Poetry. Art. "Drawing the ANIMATE, INANIMATE AIM together, they settle into difference. With subtle contagion of body as structured text, titled ligatures in the midst, thick with emotional materiel, Brenda Iijima's work rhymes--off or near--sight as sound. Nature for culture, culture as nature, 'we/ can play school under a tree' or at war. Breaking and building in twitchy compression, the way Marie Menken's hand-held camera swings, framed and fabulous, this exuberant tragic book of drawings and poems will hook you"--Norma Cole. "A kind of necessity is created here for saying, rejuvenating myths, turning anger into jouissance, making thoughts a river of light...Beware: we won't be chagrined anymore; such subversion is the changing of the world"--Etel Adnan

Dormer, author of "Sasquatch" and illustrator of numerous children's book, delivers the story of a pen that has a mind of its own. Who knows what to do with a pen that has a free will? Young Horace has an idea. Full color.

How relevant is the distinction between living and non-living entities in the grammar of languages? This first typological comprehensive study of animacy will immerse you into the realm of this category, its theoretical implications and pervasive effects on inflectional morphology.

An endearing tale of friendship, beautifully illustrated with buoyant wit and the perfect story to share, now available in board book format. Ever feel like you need a hug, a really big hug from someone? That's how Felipe the little cactus feels, but his family can be pretty prickly . . . So one day Felipe sets off to find a friend and, just maybe. that long awaited hug.

Rethinks the criteria governing agency and receptivity, health and toxicity, productivity and stillness

One of the keys to acquiring a new language is to learn the patterns that make up the language. Simply learning phrases so you can speak "pidgin" Cherokee is not learning Cherokee. You need to learn the fundamentals of the language on how words are put together to be able to understand and communicate in the language. There are many degrees of meaning that different word parts provide and if you don't learn these shades of meaning up front and how they are expressed you will never progress beyond simple memorized phrases and never obtain satisfaction with the language. While each person's skill will differ, one should strive to gain enough understanding of the mechanics of language to be able to comprehend and communicate effectively. The goal of this material is to provide you a solid structural foundation on how Cherokee works. You will learn how words are put together in basic sentences and how to form new words for ideas not listed in the dictionary.

"Learn all the tips and tricks of the trade from the professionals. Highly illustrated throughout, points made in the text are demonstrated with the help of numerous superb drawn examples."--

When Banjo Cannon sits down to dinner, his sausage (named Melvin) jumps off the plate and runs away. The kitchen furniture, cutlery, peas, French fries, carrots, the famished boy, and his parents follow out the door in Gingerbread Man fashion