Symbolism is the most powerful and ancient means of communication available to humankind. For centuries people have expressed their preoccupations and concerns through symbolism in the form of myths, stories, religions, and dreams. The meaning of symbols has long been debated among philosophers, antiquarians, theologians, and, more recently, anthropologists and psychologists. In Ariadne's Clue, distinguished analyst and psychiatrist Anthony Stevens explores the nature of symbols and explains how and why we create the symbols we do. The book is divided into two parts: an interpretive section that concerns symbols in general and a "dictionary" that lists hundreds of symbols and explains their origins, their resemblances to other symbols, and the belief systems behind them. In the first section, Stevens takes the ideas of C. G. Jung a stage further, asserting not only that we possess an innate symbol-forming propensity that exists as a creative and integral part of our psychic make-up, but also that the human mind evolved this capacity as a result of selection pressures encountered by our species in the course of its evolutionary history. Stevens argues that symbol formation has an adaptive function: it promotes our grasp on reality and in dreams often corrects deficient modes of psychological functioning. In the second section, Stevens examines symbols under four headings: "The Physical Environment," "Culture and Psyche," "People, Animals, and Plants," and "The Body." Many of the symbols are illustrated in the book's rich variety of woodcuts. From the ancient symbol of the serpent to the archetypal masculine and feminine, from the earth to the stars, from the primordial landscape of the savannah to the mysterious depths of the sea, Stevens traces a host of common symbols back through time to reveal their psychodynamic functioning and looks at their deep-rooted effects on the lives of modern men, women, and children.

A mesmerizing debut novel for fans of Madeline Miller's Circe. Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne’s decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind? Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.

"What line should the critic follow in explicating, unfolding, or unknotting . . . passages? How should the critic thread her or his way into the labyrinthine problems of narrative form?--from chapter I In this brilliant and engaging book, one of America's leading literary critics explores the intricacies of narrative theory. Using the image of Ariadne's thread, which was given to Theseus to carry into the labyrinth so that he could find his way out, J. Hillis Miller traces out the "line" so often associated with narrative and writing in general. In the process he illuminates the nature of literature as well as the nature of narrative. Considering a wide range of texts from Western literature over the last two centuries--in particular Meredith's The Egoist, Goethe's Elective Affinities, and Borges's "Death and the Compass"--Miller explores the way rhetorical devices and figurative language interrupt, break into, delay, and expand storytelling. He also illustrates these rhetorical disruptions of narrative logic in his own work. In its four chapters--about the role of line, character, interpersonal relationships, and figurative language in narrative--Miller's study encounters in its own language the problems it discusses, as concepts and words are scrutinized for their diverse meanings and resonances. Demonstrating that every narrative, including this one about the nature of narrative, has divergent lines and multiple motives and uses, Ariadne's Thread tells its story and enacts its subject at the same time.

A philosophical look at the movie Inception and its brilliant metaphysical puzzles Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of dreams, and what do they tell us about the boundaries of "self" and "other"? From Plato to Aristotle and from Descartes to Hume, Inception and Philosophy draws from important philosophical minds to shed new light on the movie's captivating themes, including the one that everyone talks about: did the top fall down (and does it even matter)? Explores the movie's key questions and themes, including how we can tell if we're dreaming or awake, how to make sense of a paradox, and whether or not inception is possible Gives new insights into the nature of free will, time, dreams, and the unconscious mind Discusses different interpretations of the film, and whether or not philosophy can help shed light on which is the "right one" Deepens your understanding of the movie's multi-layered plot and dream-infiltrating characters, including Dom Cobb, Arthur, Mal, Ariadne, Eames, Saito, and Yusuf An essential companion for every dedicated Inception fan, this book will enrich your experience of the Inception universe and its complex dreamscape.

Discusses the development of theories relating to dreams and the techniques used for discovering their meaning, reviews the findings of dream science in the areas of psychology, neurology, and biology, looks at how dreams are formed, and provides advice on how to decipher them.

Dionysos, one of the most misunderstood of the gods, is a masculine energy that brings us back to life and vitality in a way that includes deep partnership with the feminine. Through the exploration of the love story of Ariadne and Dionysos, Alchemy of the Heart takes us on an archetypal adventure into an ancient world where the dance of masculine and feminine ignites fullness of being in both men and women. From the shadowy labyrinth of Minos to the sacred Initiation Chamber at Pompeii, Alchemy of the Heart travels the landscape of both the outer world and the inner psyche as it points the way past contemporary hedonism and pornography addiction into a Dionysian world of joy, vibrant sexuality, and spiritual transcendence. “A solid and important work of scholarship that is a must-read for those doing depth psychological work. Aguilar mines the myth of Dionysos and Ariadne for its insights into expanding Jungian notions about the animus and a woman’s journey to wholeness. In the process, she updates Jungian thought to match emerging ways of seeing gender, the feminine, and the masculine in our time.” —Carol S. Pearson, Ph.D., Author of Persephone Rising, The Hero Within and Awakening the Heroes Within. Former President of Pacifica Graduate Institute. “Joseph Campbell showed us the mythic mysteries, now Marina Aguilar unlocks the secrets of ecstatic teachings. Alchemy of the Heart is a breakthrough work on our divine connection to nature and the playful wisdom of the body.” —Jonathan Young, Ph.D., Psychologist, Founding Curator, Joseph Campbell Archives. “A superb study of the myth of Dionysos through the lens of Jung’s spiritual alchemy. Focusing on the sacred marriage of Dionysos and Ariadne, the author illuminates the journey to wholeness, both horizontal and vertical, revealing a power to heal not only a broken psyche but a broken world. Aguilar’s ‘meditative exegesis’ on the Dionysian initiation chamber in the Villa of Mysteries at Pompeii is a model of transcendence at the heart of Plato’s noetic philosophy. This is a penetrating reading bringing to life an ancient, yet timeless, myth.” —Michael P. Morrissey, Ph.D., Author of Consciousness and Transcendence: The Theology of Eric Voegelin. Marina Aguilar received her master’s degree in Counseling Psychology at Pacifica Graduate Institute, Santa Barbara, and has been a practicing depth psychotherapist and educator since 1990. She specializes in individuation as a spiritual, as well as soul process. Her expertise in mythology, comparative religion, spiritual alchemy and the ancient mystery school teachings serves as a valuable tool in working with archetypal themes as they emerge in day to day life, imagination, art and dreams. Having lived in the United States, Mexico and Europe, her work bridges cultures, continents and spiritual modalities and focuses on increasing consciousness and wholeness within the individual and society as a whole.

Capitalism's colonization of every hour in the day

An all-new anthology of eighteen classic myth retellings featuring an all-star lineup of award-winning and critically acclaimed writers. Madeleine L’Engle once said, “When we lose our myths we lose our place in the universe.” The Mythic Dream gathers together eighteen stories that reclaim the myths that shaped our collective past, and use them to explore our present and future. From Hades and Persephone to Kali, from Loki to Inanna, this anthology explores retellings of myths across cultures and civilizations. Featuring award-winning and critically acclaimed writers such as Seanan McGuire, Naomi Novik, Rebecca Roanhorse, JY Yang, Alyssa Wong, Indrapramit Das, Carlos Hernandez, Sarah Gailey, Ann Leckie, John Chu, Urusla Vernon, Carmen Maria Machado, Stephen Graham Jones, Arkady Martine, Amal El-Mohtar, Jeffrey Ford, and more, The Mythic Dream is sure to become a new classic.

Ari and Danny have been inseparable friends and neighbors, living in their own world of magic kits, movies, and mythical games. When he moves away, she's left to face Marina, Queen of the fifth grade. Standing up to Marina shows Ari that she's spunkier than she ever suspected, and that she can create her own magic without Danny by her side.