This book combines the papers of the conference 'Cypriote Antiquities in Berlin in the Focus of New Research' which took place in May 2013. Organized by The Cypriot-German Cultural Association on the occasion of its 35th anniversary in collaboration with the Antikensammlung, Staatliche Museen zu Berlin, the aim of the conference was to draw attention to the objects of the outstanding 'Cyprus Collection', which has been exhibited in a special gallery since the re-opening of the Neues Museum in 2009.

The Cesnola Collection of antiquities from Cyprus preserves the island’s artistic traditions from prehistoric through Roman times and represents the first large group of ancient Mediterranean works to enter the museum’s collection. This catalogue, which focuses on Cypriot terracottas, was originally published in 2004 as a CD-ROM, and is now available in a more accessible format. It contains nearly 500 works dating from between about 2000 B.C. and the 2nd century A.D. from one of the most expansive collections of Cypriot art in the world. Illustrations of each object are accompanied by a detailed catalogue entry, including a brief bibliography. In addition, fifteen commentaries make the catalogue a perfect introduction to Cypriot terracottas and the colorful world of ancient life and mythology.

The question of how to define the territories of the ancient polities (city-kingdoms) of Iron Age Cyprus is a fascinating, but also a very difficult one. While this topic has already been widely explored by previous scholarship, recent investigations that include both modern approaches, such as the application of landscape archaeological methodologies, as well as a re-evaluation of the available archaeological evidence from a new perspective, now offers a fresh take on such questions. A workshop organized in Berlin in 2018 aimed at discussing additional information on the topography of the ancient city of Idalion and its hinterland. This volume therefore includes unique contributions that deal with a wide array of relevant aspects. They provide new information on the location, chronology and character of settlements, necropoleis and sanctuaries from the wider area of Idalion, and discuss important issues such as the continuity or discontinuity of settlement activities from the (Late) Bronze Age to the Iron Age and how this is reflected by material culture. They address questions concerned with the physical control of territories and communication networks by considering Idalion’s resource availability and the overall development of its rural settlement pattern in contrast to that of its neighbouring polities.

This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.

Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.

"The Cesnola Collection in The Metropolitan Museum of Art is the richest and most varied representation, outside Cyprus, of Cypriot antiquities. These works were purchased by the newly established Museum in the mid-1870s from General Luigi Palma di Cesnola, a Civil War cavalry officer who had amassed the objects while serving as the American consul on Cyprus." "This catalogue is published on the occasion of the opening of the Museum's four permanent galleries for ancient art from Cyprus. It is also the first scholarly publication since 1914 devoted to the Cesnola Collection (which totals approximately six thousand objects). The volume features some five hundred pieces from the collection, illustrated in new color photography. Dating from about 2500 B.C. to about A.D. 300, these works rank among the finest examples of Cypriot art from the prehistoric, Geometric, Archaic, Classical, Hellenistic, and Roman periods. Among the objects are monumental sculpture; weapons, tools, and domestic utensils; vases, lamps, and ritual paraphernalia; dedicatory figurines; engraved sealstones and jewelry; and luxury objects."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Ami Mazar has gained a reputation as one of the most prolific and reliable archaeologists doing work in Israel during the last 40 years. Not only has he participated in and directed excavations at many sites, his professional standards are of the first order, and what's more, his publication record is enviable: he has never begun a new major project before the final publication of the previous excavation was well underway. Here, more than 55 colleagues gather to honor him with a wide range of essays, organized in 7 sections: I. Early Bronze Age Studies II. Middle and Late Bronze Age Studies III. Philistine/Sea Peoples Studies IV. Iron Age Studies V. Historical, Biblical, and Epigraphic Studies VI. Jerusalem Studies VII. Post-Iron Age Studies An international group of contributors includes: E. Braun, I. Finkelstein, D. Ussishkin, P. M. Fischer, R. Gophna, D. Gazit, R. Greenberg, P. de Miroschedji, B. Sass, M. Sebbane, E. Yannai, M. Artzy, M. Bietak, A. Caubet, M. Yon, T. Dothan, M. Jasmin, E. H. E. Lass, J.-C. Margueron, P. Matthiae, R. S. Merrillees, R. A. Mullins, A. F. Rainey, E. D. Oren, A. Gilboa, A. Cohen-Weinberger, Y. Goren, A. Maeir, I. Shai, S. Sherratt, L. E. Stager, E. Stern, O. Borowski, J. M. Cahill, W. G. Dever, A. Faust, S. Gitin, L. G. Herr, V. Karageorghis, A. E. Killebrew, R. Kletter, Z. Lederman, S. Bunimovitz, S. M. Ortiz, N. Panitz-Cohen, R. E. Tappy, D. Edelman, A. Fink, V. Fritz, A. Lemaire, W. M. Schniedewind, I. Singer, A. G. Vaughn, C. Dobler, E. Mazar, S. M. Paul, R. Reich, E. Shukron, J. R. Zorn, H. Eshel, B. Zissu, L. Horowitz, A. Kloner, E. M. Meyers, and S. A. Rosen.