The history of making the city of Genoa safe from floods is ancient history. And complex, very complex. It is the story of the wrong relationship between the river and the city, between nature and the urban and industrial development of the capital, between the flow of watercourses and their covering and cementing of the banks and beds of streams. It is perhaps one of the paradigmatic examples of the senselessness of man's choices towards his environment. But it is also the story of the delays of politics and institutions, of bureaucracies, of the system of public works in our country: of an Italy more attentive to formal respect for rules than for the rules of nature. In the midst of this history there are the disasters, floods, the dead, the injured, the damage of the flooding of the Bisagno torrent, which with its 30 km cuts the city from north to south, in one of the most built up areas of Italy, to reach the sea in the Foce district.

This framework presents ten interrelated principles/elements to guide Sustainable Agricultural Mechanization in Africa (SAMA). Further, it presents the technical issues to be considered under SAMA and the options to be analysed at the country and sub regional levels. The ten key elements required in a framework for SAMA are as follows: The analysis in the framework calls for a specific approach, involving learning from other parts of the world where significant transformation of the agricultural mechanization sector has already occurred within a three-to-four decade time frame, and developing policies and programmes to realize Africa’s aspirations of Zero Hunger by 2025. This approach entails the identification and prioritization of relevant and interrelated elements to help countries develop strategies and practical development plans that create synergies in line with their agricultural transformation plans. Given the unique characteristics of each country and the diverse needs of Africa due to the ecological heterogeneity and the wide range of farm sizes, the framework avoids being prescriptive.