Syria is the Middle East's best kept secret. With its many site plans and maps, readable text and 96 color photos, this book makes available for the first time the immensely wealthy history, archaeology and architecture of Syria to the general reader and interested traveler.

In Architecture and Asceticism Loosley Leeming explores the links between Syria and Georgia in late antiquity. The book takes an inter-disciplinary approach and examines the question from archaeological, art historical, historical, literary and theological viewpoints.

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The ongoing conflict in Syria has made clear just how limited the general knowledge of Syrian society and history is in the West. For those watching the headlines and wondering what led the nation to this point, and what might come next, this book is a perfect place to start developing a deeper understanding. Based on decades of living and working in Syria, My House in Damascus offers an inside view of Syria’s cultural and complex religious and ethnic communities. Diana Darke, a fluent Arabic speaker who moved to Damascus in 2004 after decades of regular visits, details the ways that the Assad regime, and its relationship to the people, differs from the regimes in Egypt, Tunisia, and Libya—and why it was thus always less likely to collapse quickly, even in the face of widespread unrest and violence. Through the author’s firsthand experiences of buying and restoring a house in the old city of Damascus, which she later offered as a sanctuary to friends, Darke presents a clear picture of the realities of life on the ground and what hope there is for Syria’s future.

Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.

The historical and cultural role of the Aramaeans in ancient Syria can hardly be overestimated. Thus The Aramaeans in Ancient Syria gives precise and up-to-date information on different aspects of Aramaean culture. To that end, history, society, economy and law, language and script, literature, religion, art and architecture of the Aramaean kingdoms of Syria from their beginnings in the 11 century B.C. until their end at approximately 720 B.C. are covered within the handbook. The wide survey of Aramaean culture in Syria is supplemented by overviews on the Aramaeans in Assyria, Babylonia, Phoenicia, Palestine, Egypt, North Arabia and on the Aramaean heritage in the Levant.

Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church’s wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual.

This book investigates the Muslim castles of greater Syria from c.700 to c.1700 from archaeological and historical perspectives.