"Contextual in approch, this text draws on socio-economic and political studies as well as histories of religion, science, literature, and popular culture, and explores the diverse, conflicted history of American art and architecture. Thematically interrelating the visual arts to other material artifacts and cultural practices, the text examines how artists and architects produced artwork that visually expressed various social and political values."--Publisher's website.

Paul D. Miller argues against recent calls for American restraint in international relations. Blending academic rigor with his experiences as former Director for Afghanistan on the National Security Council, he instead calls for active investment in the centuries-old grand strategy of liberal order.

When three women find their lives inextricably linked after a terrible mistake, they must work together to make the most of their futures. Alexis Marshall never meant to cause the accident that left Jon-Jon Robinson paralyzed—but though guilt plagues her, her husband hopes to put the past behind them. After all, he’s in the middle of selling a tech business—and if Alexis admits to texting while driving, the deal could collapse and cost them millions. Meanwhile, Alexis’s life is not as shiny and perfect as it may seem from the outside. She has secrets of her own. As she becomes consumed with thoughts of the young man she hit, can she reconcile her mistake with her husband’s expectations? Trish Robinson is just trying to hold it together after the accident that left Jon-Jon dependent and depressed. As the bills pile up, Trish and her husband, Dwayne, find themselves at odds. Trish wants to forgive and move on, but Dwayne is filled with rage toward the entitled woman who altered their lives forever. Trish can’t see how anything good can come from so much hate and strife, so she determines to pray until God intervenes. Then one afternoon Marquita Lewis rings their doorbell with a baby in her arms and changes everything. Vanessa Miller’s latest inspirational novel reminds readers that differences may separate us, but if we cling to each other, God can bring something good out of our very worst moments. Praise for Something Good: “This real-to-life story doesn't shy away from some hard issues of the modern world, but Miller is a master storyteller, who brings healing and redemption to her characters, and thus the reader, through the power of love and faith. I thoroughly enjoyed this book.” —Rachel Hauck, New York Times bestselling author Inspiring contemporary fiction Stand-alone novel Includes discussion questions for book clubs

This book examines the new values, visions, and spirit that are arising in the American corporation. It is not concerned merely with the techniques of the new management, it is concerned with its soul. Eight primary values are identified with this new management in part one. Part two presents a model for creating strategic and tactical changes to build the new corporate culture.

2014 James Beard Foundation Book Award, Reference and Scholarship Honor Book for Nonfiction, Black Caucus of the American Library Association In this insightful and eclectic history, Adrian Miller delves into the influences, ingredients, and innovations that make up the soul food tradition. Focusing each chapter on the culinary and social history of one dish--such as fried chicken, chitlins, yams, greens, and "red drinks--Miller uncovers how it got on the soul food plate and what it means for African American culture and identity. Miller argues that the story is more complex and surprising than commonly thought. Four centuries in the making, and fusing European, Native American, and West African cuisines, soul food--in all its fried, pork-infused, and sugary glory--is but one aspect of African American culinary heritage. Miller discusses how soul food has become incorporated into American culture and explores its connections to identity politics, bad health raps, and healthier alternatives. This refreshing look at one of America's most celebrated, mythologized, and maligned cuisines is enriched by spirited sidebars, photographs, and twenty-two recipes.

“The American people sees itself advance across the wilderness, draining swamps, straightening rivers, peopling the solitude, and subduing nature,” wrote Alexis de Tocqueville in 1835. That’s largely how we still think of nineteenth-century America today: a country expanding unstoppably, bending the continent’s natural bounty to the national will, heedless of consequence. A country of slavery and of Indian wars. There’s much truth in that vision. But if you know where to look, you can uncover a different history, one of vibrant resistance, one that’s been mostly forgotten. This Radical Land recovers that story. Daegan Miller is our guide on a beautifully written, revelatory trip across the continent during which we encounter radical thinkers, settlers, and artists who grounded their ideas of freedom, justice, and progress in the very landscapes around them, even as the runaway engine of capitalism sought to steamroll everything in its path. Here we meet Thoreau, the expert surveyor, drawing anticapitalist property maps. We visit a black antislavery community in the Adirondack wilderness of upstate New York. We discover how seemingly commercial photographs of the transcontinental railroad secretly sent subversive messages, and how a band of utopian anarchists among California’s sequoias imagined a greener, freer future. At every turn, everyday radicals looked to landscape for the language of their dissent—drawing crucial early links between the environment and social justice, links we’re still struggling to strengthen today. Working in a tradition that stretches from Thoreau to Rebecca Solnit, Miller offers nothing less than a new way of seeing the American past—and of understanding what it can offer us for the present . . . and the future.

This overview of the "sister arts" of the nineteenth century by younger scholars in art history, literature, and American studies presents a startling array of perspectives on the fundamental role played by images in culture and society. Drawing on the latest thinking about vision and visuality as well as on recent developments in literary theory and cultural studies, the contributors situate paintings, sculpture, monument art, and literary images within a variety of cultural contexts. The volume offers fresh and sometimes extended discussions of single works as well as reevaluations of artistic and literary conventions and analyses of the economic, social, and technological forces that gave them shape and were influenced by them in turn. A wide range of figures are significantly reassessed, including the painters Charles Willson Peale, Washington Allston, Thomas Cole, George Caleb Bingham, Fitz Hugh Lane, and Mary Cassatt, and such writers as James Fenimore Cooper, Nathaniel Hawthorne, Henry David Thoreau, and William Dean Howells. One overarching theme to emerge is the development of an American national subjectivity as it interacted with the transformation of a culture dominated by religious values to one increasingly influenced by commercial imperatives. The essays probe the ways in which artists and writers responded to the changing conditions of the cultural milieu as it was mediated by such factors as class and gender, modes of perception and representation, and conflicting ideals and realities.