Lee Edward Atterbury was born September 1, 1924, into the Atturbury Circus family. He was the fifth of seven children born to Robert L. and Rose Atterbury. By the time Lee was old enough for school, his older siblings were accomplished aerialists and his mother was a slack wire walker. The Atterbury Circus was a road circus, traveling the highways of rural America from Iowa and the Dakotas to Texas throughout the years of the Great Depression. After the United States entered World War II, Lee served in the Army Air Force as a radioman and gunner, first in Africa and Italy, and then in the South Pacific. When the war ended, Lee returned home to find that the economics of war and the Great Depression had ended the small road circuses. Lee and his siblings began again by building carnival shows and games and went back on the road. "You'll never get anywhere in life without taking some risks," says Lee. Lee married Helen Wise of Conway Springs, Kansas, in 1949, and together they set out on the carnival circuit. Over the next seventy years, the Lee Atterbury family built a wonderful legacy of honesty and integrity with their games throughout the Midwest United States. They are loved by "carnies" and "marks" alike. People who played their games as children now return with their children and grandchildren to visit the Atterburys on the Midway. This memoir is a tribute to a true gentleman of America's greatest generation. Lee, I am so glad that I got to hear and record your stories. With grateful affection,

OK, if I’m completely honest, since I’ve been quite ill just before my half-century, at the end of 2016, I realised that I hadn’t ever got around to passing on the stories of my childhood to my children; that cluster of experiences and characters from my past that have “helped” me become the person that their father is today. Memories of a childhood in late 60s and 70s Llanelli is considered within, though they’ll possibly be of no consequence to others, I hope that my girls find them of interest. This entanglement of belonging and of being are what has made me who I am and how I am. I’ve never written a book before, though I’ve created one many times and at many stages of my life in my head. English is not even my mother tongue. Welsh has and always will be more comfortable for me, though I’ll try to make Dr Martin Rhys, my English teacher, who I both revered and feared at Ysgol y Strade, proud. The childhood memories noted here are true from my perspective. Any factual mistakes are there because that’s how I remember them happening. None of the content is aimed at upsetting anyone, but I’m sure it will. “Que sera, sera,” as Myngu Norman used to say. I’ve kept some personal stuff out, which if included, would create a fuss and shadow all my recollections. I’ve lived with them long enough as it is, though they may surface unintentionally in my writing. Enjoy the reading, and enjoy the memories – I’ve enjoyed organising them into some sort of order, so that my children may understand why I am as I am, and for people that know me to have the option of crossing the road when they see me heading towards them! Lastly, after you’ve read the book, consider this quote from Somerset Maugham (1874-1965) in his memoirs The Summing Up in 1938: “There is an impression abroad that everyone has it in him to write one book; but if by this is implied a good book then the impression is false”.

Scott McKain has discovered what the entertainment industry has always known--to be successful, companies must create an emotional link with their customers. This guide shows how to create an atmosphere and experience that will make clients want a repeat performance.

Discussion and documents relating to an exhibition called "Frank Lloyd Wright, American Architect", held at the Museum of Modern Art from Nov. 12, 1940 to Jan. 5, 1941.

All in the Family creator Norman Lear takes fans behind the scenes of the groundbreaking sitcom on the occasion of its 50th anniversary. The face of television was changed forever in 1971 with the premiere of All in the Family. The working-class Bunker family of Queens, New York—lovable bigot Archie (Carroll O'Connor), his long-suffering “dingbat” wife Edith (Jean Stapleton), their liberal daughter Gloria (Sally Struthers), and son-in-law Mike "Meathead" Stivic (Rob Reiner)—instantly became, and half a century later still are, four of the most iconic characters in television. In All in the Family: The Show that Changed Television, Norman Lear shares his take on fifty essential episodes that exemplify why the show remains as funny and relevant as ever. Its boundary-pushing approach to hot-button topics is examined with commentary from co-stars O’ Connor, Stapleton, Reiner, and Struthers, as well as writers, directors, and guest stars from the show. With previously unseen notes from Lear, script pages, production designs, and a foreword by super-fan Jimmy Kimmel, this book is the ultimate companion to the seminal series and a must for fans of Lear’s shows and television comedy. “Norman Lear,” said New Yorker critic Michael Arlen, “has a feel for what people want to see before they know they want to see it.” All in the Family, like all of the Lear shows that followed, was a turning point in television’s handling of taboo subjects such as race relations, feminism, homosexuality, war, religion, gun control, social inequity, and other controversial subjects, all of which remain in the news today.

The eighth book in the NYT bestselling Expanse series, Tiamat's Wrath finds the crew of the Rocinante fighting an underground war against a nearly invulnerable authoritarian empire, with James Holden a prisoner of the enemy. Now a Prime Original series. HUGO AWARD WINNER FOR BEST SERIES Thirteen hundred gates have opened to solar systems around the galaxy. But as humanity builds its interstellar empire in the alien ruins, the mysteries and threats grow deeper. In the dead systems where gates lead to stranger things than alien planets, Elvi Okoye begins a desperate search to discover the nature of a genocide that happened before the first human beings existed, and to find weapons to fight a war against forces at the edge of the imaginable. But the price of that knowledge may be higher than she can pay. At the heart of the empire, Teresa Duarte prepares to take on the burden of her father's godlike ambition. The sociopathic scientist Paolo Cordozar and the Mephistophelian prisoner James Holden are only two of the dangers in a palace thick with intrigue, but Teresa has a mind of her own and secrets even her father the emperor doesn't guess. And throughout the wide human empire, the scattered crew of the Rocinante fights a brave rear-guard action against Duarte's authoritarian regime. Memory of the old order falls away, and a future under Laconia's eternal rule -- and with it, a battle that humanity can only lose -- seems more and more certain. Because against the terrors that lie between worlds, courage and ambition will not be enough. . . The Expanse Leviathan Wakes Caliban's War Abaddon's Gate Cibola Burn Nemesis Games Babylon's Ashes Persepolis Rising Tiamat's Wrath ​Leviathan Falls Memory's Legion The Expanse Short Fiction Drive The Butcher of Anderson Station Gods of Risk The Churn The Vital Abyss Strange Dogs Auberon The Sins of Our Fathers

The behind-the-scenes story of the making of the classic television series offers insight into how the influential show reflected changing American perspectives and was a first situation comedy to employ numerous women as writers and producers.

What do you imagine when you hear the name . . . Bradbury? You might see rockets to Mars. Or bizarre circuses where otherworldly acts whirl in the center ring. Perhaps you travel to a dystopian future, where books are set ablaze . . . or to an out-of-the-way sideshow, where animated illustrations crawl across human skin. Or maybe, suddenly, you're returned to a simpler time in small-town America, where summer perfumes the air and life is almost perfect . . . almost. Ray Bradbury—peerless storyteller, poet of the impossible, and one of America's most beloved authors—is a literary giant whose remarkable career has spanned seven decades. Now twenty-six of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.

Is The Wire better than Breaking Bad? Is Cheers better than Seinfeld? What's the best high school show ever made? Why did Moonlighting really fall apart? Was the Arrested Development Netflix season brilliant or terrible? For twenty years-since they shared a TV column at Tony Soprano's hometown newspaper-critics Alan Sepinwall and Matt Zoller Seitz have been debating these questions and many more, but it all ultimately boils down to this: What's the greatest TV show ever? That debate reaches an epic conclusion in TV (THE BOOK). Sepinwall and Seitz have identified and ranked the 100 greatest scripted shows in American TV history. Using a complex, obsessively all-encompassing scoring system, they've created a Pantheon of top TV shows, each accompanied by essays delving into what made these shows great. From vintage classics like The Twilight Zone and I Love Lucy to modern masterpieces like Mad Men and Friday Night Lights, from huge hits like All in the Family and ER to short-lived favorites like Firefly and Freaks and Geeks, TV (THE BOOK) will bring the triumphs of the small screen together in one amazing compendium. Sepinwall and Seitz's argument has ended. Now it's time for yours to begin!

NEW YORK TIMES BESTSELLER • The groundbreaking investigation of how the global elite's efforts to "change the world" preserve the status quo and obscure their role in causing the problems they later seek to solve. An essential read for understanding some of the egregious abuses of power that dominate today’s news. "Impassioned.... Entertaining reading.” —The Washington Post Anand Giridharadas takes us into the inner sanctums of a new gilded age, where the rich and powerful fight for equality and justice any way they can—except ways that threaten the social order and their position atop it. They rebrand themselves as saviors of the poor; they lavishly reward “thought leaders” who redefine “change” in ways that preserve the status quo; and they constantly seek to do more good, but never less harm. Giridharadas asks hard questions: Why, for example, should our gravest problems be solved by the unelected upper crust instead of the public institutions it erodes by lobbying and dodging taxes? His groundbreaking investigation has already forced a great, sorely needed reckoning among the world’s wealthiest and those they hover above, and it points toward an answer: Rather than rely on scraps from the winners, we must take on the grueling democratic work of building more robust, egalitarian institutions and truly changing the world—a call to action for elites and everyday citizens alike.