Formed in 1964 and still going strong in 2020, the Who are one of the most popular and enduring bands in the history of rock. The legendary debut album My Generation and a string of hit singles paved the way for Live At Leeds, hailed as the best live rock album of all time, and the best selling Who's Next. Powered by the phenomenal rhythm section of Keith Moon and John Entwistle, they earned a reputation as a premier live act and pioneered festival and arena performances. The rock operas Tommy and Quadrophenia took popular music into uncharted territories and both inspired hit films. Despite regular infighting, breakups and the death of two key members, the band continued into the 21st century with the well received Endless Wire album and original members Roger Daltrey and Pete Townshend stage spectacular live shows to this day. This book examines each one of the band's studio albums, including the latest Who released in December 2019. Non-album tracks are also included and the book traces the band's long and diverse history. Compilations, live albums and soundtracks are also discussed, making this the most comprehensive guide to the music of the Who yet published. Whether the reader is a diehard fan or someone curious to see what lies beyond Tommy, this is essential reading.

This heartwarming picture book reassures children that a parent’s love never lets go—based on the poignant lyrics of JJ Heller’s beloved lullaby “Hand to Hold.” “May the living light inside you be the compass as you go / May you always know you have my hand to hold.” With delightful illustrations and an engaging rhyme scheme, this book offers the promise of security and love every child’s heart longs to know. From skipping stones and counting stars to climbing trees and telling stories, every moment is wrapped snugly in the certain warmth of a parent’s presence and God’s blessing. With poignancy and joy, this bedtime read captures the unconditional love parents want their children to know but so often fail to express amid the chaos of daily life.

Births, deaths and marriages, No1 singles, drug busts and arrests, famous gigs and awards... all these and much more appear in this fascinating 50 year almanac.Using a page for every day of the calendar year, the author records a variety of rock and pop events that took place on a given day of the month across the years.This Day in Music is fully illustrated with hundreds of pictures, cuttings and album covers, making this the must-have book for any pop music fan.

"A warm and expansive portrait of a woman’s mind that feels at once singular and universal," this collection of essays interweaves commentary on modern life, feminism, art, and sex with the author's own experiences of obsession, heartbreak, and vulnerability (BuzzFeed). Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go. Pop Song is a book about love and about falling in love—with a place, or a painting, or a person—and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss—from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde—Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself. Pop Song is also a book about distances, near and far. As she travels from Taos, New Mexico, to Shanghai, China and beyond, Pham meditates on the miles we are willing to cover to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed. Pop Song is a book about all the routes by which we might escape our own needs before finally finding a way home. There is heartache in these pages, but Pham's electric ways of seeing create a perfectly fractured portrait of modern intimacy that is triumphant in both its vulnerability and restlessness. "Each of the essays in this debut collection reads like a mini-memoir . . . in which the author reflects on her experiences of young love, trauma, and transcendence through discussions of art and music . . . with an intimacy that is at once tender and expansive." —New York magazine

If Genesis, according to British comedian and fan Al Murray 'were the progressive rock band who progressed', then Peter Gabriel as a solo artist would be the member that progressed the most. Who would have thought that listening to early Genesis would eventually take the listener to Senegal, Armenia, South Africa and beyond, via the artistic endeavours of their former vocalist? This is a journey through Peter Gabriel's solo albums, his live recordings and soundtrack compositions. During his forty-year plus solo career, Gabriel has become a worldwide pop star via his early, self-titled albums and his seminal 1986 record So. He has had hit singles throughout his career, including the bucolic 'Solsbury Hill' in 1977 and the poignant 'Don't Give Up'. He also helped pioneer video creativity with the song 'Sledgehammer'. In doing so, he has reached beyond his progressive rock origins to achieve a level of popularity and respect that other musicians from that genre could only dream about. You may have heard many of these songs before, but there's always something new to be found by digging in the dirt. This is the perfect guide to his music for new listeners and long-term fans alike. What on earth is going on? In the words of the Burgermiester: 'I...will...find...out.' Graeme Scarfe was born in the 1960s, educated in the comprehensive system in the 1970s and 1980s and graduated from Bournemouth University in the 1990s. He has worked as a music journalist, sound recordist and stand-up comedian. He also regularly lectures on Film. He wrote the original screenplay for the British Horror film Lighthouse and the comedy novel Seagulls on Speed which is available from www.seagullsonspeed.co.uk. He listens to an awful lot of music and attempts to play the guitar. A member of the Writers' Guild of Great Britain, he is married with two children and lives in Sussex, UK.

In July 2005, Robert Macfarlane and Roger Deakin travelled to explore the holloways of South Dorset's sandstone. They found their way into a landscape of shadows, spectres and great strangeness. Six years later, after Deakin's early death, Macfarlane returned to the holloway with the artist Stanley Donwood and writer Dan Richards. This book is about those journeys and that landscape.

Collects a variety of songs for children from previous "Wee Sing" titles.

In 1992, Singer, pianist and composer Tori Amos achieved fame with the intensely personal solid gold record, Little Earthquakes, the first of fifteen studio albums. Each new recording cut new ground both musically and thematically. Since then, Amos has performed world-wide, both as a soloist and also accompanied, by a rhythm section, an octet or an orchestra. Her projects have ranged from the musical, A Light Princess to the classically-inspired Night of Hunters. Grammy nominations include: Best Alt. Album for Under The Pink, Boys for Pele and From The Choirgirl Hotel and Best Female Rock Vocal Performance for 'Strange Little Girls.' Amos was the first female artist to chart in the Billboard Top ten in Classical, Alternative and Rock genres simultaneously for Night of Hunters. Amos has also published two biographies: Piece by Piece and Resistance, which delve deeply into her songwriting strategies and political perspectives. She has been strongly involved in Native American issues and was the first spokesperson for RAINN, the largest, anti-sexual violence organization in the U.S. This book provides a track-by-track analysis of those essential recorded works, starting from Tori Amos' late 1980s synth-pop beginnings through 2017's illuminating Native Invader.