A compact and useful guide, filled with detailed drawings, to help put a date on the variety of buildings one sees when travelling through Britain. This guide covers an immense range of structures and styles from 1500 to 1950. In addition, it includes a glossary of architectural terms and a historical time chart. This book will prove an invaluable

The term 'Brutalism' is used to describe a form of architecture that appeared, mainly in Europe, from around 1945-75. Uncomprimisingly modern, this trend in architecture was both striking and arresting and, perhaps like no other style before or since, aroused extremes of emotion and debate. Some regarded Brutalist buildings as monstrous soulless structures of concrete, steel and glass, whereas others saw the genre as a logical progression, having its own grace and balance. In this revised second edition, Alexander Clement continues the debate of Brutalism in post-war Britain to the modern day, studying a number of key buildings and developments in the fields of civic, educational, commercial, leisure, private and ecclesiastical architecture. With new and improved illustrations, fresh case studies and profiles of the most influential architects, this new edition affords greater attention to iconic buildings and structures. Now that the age of Brutalism is a generation behind us, it is possible to view the movement with a degree of rational reappraisal, study how the style evolved and gauge its effect on Britain's urban landscape. This book will be of interest to architecture students, design students and anyone interested in post-war architecture. Fully illustrated with 160 colour and 4 black & white photographs.

London is one of the world’s greatest cities, and its architecture is a unique heritage. The Tower of London is an urban castle unique in Europe, St Paul’s is one of the world’s greatest domed cathedrals, and the squares and crescents of the West End inspired Haussmann’s Paris. In London, it is the variety of the streets, buildings, and parks that strikes the visitor. No king or government has ever set its mark here. Private ownership has shaped the city, and architects have served a wide variety of clients. London’s Classical era produced an elegant townscape between 1600 and 1830, but medieval, Tudor, and Victorian London were a potpourri of buildings large and small, each making its own design statement. In London: An Architectural History Anthony Sutcliffe takes the reader through two thousand years of architecture from the sublime to the mundane. With over 300 color illustrations the book is intended for the general reader and especially those visiting London for the first time.

Very Short Introductions: Brilliant, Sharp, Inspiring British Architecture: A Very Short Introduction presents an original and engaging overview of the architecture of the British Isles, from medieval times to the present day. Avoiding the traditional approach of a chronological survey of architects and architectural style, each chapter presents a thematic exploration of key aspects of British architecture that endure across time and still have relevance today. Arnold uses illustrated chapters to aid appreciation of the artistic and cultural significance of British architecture and how it operates as a barometer of social trends. Arnold also highlights the ways in which architecture can project national and regional identities. British architecture tells of the intrinsic nature of Britishness and is an important means of understanding Britain's connection with the rest of the world. There is no doubt about the international significance of the work of recent and contemporary British architects. But Arnold also relates how a preoccupation with the past has been a constant theme in design thinking and practice. A thematic, historical understanding of British architecture in terms of its form and purpose explains much about the society and culture for which it was built. Architecture continues to shape patterns of living and social interaction and responds to new demands. Equally, debates about how best to express the nation through its architecture reveal much about Britain's perception of itself and how this is expressed at home and abroad. Finally, Arnold explores how subsequent generations can offer new interpretations and meanings that change our view of British architecture's legacy. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Detailed text and illustrations examine the buildings of the great neoclassical period, 1730–1875. The roster of masterpieces pictured and described include The Customs House, Dublin; The Bank of England, Liverpool; Newgate Prison, London; The British Museum, London; The National Gallery, Edinburgh; The Fitzwilliam Museum, Cambridge; and many more. 176 black-and-white illustrations.

A perfect pocket guide for visiting stately homes, cathedrals, castles and other old buildings in Britain. Separate sections divide architecture into six chronological periods, each with an introduction to the history of the period, brief notes on the architects and styles with typical examples of the buildings throughout Britain that are open to the public.

In the half century after the building of the Crystal Palace (1851), some architects, engineers, manufacturers and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. This book studies the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation, and the contexts in which it flourished. As such, it offers new ways of understanding the notion of modernity in Victorian architecture.

Architectural modelmakers have long carried out their work hidden behind the scenes of architectural design, and in presenting a history of architectural modelmaking in Britain for the first time, this book casts a new light on their remarkable skills and achievements. By telling the story of the modelmakers who make architectural models rather than architects who commission and use them, this book seeks to celebrate their often-overlooked contribution to the success and endurance of the architectural model in Britain over the past one hundred and forty years. Drawing from extensive archival research and interviews with practicing and retired modelmakers, this book traces the complete history of architectural modelmaking in Britain from its initial emergence as a specialist occupation at the end of the nineteenth century through to the present day. It reveals the legacy of John Thorp, the first professional architectural modelmaker in Britain, who opened his business in London in 1883, and charts the lives and careers of the innovative and creative modelmakers who followed him. It examines the continually evolving materials, tools, and processes of architectural modelmaking and outlines the profound ideological, economic, and technological influences that have shaped the profession’s development. Illustrated with over one hundred photographs of architectural models from previously undocumented archives, this book will be of great interest to architectural modelmakers, academics, and historians, as well as anyone with an interest in architectural history and modelmaking.