In My Double Life 1 Nicholas Hagger told of his four years’ service and double life as an undercover British intelligence agent during the Cold War (there revealed for the first time). Lost in a dark wood like Dante following his encounters with Gaddafi’s Libya and the African liberation movements, he found Reality on a ‘Mystic Way’ of loss, purgation and illumination, perceived the universe as a unity and had 16 experiences of the metaphysical Light. In My Double Life 2 he continues the story. He received new powers, coped with fresh ordeals, acquired three schools, renovated a historic house, and had 76 further experiences of the metaphysical Light. He founded a new philosophy of Universalism and new approaches to contemporary history, international statecraft and world literature. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills. He produced nearly 1,500 poems, over 300 classical odes, five verse plays, two poetic epics, over a thousand short stories – and 40 books that include innovative literary, historical and philosophical works. His vision of Universalism in seven disciplines is like a rainbow with seven bands overarching seven hills.

This volume brings together articles on various aspects of the intellectual and social histories of Islamicate societies and of the traditions and contexts that contributed to their formation and evolution. Written by leading scholars who span three generations and who cover such diverse fields as Late Antique Studies, Islamic Studies, Classics, and Jewish Studies, the volume is a testament to the breadth and to the sustained, deep impact of the corpus of the honoree, Professor Patricia Crone. Contributors are: David Abulafia, Asad Q. Ahmed, Karen Bauer, Michael Cooperson, Hannah Cotton, David M. Eisenberg, Khaled El-Rouayheb, Matthew S. Gordon, Gerald Hawting, Judith Herrin, Robert Hoyland, Bella Tendler Krieger, Margaret Larkin, Maria Mavroudi, Christopher Melchert, Pavel Pavlovitch, David Powers, Chase Robinson, Behnam Sadeghi, Adam Silverstein, Devin Stewart, Guy Stroumsa, D. G. Tor, Kevin van Bladel, David J. Wasserstein, Chris Wickam, Joseph Witztum, F. W. Zimmermann

Schaffer (English, Queens College, City U. of New York) analyzes the complex dialogue between male and female aesthetes in late Victorian England, exploring the heretofore insufficiently recognized role that women such as Lucas Malet, Ouida, and others played in this influential late Victorian literary movement. Annotation copyrighted by Book News, Inc., Portland, OR

First published in 1971. The intention of Milton’s Creation is to provide the student with a simple and direct entry into Paradise Lost. The author is not concerned with taking sides in critical controversy. His aim is to elucidate Milton’s primary meanings; this is a work of exegesis, not of interpretation. In this new book, on arguably the greatest epic in the English language, the central substance of Milton’s ‘great Argument’ is articulated with great clarity. By keeping in mind the epic status and universality common to Paradise Lost and Ulysses, the author introduces a post-Joycean perspective into his vision of Milton’s Creation.