Reprint of the original, first published in 1859.

As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.

Magic, science and second sight in 17c Scottish Higlands, with new edition of Kirk's Secret Commonwealth.

Focusing on North Mull - north of Glen More, but excluding Craignure, Torosay and Brolas - this book is an anthology of the tales and traditions of Mull in the words of those who tell them. The writing covers belief and superstitions, pastimes, work, health and cures, tales and proverbs. The subjects are taken from a wide range of sources and periods, from Martin Martin in the 17th century to writing which dates from the end of World War II, a time which saw much change in Gaelic society as a whole. The material covers traditions and accounts of a very practical and often harsh existence, variations on tales which are more obscure as well as those that are well known. The book is a celebration of a people that are often excluded from the standard historical accounts of the clans and Highlands, but who have endured much and safeguarded an important heritage.