“The idea of a national park was an American invention of historic consequences marking the beginning of a worldwide movement,” the U.S. National Park Service asserts in its 2006 Management Policies. National Parks beyond the Nation brings together the work of fifteen scholars and writers to reveal the tremendous diversity of the global national park experience—an experience sometimes influencing, sometimes influenced by, and sometimes with no reference whatever to the United States. Writer and historian Wallace Stegner once called national parks “America’s best idea.” The contributors to this volume use that exceptionalist claim as a starting point for thinking about an international history of national parks. They explore the historical interactions and influences—intellectual, political, and material—within and between national park systems in Canada, New Zealand, South Africa, Indonesia, Antarctica, Brazil, and other countries. What is the role of science in the history of these preserves? Of politics? What purposes do they serve: Conservation? Education? Reverence toward nature? Tourist pleasure? People have thought differently about national parks at different times and in different places; and neat physical boundaries have been disrupted by wandering animals, human movements, the spread of disease, and climate change. Viewing parks around the world, at various scales and across national frontiers, these essays offer a panoptic view of the common and contrasting cultural and environmental features of national parks worldwide. If national parks are, as Stegner said, “absolutely American,” they are no less part of the world at large. National Parks beyond the Nation tells us as much about the multifarious and changing ideas of nature and culture as about the framing of those ideas in geographic, temporal, and national terms.

List of members in vol. 1, 3, 6, 8, 11.

Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. Highlights of Volume A: Beginnings to 1820 • Complete texts of Mary Rowlandson’s captivity narrative and Hannah Webster Foster’s The Coquette • In-depth Contexts sections on such topics as “Slavery and Resistance,” “Rebellions and Revolutions,” and “Print Culture and Popular Literature” • Broader and more extensive coverage of Indigenous oral and visual literature than in competing anthologies • Full author sections in the anthology devoted not only to frequently anthologized figures but also to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, and Briton Hammon

The first volume is devoted to Canada, the second to the United States. Lambert landed at Quebec in October 1806. He furnishes a picture of the place of that date, and describes the social manners, dress and political events which were happening, with more than the usual care bestowed by the passing traveller. Much of his historical narrative, however, is not in accordance with fact, having been disproved by authentic document . From Quebec he visited Three Rivers and Montreal, and ascending Lake Champlain entered the United States. Lambert remained at Quebec from November 1806 to August 1807. He came back to Canada in 1808, in order to obtain a passage home. We learn from this work that at this date, both at Quebec and Montreal, the theatre had been established and performances periodically given. His account does not suggest that the acting was of a high order.