The Present Volume Of The Annual Series Of Art And Culture Carrying The Sub-Title 'Painting And Perspective' Relates To The Following Themes: (A) Cultural Set-Up And Values; (B) Sculpture And Painting And (C) Science And Technology. The Articles Of The Volume Are Not Restricted To Any Particular Period Or Geographical Area. Moreover, The Purpose Is To Encourage Scholars To Think And Write In Terms Of Social Mores And Values As Far As Possible.

The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context.

2023 UPPCS (Pre) General Studies & CSAT Solved Papers

Aniruddha Ray retired as Professor of History, from the Department of Islamic History and Culture, University of Calcutta, Kolkata, West Bengal. Well known for his profound interest in historical research, Aniruddha Ray has written extensively about Mughal administration, technology and travelogues; the society and culture of Medieval Bengal; the economic history of the Sultanate and Mughal periods; overseas trade and merchants; and the French East India Company on the basis of a fine blending of his knowledge of Bengali, English and French sources. As a mark of esteem and affection, scholars in India and abroad have joined hands to offer him this volume. The festschrift reflects the range of Aniruddha Ray's interests and influences in some measure. The theme of the present volume includes the contemporary effort within academia to question the traditional representation of Indian history and the attempts in various areas of study to de-centre the writing of history, and to provide an alternative perspective to the history of fifteenth to nineteenth-century India. In this eclectic collection of essays one can see an innovative approach at work, which raises interesting questions when one situates these ideas and the historical evidence within the big picture, as one moves back and forth between the macro-perspective and the micro-history addressed in most of these essays. With eminent historians of the subcontinent contributing to it, The Varied Facets of History: Essays in Honour of Aniruddha Ray throws new light on aspects of Indian history: its sources and their interpretations, the evolution of cultural aspects like languages especially Hindi and Bengali, archaeology, painting, technology, trade and commerce and labour.

2021-22 UPPCS General Studies & C-SAT Previous Solved Papers

This book presents the Persian Baburnama, a key primary source and the earliest record of Babur’s memoirs. The authoritative translation uses paintings from the original work and draws on contemporary texts of the period to delve into the history of the legendary Mughal ruler. It provides a fresh treatment to the source material and highlights vivid accounts of the historical events of the time. The paintings are divided thematically, offering a unique and rare perspective into the Mughal world. Accompanied by a detailed Introduction, the volume also touches upon narrative art and analyses the influence of European Renaissance art on Mughal painting. With over 150 Mughal paintings and illustrations in colour, this volume will be an important sourcebook for scholars and researchers of Medieval Indian, especially Mughal, history, and art historians, as well as connoisseurs of art and the general reader.

“If you only read one autobiography from a sensitive 16th-century warlord this year, make it this one.” —The New York Times A hardcover edition of the colorful memoirs of Babur—founder and first emperor of the Mughal dynasty—that is "justly considered a masterpiece" (The Wall Street Journal). Zahiru’d-din Muhamad Babur (1483–1530), a poet-prince from Central Asia, was the author of one of the most remarkable autobiographies in world literature. The Babur Nama reveals him as not only a military genius but also a ruler unusually magnanimous for his time, cultured, witty, and possessing a talent for poetry, an adventurous spirit, and an acute eye for natural beauty. Babur ascended the throne of Fergana, in what is now Uzbekistan, when he was twelve years old. He eventually invaded India and founded the Mughal dynasty, which would dazzle the world for three centuries. Babur left behind a detailed and colorful record of his life, written in simple and unpretentious prose, that has fascinated readers for hundreds of years. But his self-portrait goes beyond the events of a dramatic life; on the page, his restless energy and ambition are balanced by modesty, regret for his failures, and frankness about his experiences with depression and grief in response to tragedy. The Babur Nama is both a lively chronicle of extraordinary historical events and a deeply personal memoir whose unusual honesty and sensitivity has given it enduring appeal.