This beautifully designed book is the first to explore Susan Point's publicly commissioned artworks from coast to coast Susan Point's unique artworks have been credited with almost single-handedly reviving the traditional Coast Salish art style. Once nearly lost to the effects of colonization, the crescents, wedges, and human and animal forms characteristic of the art of First Nations peoples living around the Salish Sea can now be seen around the world, reinvigorated with modern materials and techniques, in her serigraphs and public art installations - and in the works of a new generation of artists that she's inspired.People Among the People beautifully displays the breadth of Susan Point's public art, from cast-iron manhole covers to massive carved cedar spindle whorls, installed in locations from Vancouver to Zurich. Through extensive interviews and access to her archives, Robert D. Watt tells the story of each piece, whether it's the evolution from sketch to carving to casting, or the significance of the images and symbolism, which is informed by surviving traditional Salish works Point has studied and the Oral Traditions of her Musqueam family and elders. In her long quest to re-establish a Coast Salish footprint in Southwest British Columbia and the Pacific Northwest of the US, Point has received many honours, including the Order of Canada and the Audain Lifetime Achievement Award. This gorgeous and illuminating book makes it clear they are all richly deserved.

Like many British Columbians in 2017, Claudia Cornwall found herself glued to the news about the disastrous wildfires across the province. Her worry was personal: her cabin at Sheridan Lake had been in the family for sixty years and was now in danger of destruction. Cornwall, a long-time writer, was stricken not just by her own experience, but by the many moving stories she came across about the fires—so she began collecting them. She met with people from BC communities of Sheridan Lake, Ashcroft, Cache Creek, 16 Mile House, Lac La Hache, Quesnel, Williams Lake, Hanceville-Riske Creek and Clinton. She hoped to be a conduit for the voices she heard—for those who fought the fires raging around them, those who were evacuated and displaced, and those who could do nothing but watch as their homes burned. She conducted over fifty hours of interviews with ranchers, cottagers, Indigenous residents, RCMP officers, evacuees, store and resort owners, search and rescue volunteers, firefighters and local government officials. Presented in British Columbia in Flames are stories that illustrate the importance of community. During the 2017 wildfires, people looked after strangers who had no place to go. They shared information. They helped each other rescue and shelter animals. They kept stores open day and night to supply gas, food and comfort to evacuees. This memoir, at once journalistic and deeply personal, highlights the strength with which BC communities can and will come together to face a terrifying force of nature.

The West has long attracted visionaries and schemers from around the world. And no other region in North America can outstrip British Columbia for the number of utopian or intentional settlement attempts in the past 150 years. Andrew Scott delves into the dramatic stories of these fascinating, but often doomed, communities. From Doukhobor farmers to Finnish coal miners, Quakers and hippies, many groups have struggled to build idealistic colonies in BC’s inspiring landscape. While most discovered hardship, disillusionment and failure, new groups sprang up—and continue to spring up—to take their place. Meet the quick-tempered, slave-driving Madame Zee (partner of the infamous Brother XII), who reportedly beat followers with a riding crop. Hear from Richard “The Troll” Schaller, who founded the Legal Front Commune, General Store and Funny Food Farm on the Sunshine Coast, setting off a storm of hostility from locals. Congregate with Jerry LeBourdais and fellow members of the Ochiltree Organic Commune, who rebelled from hippie communes by embracing meat eating and coffee drinking. With careful research and engaging first-person accounts, Scott sifts through the wreckage of the utopia-seekers’ dreams and delves into the practices and philosophies of contemporary intentional communities. This book is a compendium of astounding misadventures as well as an intriguing analysis of what moves people to search for paradise.

Nordamerika - Kolonialzeit - Landschaft - Raumkonzepte - soziale Konstruktion.

Aboriginal claims remain a controversial but little understood issue in contemporary Canada. British Columbia has been, and remains, the setting for the most intense and persistent demands by Native people, and also for the strongest and most consistent opposition to Native claims by governments and the non-aboriginal public. Land has been the essential question; the Indians have claimed continuing ownership while the province has steadfastly denied the possibility.

In this beautifully crafted collection of essays, Cole Harris reflects on the strategies of colonialism in British Columbia during the first 150 years after the arrival of European settlers. The pervasive displacement of indigenous people by the newcomers, the mechanisms by which it was accomplished, and the resulting effects on the landscape, social life, and history of Canada's western-most province are examined through the dual lenses of post-colonial theory and empirical data. By providing a compelling look at the colonial construction of the province, the book revises existing perceptions of the history and geography of British Columbia.

Winona LaDuke is a leader in cultural-based sustainable development strategies, renewable energy, sustainable food systems and Indigenous rights. Her new book, To Be a Water Protector: Rise of the Wiindigoo Slayers, is an expansive, provocative engagement with issues that have been central to her many years of activism. LaDuke honours Mother Earth and her teachings while detailing global, Indigenous-led opposition to the enslavement and exploitation of the land and water. She discusses several elements of a New Green Economy and outlines the lessons we can take from activists outside the US and Canada. In her unique way of storytelling, Winona LaDuke is inspiring, always a teacher and an utterly fearless activist, writer and speaker. Winona LaDuke is an Anishinaabekwe (Ojibwe) enrolled member of the Mississippi Band Anishinaabeg who lives and works on the White Earth Reservation in Northern Minnesota. She is executive director of Honor the Earth, a national Native advocacy and environmental organization. Her work at the White Earth Land Recovery Project spans thirty years of legal, policy and community development work, including the creation of one of the first tribal land trusts in the country. LaDuke has testified at the United Nations, US Congress and state hearings and is an expert witness on economics and the environment. She is the author of numerous acclaimed articles and books.

The First Nations of British Columbia provides an up-to-date, concise, and accessible overview of First Nations' peoples, cultures, and issues. This updated edition contains new information on plant management, wage labor, the Nisga's agreement, and the discovery in Northwestern B.C. of a frozen 600-year-old man. The appendices, readings, and all names, numbers, and spellings have been updated. Robert Muckle surveys the history, diversity, and complexity of First Nations from an anthropological perspective, incorporating archaeological, ethnographic, historic, and legal-political issues. The book is an excellent introduction for anyone interested in Native American peoples.

Despite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins. In Indigenous Women’s Theatre in Canada, Sarah MacKenzie addresses this critical gap by focusing on plays by Indigenous women written and produced in the socio-cultural milieux of twentieth and twenty-first century Canada. Closely analyzing dramatic texts by Monique Mojica, Marie Clements, and Yvette Nolan, MacKenzie explores representations of gendered colonialist violence in order to determine the varying ways in which these representations are employed subversively and informatively by Indigenous women. These plays provide an avenue for individual and potential cultural healing by deconstructing some of the harmful ideological work performed by colonial misrepresentations of Indigeneity and demonstrate the strength and persistence of Indigenous women, offering a space in which decolonial futurisms can be envisioned. In this unique work, MacKenzie suggests that colonialist misrepresentations of Indigenous women have served to perpetuate demeaning stereotypes, justifying devaluation of and violence against Indigenous women. Most significantly, however, she argues that resistant representations in Indigenous women’s dramatic writing and production work in direct opposition to such representational and manifest violence.