NEW YORK TIMES BESTSELLER “As sweet and funny and sad and true and heartfelt a memoir as one could find.” —from the foreword by Augusten Burroughs Ever since he was young, John Robison longed to connect with other people, but by the time he was a teenager, his odd habits—an inclination to blurt out non sequiturs, avoid eye contact, dismantle radios, and dig five-foot holes (and stick his younger brother, Augusten Burroughs, in them)—had earned him the label “social deviant.” It was not until he was forty that he was diagnosed with a form of autism called Asperger’s syndrome. That understanding transformed the way he saw himself—and the world. A born storyteller, Robison has written a moving, darkly funny memoir about a life that has taken him from developing exploding guitars for KISS to building a family of his own. It’s a strange, sly, indelible account—sometimes alien yet always deeply human.

Why has the female voice deepened over the last fifty years? Who talks more, men or women? How can a baby in the womb distinguish between different voices? The human voice is the personal and social glue that binds us, and the most important sound in our lives. The moment we open our mouth we leak information about our biological, psychological and social status. Babies use it to establish emotional ties and acquire language, adults to decode mood and meaning in intimate and professional relationships. Far from being rendered redundant by modern technology, the human voice has enormous and enduring significance.

'I absolutely loved it... I cannot say enough how much I enjoyed it.' NAOMI ALDERMAN 'Beautifully, psychologically exact. Leviston reveals, confronts, disarms and pares us from our unwitting, falser selves. Superbly written and fearlessly imagined fiction.' SARAH HALL The first work of fiction from award-winning poet Frances Leviston offers a frighteningly perceptive slice of contemporary womanhood. Ten women, all called Claire, are tangled up in complex power dynamics with their families, friends, and lovers. Though all are different ages, and leading different lives, each is haunted by the difficulty of living on her own terms, and by her capacity to harm and be harmed. Claire is a teenaged babysitter left alone with a strange little girl and her imaginary friend. She is a woman trying to escape her elderly mother by employing an android carer. Claire is a young TV journalist wrecking her first big interview. Claire's boyfriend discovers more than he bargains for when he begins to read her diary. And no matter her age or background, Claire is living in the shadow of a monstrous mother. With startling insight and understanding, Frances Leviston offers a frighteningly perceptive slice of contemporary womanhood. In forensic, indelible prose that is often bleakly funny, The Voice in My Ear reveals a brilliant new voice in fiction - and invites us to consider our own place in the relationships that define us. **A NEW STATESMAN BOOK TO READ IN 2020**

"Collection of incunabula and early medical prints in the library of the Surgeon-general's office, U.S. Army": Ser. 3, v. 10, p. 1415-1436.

A collection of essays on the approaches and applications of Deleuze's philosophy to the bodyUsing a variety of contemporary cultural, scientific and philosophical lines of enquiry, the contributors produce a truly multidisciplinary view of the Deleuzian body, inviting us to look afresh at art, movement and literature.The Deleuzian body is not necessarily a human body, but the lines of enquiry here all illuminate the idea of the human body and thinking about formation, origins and becoming in relation to power, creativity and affect.