The Love That Ended So Tragic is a story about two people who were meant to be but paid the ultimate price for their love. Like Romeo and Juliet, their forbidden love was destined to have a tragic ending. The reader will embark on the ten-year journey of Hannah and Antony's doomed relationship, with shocking twists, turns, happy and sad moments all in one novel. This story takes place in San Diego, California, 1996–2007. Take the summer romance all in, as every page is worth reading.

On a September night in 1971, a few days after getting busted for dropping two of the 127 hits of acid found in a friend's shoe, a sixteen-year-old who is grounded for a year curls up in the corner of her ratty bedroom, picks up a pen, and begins to write. Once upon a cruddy time on a cruddy street on the side of a cruddy hill in the cruddiest part of a crudded-out town in a cruddy state, country, world, solar system, universe. The cruddy girl named Roberta was writing the cruddy book of her cruddy life and the name of the book was called Cruddy. Now the truth can finally be revealed about the mysterious day long ago when the authorities found a child, calmly walking in the boiling desert, covered with blood. She could not give the authorities any information about why she was the only survivor and everyone else was lying around in hacked-up pieces. Roberta Rohbeson, 1971. Her overblown, drug-induced teenage rant against a world bounded by "the cruddy top bedroom of a cruddy rental house on a very cruddy mud road behind cruddy Black Cat Lumber" soon becomes a detailed account of another story. It is a story about which Roberta has kept silent for five years, until, under the influence of a pale hippie called the Turtle and a drug called Creeper, her tale giddily unspools... Roberta Rohbeson, 1967. The world of Roberta, age eleven, is terrifyingly unbounded, a one-way cross-country road trip fueled by revenge and by greed, a violent, hallucinatory, sometimes funny, more often horrific year of killings, betrayals, arson, and a sinister set of butcher knives, each with its own name. Welcome to Cruddy, Lynda Barry's masterful tale of the two intertwined narratives set five years -- an eternity -- apart, which form the backbone of Roberta's life. Cruddy is a wild ride indeed, a fairy tale-cum-low-budget horror movie populated by a cast of characters that will remain vivid in the reader's mind long after the final page: Roberta's father, a dangerous alcoholic and out-of-work meat cutter in search of his swindled inheritance; the frightening owners of the Knocking Hammer Bar and sometime slaughterhouse; and two charming but quite mad escapees from the Barbara V. Herrmann Home for Adolescent Rest. Written with a teenager's eye for freakish detail and a nervous ability to make the most horrible scenes seem hilarious, Roberta's two stories -- part Easy Rider and part bipolar Wizard of Oz -- painfully but inevitably converge in a surprising denouement in a nightmarish Dreamland in the Nevada desert. By turns terrifying, darkly funny, and resonant with humanity, propelled by all the narrative power of a superior thriller and burnished by the author's pitch-perfect ear for dialogue, Cruddy is a stunning achievement.

A National Indie Bestseller An NPR Best Book of the Year A New York Times Best Book of the Year An Amazon Best Book of the Year A Booklist Editors' Choice A BookPage Best Book of the Year A NECBA Windows & Mirrors Selection A Publishers Weekly Best Book of the Year A Wall Street Journal Best Book of the Year A Today.com Best of the Year PRAISE "A modern masterpiece." —The New York Times Book Review "Supple, sparkling and original." —The Wall Street Journal "Mesmerizing." —TODAY.com "This book could change the world." —BookPage "Like nothing else you've read or ever will read." —Linda Sue Park "It hooks you right from the opening line." —NPR SEVEN STARRED REVIEWS ★ "A modern epic." —Kirkus Reviews, starred review ★ "A rare treasure of a book." —Publishers Weekly, starred review ★ "A story that soars." —The Bulletin, starred review ★ "At once beautiful and painful." —School Library Journal, starred review ★ "Raises the literary bar in children's lit." —Booklist, starred review ★ "Poignant and powerful." —Foreword Reviews, starred review ★ "One of the most extraordinary books of the year." —BookPage, starred review A sprawling, evocative, and groundbreaking autobiographical novel told in the unforgettable and hilarious voice of a young Iranian refugee. It is a powerfully layered novel that poses the questions: Who owns the truth? Who speaks it? Who believes it? "A patchwork story is the shame of the refugee," Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees—starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore. Like Scheherazade of One Thousand and One Nights in a hostile classroom, Daniel spins a tale to save his own life: to stake his claim to the truth. EVERYTHING SAD IS UNTRUE (a true story) is a tale of heartbreak and resilience and urges readers to speak their truth and be heard.

This “delightfully whimsical novel riffs on the premise that ordinary lives stubbornly resist the tidy order that a fiction narrative might impose on them” (Publishers Weekly). Can a story save your life? Meg Carpenter is broke. Her novel is years overdue. Her cell phone is out of minutes. And her moody boyfriend’s only contribution to the household is his sour attitude. So she jumps at the chance to review a pseudoscientific book that promises life everlasting. But who wants to live forever? Consulting cosmology and physics, tarot cards, koans (and riddles and jokes), new-age theories of everything, narrative theory, Nietzsche, Baudrillard, and knitting patterns, Meg wends her way through Our Tragic Universe, asking this and many other questions. Does she believe in fairies? In magic? Is she a superbeing? Is she living a storyless story? And what’s the connection between her off-hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever? Smart, entrancing, and boiling over with Thomas’s trademark big ideas, Our Tragic Universe is a book about how relationships are created and destroyed, how we can rewrite our futures (if not our histories), and how stories just might save our lives.

In the vein of It's Kind of a Funny Story and All the Bright Places, comes a captivating, immersive exploration of life with mental illness. For sixteen-year-old Mel Hannigan, bipolar disorder makes life unpredictable. Her latest struggle is balancing her growing feelings in a new relationship with her instinct to keep everyone at arm's length. And when a former friend confronts Mel with the truth about the way their relationship ended, deeply buried secrets threaten to come out and upend her shaky equilibrium. As the walls of Mel's compartmentalized world crumble, she fears the worst--that her friends will abandon her if they learn the truth about what she's been hiding. Can Mel bring herself to risk everything to find out? In A Tragic Kind of Wonderful, Eric Lindstrom, author of the critically acclaimed Not If I See You First, examines the fear that keeps us from exposing our true selves, and the courage it takes to be loved for who we really are.

On August 18, 1951, in Barbados, my mother, Clara Carter, gave birth to me, Doris Carter, and my twin sister, Dorothy. Dorothy, who was head of records of the United States was the family secret. My mother gave Dorothy away when she was born so I never knew her, but she always knew about me. In my early thirties, I moved to Montreal, Canada, where I won the lottery for five hundred thousand dollars. My sister, Dorothy Allen, who was living in New York City at the time found out about my winnings and made her way out to Montreal, Canada. After going through hell and back with my estranged husband to get the ticket from him, I couldn't even cash in the lotto ticket. I was told that according to their records, I had died on the seventh of April, and they had the death certificate to prove it. Turns out that my twin sister, Dorothy, and my ex–sister-in-law, Angela Smith, along with a lawyer by the name of Albert Gomberg committed a federal crime and filed the certificate, and a doctor from Montreal General Hospital signed off on it. Question, what would you do in my position? When your back is against the wall and you don't know who you can trust, not even your own lover? Follow me through all the crazy twists, turns, and evil ways family can betray you.

Rarely do books have such a great influence on a genre as Lest Darkness Fall has had on science fiction. Frequently quoted as one of the 'favorite' books of many of the masters of the field, this book by L. Sprague de Camp helped establish time-travel as a solid sub-genre of science fiction. ** An indication of the influence and longevity of the book is by the number of best-selling writers who have written stories in direct response to, or influenced by, Lest Darkness Fall. This new volume also includes three such stories by Frederik Pohl, David Drake and S. M. Stirling written over a period of forty-three years-a testament to the timelessness of the book. ** Similar, thematically, to Mark Twain's A Connecticut Yankee in King Arthur's Court, the book tells the tale of Martin Padway who, as he is walking around in modern Rome, is suddenly transported though time to 6th Century Rome. Once in ancient Rome, Padway (now Martinus Paduei Quastor) embarks on an ambitious project of single-handedly changing history. ** L. Sprague de Camp was a student of history (and the author of a number of popular works on the subject). In Lest Darkness Fall he combines his extensive knowledge of the workings of ancient Rome with his extraordinary imagination to create one of the best books of time travel ever written.

The latest Robin's Egg Book: essays that locate the funny in low self-esteem, family dysfunction, and bad relationships.

Kaine Reynolds wants nothing more than solitude. After an unthinkable tragedy destroys his family, he's cut off all ties to his former life so he can battle his grief the only way he knows how. Alone. So when Piper Campbell knocks on his door, rambling on about being his new neighbor, he slams the door in her face. But Kaine's gruff demeanor doesn't scare her. She's set on living in Montana and starting over after a terrible divorce. And she wouldn't mind having a fling to chase away the pain of her husband's betrayal. Her handsome, albeit rude, neighbor is the perfect candidate. Yet what neither of them suspect is that their no-strings affair will result in the surprise of Piper's lifetime--and Kaine's worst fear.

Help kids start to heal after grief and loss—for ages 5 to 7 Why Do I Feel So Sad? is an inclusive, age-appropriate, illustrated kid's book designed to help young children understand their own grief. The examples and beautiful illustrations are rooted in real life, exploring the truth of loss and change, while remaining comforting and hopeful. Broad enough to encompass many forms of grief, this book reassures kids that they are not alone in their feelings and even suggests simple things they can do to feel better, like drawing, dancing, and talking to friends and family. Why Do I Feel So Sad? is: Practical and compassionate―Written for early childhood-aged kids, this book touches on common sources of grief―everything from death to divorce or changing schools. Different for everyone―This book normalizes the confusing thoughts and physical symptoms that come with grief, so kids know there’s no one right way to feel or heal. Tips for grownups―Find expert advice and simple strategies for supporting grieving kids in your life. Children don’t have to go through grief alone; this book provides the tools to help them.