The story of Henry Pulling, a retired and complacent bank manager, who meets his septuagenarian Aunt Augusta for the first time at what he supposes to be his mother's funeral. She soon persuades Henry to abandon his dull suburban existence to travel her to Brighton, Paris, Istanbul, Paraguay. Through Aunt Augusta, one of Greene's greatest comic creations, Henry joins a shiftless, twilight society; mixes with hippies, war criminals, and CIA men; smokes pot and breaks all currency regulations.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Minority.

A young girl's aunt brings her back special gifts from each exotic place she visits around the world.

The figure of the mammy occupies a central place in the lore of the Old South and has long been used to ullustrate distinct social phenomena, including racial oppression and class identity. In the early twentieth century, the mammy became immortalized as Aunt Jemima, the spokesperson for a line of ready-mixed breakfast products. Although Aunt Jemima has undergone many makeovers over the years, she apparently has not lost her commercial appeal; her face graces more than forty food products nationwide and she still resonates in some form for millions of Americans. In Slave in a Box, M.M. Manring addresses the vexing question of why the troubling figure of Aunt Jemima has endured in American culture. Manring traces the evolution of the mammy from her roots in the Old South slave reality and mythology, through reinterpretations during Reconstruction and in minstrel shows and turn-of-the-century advertisements, to Aunt Jemima's symbolic role in the Civil Rights movement and her present incarnation as a "working grandmother." We learn how advertising entrepreneur James Webb Young, aided by celebrated illustrator N.C. Wyeth, skillfully tapped into nostalgic 1920s perceptions of the South as a culture of white leisure and black labor. Aunt Jemima's ready-mixed products offered middle-class housewives the next best thing to a black servant: a "slave in a box" that conjured up romantic images of not only the food but also the social hierarchy of the plantation South. The initial success of the Aunt Jemima brand, Manring reveals, was based on a variety of factors, from lingering attempts to reunite the country after the Civil War to marketing strategies around World War I. Her continued appeal in the late twentieth century is a more complex and disturbing phenomenon we may never fully understand. Manring suggests that by documenting Aunt Jemima's fascinating evolution, however, we can learn important lessons about our collective cultural identity.

My Dear Aunt Martha is a 19th century pioneer epic that is based upon a collection of nearly 80 letters between Scots-Irish settlers of the Illinois Territory and the loved ones they left behind in Pennsylvania. These documents provide first-person perspectives upon ordinary and extraordinary events of the period 1811-1893 that we know only from history books. Described by one university archivist as "platinum," this is the first publication of the complete collection. My Dear Aunt Martha; a 19th Century American Epic from the Letters of Those Who Lived It was selected by the Illinois State Historical Society for its 2011 Award of Excellence. Published in that year, the book was revised in 2013. Toughened to frontier hardships by heritage, the men and women of these letters eagerly claimed land near the Mississippi River that was opened to settlement after the War of 1812. To America's heartland they brought the Presbyterian ideals of independence and the rights and responsibilities of man upon which their parents had helped to found the nation. The history of 19th century America unfolds through these unique narratives. Written on tiny scraps, sealed with wax and transported by horseback, the earliest writings related hardships, fellowships, loneliness and such frustrations as: "The available men are mighty scarce around these parts." After securing farmsteads and comfortable homes, the focus of the letters shifted to the establishment of community with commercial and medical services, a school, a church, singing groups, debating societies, and political rallies. Throughout, the writers gossiped and often concluded their messages with "Don't tell anybody...." They also wrote of working on Mississippi River steamboats and of hostilities with Mormon neighbors that culminated in the mob murder of Joseph Smith, the founder of that religious sect. They served in the Mexican War, joined gold rushes to California and Colorado, and they joined the Union cause during the Civil War. Letters from the front told of this cataclysmic struggle. One soldier wrote of his service as an officer with the U.S. 50th Colored Infantry in Mississippi and another claimed that his commanding officer, George Armstrong Custer, deserved to be shot "for he is nothing but a tyrant." While a young woman described the mournful passage of Lincoln's funeral train through her college town, a young man encouraged his friend to take an emigrant train to California where "The orchards are yellow with golden fruit" and "You'll see some of the finest scenery in the world." The 456 pages of My Dear Aunt Martha are presented in sections: The Foreword, The History (background to the letters and the letter writers), The Letters (sequential transcripts with historical and biographical annotations), The People (biographical index), The Appendix, The Muse (pertinent samplings of other articles by author, Barbara Shave), and The Epilogue. The font is 12 point for easy reading and photographs are abundant. Endorsed by academics at Illinois State University, Western Illinois University, and Brigham Young University, the content of My Dear Aunt Martha is destined to become a primary genealogy reference for Franklin County, Pennsylvania and Hancock County, Illinois. It will also serve as a significant resource for histories of the Scots-Irish in America, the development of the Midwest, the Mormon Church, the Civil War, and the movement for the equal treatment for women.

Fiction. Literary Nonfiction. Cross-Genre. Art. Asian American Studies. Tan Lin's INSOMNIA AND THE AUNT is an ambient novel composed of black and white photographs, postcards, Google reverse searches, letters, appendices, an index to an imaginary novel, reruns, and footnotes. The aunt in question can't sleep. She runs a motel in the Pacific Northwest. She likes watching Conan O'Brien late at night. She may be the narrator's aunt or she may be an emanation of a TV set. Structured like everybody's scrapbook, and blending fiction with nonfictional events, INSOMNIA AND THE AUNT is about identities taken and given up, and about the passions of an immigrant life, rebroadcast as furniture. Ostensibly about a young man's disintegrating memory of his most fascinating relative, or potentially a conceptualist take on immigrant literature, it is probably just a treatment for a prime-time event that, because no one sleeps in motels, lasts into the late night and daytime slots.

From the end of the slave era to the culmination of the Civil Rights movement, advertising portrayed blacks as Aunt Jemimas, Uncle Bens, and Rastuses, and the author explores the psychological impact of these portrayals. With the advent of the Civil Rights movement, organizations such as CORE and the NAACP voiced their opposition and became active in the elimination of such advertising. In the final chapters, the volume examines the reactions of consumers to integrated advertising and the current role of blacks in advertising.

A book to read along with the audio cassette.