"In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans--an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions--Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent."--

A richly illustrated exploration of the depiction of sports in American art since the eighteenth century

Published to accompany an exhibit on Albers' work as both artist and teacher, this volume assesses Albers' understanding and teaching of color as "the most relative medium in art."

An engaging guide to over 150 art museums and more throughout New England

An annotated introduction exploring the contemporary importance of the book "The House Servants Directory", the identity and character of the author, and its significance in American history.

Known for her rooms that make you feel like you're in endless, infinite space and her vibrant, eclectic sculptures and paintings, Japanese American artist Yayoi Kusama has made a name for herself in the Art world since the 1950's. Now, read about her life and journey from Japan to America, following along as she fights the odds to pursue what she loves most.

Exploring art made in Latin America during the 1930s and 1940s, Hemispheric Integration argues that Latin America’s position within a global economic order was crucial to how art from that region was produced, collected, and understood. Niko Vicario analyzes art’s relation to shifting trade patterns, geopolitical realignments, and industrialization to suggest that it was in this specific era that the category of Latin American art developed its current definition. Focusing on artworks by iconic Latin American modernists such as David Alfaro Siqueiros, Joaquín Torres-García, Cândido Portinari, and Mario Carreño, Vicario emphasizes the materiality and mobility of art and their connection to commerce, namely the exchange of raw materials for manufactured goods from Europe and the United States. An exceptional examination of transnational culture, this book provides a new model for the study of Latin American art.

"A collection of essays presenting international perspectives on the narratives and the practices grounding the scholarly study of American Art"--Provided by publisher.

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.

From his election in 1572 to his death in 1585, Pope Gregory XIII spent a great deal of money on the building and restoration of Rome's streets, churches and public monuments. One major monument, the three-story apartment rising from the Vatican Palace called the Tower of the Winds, was built to celebrate the most famous achievement of Gregory's papacy, the calendar reform. Its innovations in architecture and decoration and its wider religious and political purpose are the subject of this book.