The Communist Manifesto and Other Writings, by Karl Marx and Friedrich Engels, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Largely ignored when it was first published in 1848, Karl Marx and Friedrich Engels’s The Communist Manifesto has become one of the most widely read and discussed social and political testaments ever written. Its ideas and concepts have not only become part of the intellectual landscape of Western civilization: They form the basis for a movement that has, for better or worse, radically changed the world. Addressed to the common worker, the Manifesto argues that history is a record of class struggle between the bourgeoisie, or owners, and the proletariat, or workers. In order to succeed, the bourgeoisie must constantly build larger cities, promote new products, and secure cheaper commodities, while eliminating large numbers of workers in order to increase profits without increasing production—a scenario that is perhaps even more prevalent today than in 1848. Calling upon the workers of the world to unite, the Manifesto announces a plan for overthrowing the bourgeoisie and empowering the proletariat. This volume also includes Marx’s The Eighteenth Brumaire of Louis Bonaparte (1852), one of the most brilliant works ever written on the philosophy of history, and Theses on Feuerbach (1845), Marx’s personal notes about new forms of social relations and education. Communist Manifesto translated by Samuel Moore, revised and edited by Friedrich Engels. Martin Puchner is Associate Professor of English and Comparative Literature at Columbia University, as well as the author of Stage Fright: Modernism, Anti-Theatricality, and Drama and Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (forthcoming).

NATIONAL BESTSELLER A rallying cry striking at the roots of today’s major issues, Jesse Kelly uses his trademark bombast, intelligence, and humor to take down the most dangerous philosophy in history and address its resurgence in America. The Anti-Communist Manifesto is for anyone who feels alienated by political and popular culture in the United States and recognizes the danger of communism as it threatens to rip apart America’s social fabric. Discover a fresh look at the daily assault on our freedoms from the insidious communist movement in this country. More than a political statement, this book is an insightful drive through history, philosophy, and current events with one of the most entertaining and fearless conservatives in America at the wheel. From weaponizing race, sex, and gender to hijacking our schools, communism threatens to destroy our cherished American way of life. Featuring practical tools and tactics to not only identify communists but also defend the United States from this malicious enemy, The Anti-Communist Manifesto is an instructive guide for all patriots.

Three days ago, March 23, 2013, I set out writing NEARING THE END. I pulled off one paragraph and deleted it. Time wasted, indeed. The book, a collage of my life's circumstances, is meant for Amaya. After I die, my wife, sitting on the balcony of our 4H apartment, her legs resting on the empty chair opposite, where I used to recline, she'll turn the pages wondering about this or that. For example, she'll get to know how my mother Katka wanted more children but my father Franta opposed the idea. How at the age nine I broke my right hand balancing on top of a chopped-down poplar tree and slipped. How in 1945 the Nazis were defeated, I discovered jazz, saw the movie Rhapsody in Blue six times and despaired to acquaint myself with Jean Simmons, the teenage goddess from the Dickensian silver screen feature Great Expectations. Last but not least, I want Amaya to know that when the war ended, the Commies replaced the Nazis in a good half of Europe. Stuff like that foretold that I would end up in New York and meet her (Amaya), and that she would become my wife and I her husband. "Klobouk writes like a satyr. Who could lay down riffs like these? He bends and stretches metaphor and simile, he creates his own pigeon English. A stew of Czech, Japanese, and English phraseology that he uses to tell this wildly imaginative, dark, and pleasurable tale. 'While I type, Amaya, in her 14' x 10' köbö (perhaps a former nursery), watercolors her Japanese version of Charlie Bird. Every twenty minutes or so she tiptoes to where I sit at the computer to check on my work in progress. She murmurs behind my back: yeah, Koibito (sweetheart) and kisses my ear. Yesterday, she appeared at 1:32 PM and found me staring at a blank screen. She collapsed on the peacock wicker chair next to an artificial orange tree by the balcony sliding door, distressed. She knew the paragraph I had deleted by heart and considered it to be more eloquent than anything written by Marcel Proust. I explained to her that I thought the crossed-out paragraph might be too confusing.' Lush, dense, lyrical by turns. He shows us where our age has buried and scattered its bodies. An improbable love story! A caper! A fable."--Stephanie Dickinson Fiction. Asian & Asian American Studies.

This study explains how the radical experience of a generation of writers influenced the cultural and political climate of post-World War II USA and provided much of the conservative rationale for the early years of the Cold War.

From 1957 onwards, the "Pugwash Conferences" brought together elite scientists from across ideological and political divides to work towards disarmament. Through a series of national case studies - Austria, China, Czechoslovakia, East and West Germany, the US and USSR – this volume offers a critical reassessment of the development and work of “Pugwash” nationally, internationally, and as a transnational forum for Track II diplomacy. This major new collection reveals the difficulties that Pugwash scientists encountered as they sought to reach across the blocs, create a channel for East-West dialogue and realize the project’s founding aim of influencing state actors. Uniquely, the book affords a sense of the contingent and contested process by which the network-like organization took shape around the conferences. Contributors are Gordon Barrett, Matthew Evangelista, Silke Fengler, Alison Kraft, Fabian Lüscher, Doubravka Olšáková, Geoffrey Roberts, Paul Rubinson, and Carola Sachse.

Paul Clements champions the creative underground and expressions of difference through visionary avant-garde and resistant ideas. This is represented by an admixture of utopian literature, manifestos and lifestyles which challenge normality and attempt to reinvent society, as practiced for example, by radicals in bohemian enclaves or youth subcultures. He showcases a range of 'art' and participatory cultural practices that are examined sociopolitically and historically, employing key theoretical ideas which highlight their contribution to aesthetic thinking, political ideology, and public discourse. A reevaluation of the arts and progressive modernism can reinvigorate culture through active leisure and post-work possibilities beyond materialism and its constraints, thereby presenting alternatives to established understandings and everyday cultural processes. The book teases out the difficult relationship between the individual, culture and society especially in relation to autonomy and marginality, while arguing that the creative underground is crucial for a better world, as it offers enchantment, vitality and hope.

'The intention of this work is to show that European expansion not only transformed the historical trajectory of non-European societies but also reconstituted the historical accounts of these societies before European intervention. It asserts that anthropology must pay more attention to history.' (AMAZON)

Endless economic growth rests on a belief in the limitless abundance of the natural world. But when did people begin to believe that societies should—even that they must—expand in wealth indefinitely? In The Great Delusion, the historian and storyteller Steven Stoll weaves past and present together through the life of a strange and brooding nineteenth-century German engineer and technological utopian named John Adolphus Etzler, who pursued universal wealth from the inexhaustible forces of nature: wind, water, and sunlight. The Great Delusion neatly demonstrates that Etzler's fantasy has become our reality and that we continue to live by some of the same economic assumptions that he embraced. Like Etzler, we assume that the transfer of matter from environments into the economy is not bounded by any condition of those environments and that energy for powering our cars and iPods will always exist. Like Etzler, we think of growth as progress, a turn in the meaning of that word that dates to the moment when a soaring productive capacity fused with older ideas about human destiny. The result is economic growth as we know it, not as measured by the gross domestic product but as the expectation that our society depends on continued physical expansion in order to survive.

Karl Polanyi’s The Great Transformation is generally acclaimed as being among the most influential works of economic history in the twentieth century, and remains as vital in the current historical conjuncture as it was in his own. In its critique of nineteenth-century ‘market fundamentalism’ it reads as a warning to our own neoliberal age, and is widely touted as a prophetic guidebook for those who aspire to understand the causes and dynamics of global economic turbulence at the end of the 2000s. Karl Polanyi: The Limits of the Market is the first comprehensive introduction to Polanyi’s ideas and legacy. It assesses not only the texts for which he is famous – prepared during his spells in American academia – but also his journalistic articles written in his first exile in Vienna, and lectures and pamphlets from his second exile, in Britain. It provides a detailed critical analysis of The Great Transformation, but also surveys Polanyi’s seminal writings in economic anthropology, the economic history of ancient and archaic societies, and political and economic theory. Its primary source base includes interviews with Polanyi’s daughter, Kari Polanyi-Levitt, as well as the entire compass of his own published and unpublished writings in English and German. This engaging and accessible introduction to Polanyi’s thinking will appeal to students and scholars across the social sciences, providing a refreshing perspective on the roots of our current economic crisis.