Well arranged, logical, and aptly illustrated, this classic survey covers every aspect of the design process. It addresses architectural principles as well as their practical application, examining general questions of scale, balance, proportion, and symmetry and presenting detailed treatments of doors, windows, walls, stairways, columns, and other features. Long acknowledged as a valuable resource for students and teachers alike, this volume is unsurpassed in terms of the richness of its material and the consistency of its insights. It was written by Nathaniel Cortlandt Curtis, an influential designer and artist who served as the head of the Tulane School of Architecture. Curtis illustrated his work with nearly 250 line drawings that depict architectural elements from a splendid variety of periods and settings, from ancient Rome's temples and palaces to modern-day hotels and museums of Paris and New York.

Architecture Use the patterns of architectural composition to inspire creative design In Compositions in Architecture, Don Hanlon offers students an excitingly original path to dis-covering architectural composition, one that avoids the traditional either/or choice between theory and practice. By exploring the underlying patterns of organization in architecture, this book enables the reader to connect architectural theory with the design process. And by relating what happens in the design studio with how the architect thinks about architectural composition, the approach spurs creative thinking. With examples that range across diverse cultures and historical periods—from the famous to the obscure—the author reveals the universal compositional strategies that can be used to solve particular architectural problems. Readers will explore: The five formal properties of composition—number, geometry, proportion, hierarchy, and orientation How the plan conveys the central organizing strategy of a building Typological similarities of architectural forms that cut across cultural, social, historical, and geographic boundaries Enriched by a graphic approach that will appeal to visual learners, Compositions in Architecture reveals the formal structures in architecture throughout the world as well as through the ages and inspires architects to turn abstract ideas into real-world design.

As a beginning design student, you need to learn to think like a designer, to visualize ideas and concepts, as well as objects. In the second edition of Diagramming the Big Idea, Jeffrey Balmer and Michael T. Swisher illustrate how you can create and use diagrams to clarify your understanding of both particular projects and organizing principles and ideas. With accessible, step-by-step exercises that interweave full color diagrams, drawings and virtual models, the authors clearly show you how to compose meaningful and useful diagrams. As you follow the development of the four project groups drawn from the authors’ teaching, you will become familiar with architectural composition concepts such as proportion, site, form, hierarchy and spatial construction. In addition, description and demonstration essays extend concepts to show you more examples of the methods used in the projects. Whether preparing for a desk critique, or any time when a fundamental insight can help to resolve a design problem, this new and expanded edition is your essential studio resource.

Site and Composition examines design strategies and tactics in site making. It is concerned with the need for a renewed understanding of the site in the twenty-first century and the need for a critical position regarding the continued tendency to view the site as an isolated ‘fragment’ severed from its wider context. The book argues revisiting the traditional instruments or means of both siting and composition in Architecture to explore their true potential in achieving connections between site and context. Through the various examples studied here it is suggested that such instrumental means have the potential for achieving greater poetic outcomes. The book focuses on the works of twentieth century architects of wide-ranging persuasion – Peter Eisenman, Le Corbusier, Frank Lloyd Wright, Alvaro Siza, Herzog and de Meuron, and Charles Correa, for example – who have strived in quite different ways to achieve deeper engagement with the physical qualities of place and context. Departing from a reconsideration of the fragment, Site and Composition emphasises the role of the ‘positive fragment’ in achieving both historical continuity and renewed wholeness. The potential of both planimetric and sectional compositional methods are explored, emphasising the importance of reciprocity between ‘inside’ and ‘outside’ – between fragment and the whole, as well as materiality. Written in a clear and accessible manner, this book makes vital reading for both researchers and students of architecture and urbanism.

Rob Krier is a unique voice in today's architectural discourse through his commitment to developing a relevant and pragmatic theory of architecture based on his own experience and observations of architectural practice and opposed to the easy, abstract theorising so common in contemporary architectural writing. Together with his brother Leon, he has perfected a form of presentation in which the potency of his thinking finds its perfect counterpoint in detailed drawings and sketches which argue his case visually through the power of example. Following the success of his widely acclaimed "Urban Space", a work which looked at the problems of our cities from a historical, theoretical and practical standpoint, Krier now applies his particular, highly influential mode of didactic criticism to contemporary architecture in continuing search for fundamental architectural truths. Architectural Composition is both a theoretical and visual analysis which clearly illustrates the creative process which informs Krier's vision and praxis. The culmination of a lifetime's thought and experience by one of Europe's most important architectural theorists, it is without doubt a major achievement and is a standard work of reference for both students and practising architects. The book, published for the first time in 1988 by Academy Editions in London, has been supported by funds from the Fond zur Förderung der wissenschaftlichen Forschung der Republik Österreich, and it was carried out at Krier's former Institut für Gestaltungslehre at the Technische Universität in Vienna.

Cities and towns are among humanity's greatest achievements, yet no single individual or organization creates them. The buildings, streets, and gardens of even a small town embody substantial investments of money, natural resources, and political capital. Much more than the sum of its parts, a settlement's vitality comes from its collective composition. Sometimes the cities and towns that emerge are glorious places, but too frequently they have only fragments of greatness or are soulless and environmentally unhealthy. Our new Architecture Brief Urban Composition shows architects, planners, artists, and engineers of individual projects how they can best fulfill their public trust to help make meaningful urban places. Each chapter contains a set of design queries followed by a discussion, illustrations, and references for further research. This accessible primer on urban design provides guidelines for designing buildings or plans for large cities or small towns. Urban Composition showcases projects across the United States and internationally, in metropolitan areas such as Chicago, Seattle, and London, and small communities such as Marfa, Texas.

Urban design is a process of establishing a structural order within human settlements; responding to dynamic emergent meanings and functions in a constant state of flux. The planning/design process is complex due to the myriad of ongoing (urban) organizational and structural relationships and contexts. This book reconnects the process with outcomes on the ground, and puts thinking about design back at the heart of what planners do. Mixing accessible theory, practical examples and carefully designed exercises in composition from simple to complex settings, Urban Design is an essential textbook for classrooms and design studios across the full spectrum of planning and urban studies fields. Filled with color illustrations and graphics of excellent projects, it gives students tools to enable them to sketch, draw, design and, above all, think. This new edition remains focused on instructing the student, professional and layperson in the elements and principles of design composition, so that they can diverge from conventional and packaged solutions in pursuit of a meaningful and creative urbanism. This edition builds upon established design principles and encourages the student in creative ways to depart from them as appropriate in dealing with the complexity of culture, space and time dynamics of cities. The book identifies the elements and principles of compositions and explores compositional order and structure as they relate to the meaning and functionality of cities. It discusses new directions and methods, and outlines the importance of both buildings and the open spaces between them.

This internationally significant book analyzes architectural elements, drawing general principles from the prevailing pluralism of architectural approaches. Von Meiss expertly bridges the gap between history and contemporary work by pinpointing the constant factors that exist in all architecture. A comprehensive analysis of the whole architectural phenomenon, this valuable book will prove especially useful to modern practitioners who need to make constant reference to buildings of the past. Staying away from the ineffectual arguments on styles that dominate today's architectural literature, this is the first recent book to attempt such a synthesis of architectural history and contemporary work. As such, it is unique.

This work takes a close look at a broad range of 20th-century examples of design, architecture and illustration, revealing underlying geometric structures in their compositions.