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Andr� Bernard has researched the stories behind more than one hundred of the most famous titles in the English language to produce a fascinating volume rich in literary anecdote and publishing lore. The Great Gatsby was almost titled Trimalchio in West Egg, while some unknown editor told William L. Shirer, "Please God, don't ask us to publish a book called The Rise and Fall of the Third Reich." It's a wonderful romp among the literary monuments.Raymond Chandler to Alfred A. Knopf: "I'm trying to think of a good title for you to want me to change."

In 1865, members of a family start their day as slaves, working in a Texas cotton field, and end it celebrating their freedom on what came to be known as Juneteenth.

Set against the seductive world of 1960s Rio de Janeiro, an exquisite debut novel about family secrets, divided loyalties, and what we're willing to do to save ourselves. This mesmerizing first novel follows a glamorous family as they prepare to leave the seeming paradise of Brazil for Canada in the wake to the mysterious disappearance -- and presumed drowning -- of their eldest daughter a year earlier. As the novel moves back and forth between the members of the Maurer family, we are taken into the heart of a family whose beauty and charm belie a more troubling reality. We meet the family's brilliant and charismatic father, whose bipolar extremes are becoming increasingly disturbing; his long-suffering wife, who once had a brief affair that proves to have shattering consequences for the family she swore to protect; their two remaining daughters, both on the brink of understanding the darker currents that run in their once-proud family; and the lost daughter herself, a beautiful young woman undone by her own grand delusions. Taking readers from the golden beaches of Rio to the poverty of its fishing villages, from the glamour of the legendary Copacabana Club to the austerity of a remote convent, this revelatory novel takes us into the soul of a family already living in the shadow of loss and now poised to leave behind everything they've ever known, if only they could make peace with the past.

From the author of THE BRIDGE FROM ME TO YOU, a groundbreaking novel about what matters most -- when time is running out. What do you do with your last day on earth?There are 27 hours and fifteen minutes left until an asteroid strikes North America, and, for Emerson and everyone else who didn't leave, the world will end. But Emerson's world already ended when she ran away from home last year. Since then she has lived on the streets, relying on her wits and her friend Vince to help her find places to sleep and food to eat.The city's quieter now that most people are gone, and no one seems to know what to do as the end approaches. But then Emerson and Vince meet Carl, who tells them that he has been granting people's wishes. He gave his car away so a woman could take her son to see the ocean for the first time, and he gives Emerson and Vince all the money he has in his wallet.Suddenly this last day seems full of possibility. Emerson and Vince can grant a lot of wishes in 27 hours -- maybe even their own.

I ask myself: how am I living still? And how I ask it depends on the day. All her life, Emily has felt different from other kids. Between therapist visits, sudden uncontrollable bursts of anger, and unexplained episodes of dizziness and loss of coordination, things have always felt not right. For years, her only escape was through the stories she’d craft about herself and the world around her. But it isn’t until a near-fatal accident when she’s twelve years old that Emily and her family discover the truth: a grapefruit sized benign brain tumor at the base of her skull. In turns candid, angry, and beautiful, Emily Wing Smith’s captivating memoir chronicles her struggles with both mental and physical disabilities during her childhood, the devastating accident that may have saved her life, and the means by which she coped with it all: writing.

Poised on the precipice of mystery and longing, each character in Now You Know It All also hovers on the brink of discovery—and decision. Set in small-town North Carolina, or featuring eager Southerners venturing afar, these stories capture the crucial moment of irrevocable change. A young waitress accepts an offer from a beguiling stranger; a troubled boy attempts to unleash the villain from an internet hoax on his party guests; a smitten student finds more than she bargained for in her favorite teacher’s attic; two adult sisters reconvene to uncover a family secret hidden in plain sight. With a sharp eye for rendering inner life, Joanna Pearson has a knack for creating both compassion and a looming sense of threat. Her stories peel back the layers of the narratives we tell ourselves in an attempt to understand the world, revealing that the ghosts haunting us are often the very shadows that we cast.

**ALL FOR THIS is the third book in the Here and Now trilogy. It is not a stand-alone and it’s intended to be read after LOST IN ME and FALL TO YOU.** What if you would never remember the day you made the most important decision of your life? That’s what they’re telling me about the day of my accident—the day I put on Max’s ring and chose him over Nate. I’m counting on the wisdom behind a decision I don’t remember making. Max is amazing—sexy, sweet, and kind. I was starting to believe happily-ever-after might be in my future after all. Then the unthinkable happened and my world imploded. If I’m going to make this work with Max, I need my missing memories, or at least answers from about those five days before my accident. But what does my future hold if those answers aren’t anything like I imagined? Here and Now, A New Hope Series: Lost in Me Fall to You All for This Discover More Books in the Sexy and Emotional New Hope Trilogy: Unbreak Me (Maggie’s story) Wish I May (William and Cally’s story) Stolen Wishes (A Wish I May Novella)

“This is a best friend in book form.”—Andrew Kaufman, author of All My Friends Are Superheroes Today, Carrie Hope Fletcher is living her dream as an actress and YouTube star. But not long ago, she was trying to survive the many perils of the Teen Age . . . The Rumor Mill: The more a rumor is spread, the farther it gets from the truth. It’s like a giant taffy pull. The Disgusting Business of Falling in Love: I’ve never known something to be so gleefully wonderful and soul-crushingly exhausting. The Twitter-Sphere: If the Internet is starting to crush your soul . . . close the laptop! Bears: Self-explanatory. Thankfully, she made it through! And although memories of her struggles, woes, and foibles stick around (as Soul Shrapnel, if you will), they look a little different today, thanks to The Amazing Goggles of Hindsight. So, in All I Know Now, Carrie shares, well, exactly that—heartfelt advice and hopeful thoughts on growing up. She just did it herself. She has the stuffed animals to prove it!

The melting pot is no more. Where not very long ago we sought assimilation, we now pursue multiculturalism. Nowhere has this transformation been more evident than in the public schools, where a traditional Eurocentric curriculum has yielded to diversity--and, often, to confrontation and confusion. In a book that brings clarity and reason to this highly charged issue, Nathan Glazer explores these sweeping changes. He offers an incisive account of why we all--advocates and skeptics alike--have become multiculturalists, and what this means for national unity, civil society, and the education of our youth. Focusing particularly on the impact in public schools, Glazer dissects the four issues uppermost in the minds of people on both sides of the multicultural fence: Whose "truth" do we recognize in the curriculum? Will an emphasis on ethnic roots undermine or strengthen our national unity in the face of international disorder? Will attention to social injustice, past and present, increase or decrease civil disharmony and strife? Does a multicultural curriculum enhance learning, by engaging students' interest and by raising students' self-esteem, or does it teach irrelevance at best and fantasy at worst? Glazer argues cogently that multiculturalism arose from the failure of mainstream society to assimilate African Americans; anger and frustration at their continuing separation gave black Americans the impetus for rejecting traditions that excluded them. But, willingly or not, "we are all multiculturalists now," Glazer asserts, and his book gives us the clearest picture yet of what there is to know, to fear, and to ask of ourselves in this new identity.