A sumptuously illustrated history of photography as practiced in the state from 1839 to 1941 offering a unique account of the birth and development of a significant documentary and artistic medium

The plush, green colored, rolling hills surrounding Santa Clara del Cobre provided a mystical backdrop to the small town located in the western state of Michoacán, Mexico. The state, with a stretch of coastline along the sky-blue waters of the Pacific Ocean, derived its name from the ancient Nahuatl language used by the Aztecs, which means “place of the fisherman.” Rich copper mines have provided most of the town’s sustenance for several centuries and even now more than eighty percent of its inhabitants make their living as coppersmiths. As one strolls through the village, the incessant hammering of the orange-colored metal is deafening. The town grudgingly, through time, has clung to its colonial look. Most of the houses and buildings are painted a vibrant white and roofed in ornate red tiles.

"Inspired by actual events, Day of the Kings tells the little-known story of Enriquetta Faber, a courageous woman living a dangerous lie. In early 1800s Cuba, it is illegal for women to practice medicine. So Faber, the widow of a French surgeon, disguises herself as a man and becomes a respected doctor with a thriving practice. Faber negotiates the harsh extremes of Cuban society and realizes she is not the only one living a lie and breaking taboos. Hector Nunez is the owner of a large plantation. His increasing debt, an unhappy wife, and a passionate mistress are taking a serious and painful toll on his health. Hector's teenage daughter, Blanca, is undergoing her own growing pains. When she falls in love with Esteban, a young slave in the family's household, Blanca embarks on a potentially disastrous course. The crises of this family, her patients, swirl around Faber as she attempts to maintain her own lonely and secretive existence. However, when Faber falls in love with her young apprentice, her life spins out of control. On the Day of the Kings--a day of celebration, drink, music and dancing in the streets--secrets are revealed and lives overturned, and Faber is forced to make the hardest decision of her life."--Publisher's website.

Two modern cases of genocide and extermination began in Southeast Asia in the same year. Pol Pot's Khmer Rouge regime ruled Cambodia from 1975 to 1979, and Indonesian forces occupied East Timor from 1975 to 1999. This book examines the horrific consequences of Cambodian communist revolution and Indonesian anti-communist counterinsurgency. It also chronicles the two cases of indigenous resistance to genocide and extermination, the international cover-ups that obstructed documentation of these crimes, and efforts to hold the perpetrators legally accountable. The perpetrator regimes inflicted casualties in similar proportions. Each caused the deaths of about one-fifth of the population of the nation. Cambodia's mortality was approximately 1.7 million, and approximately 170,000 perished in East Timor. In both cases, most of the deaths occurred in the five-year period from 1975 to1980. In addition, Cambodia and East Timor not only shared the experience of genocide but also of civil war, international intervention, and UN conflict resolution. U.S. policymakers supported the invading Indonesians in Timor, as well as the indigenous Khmer Rouge in Cambodia. Both regimes exterminated ethnic minorities, including local Chinese, as well as political dissidents. Yet the ideological fuel that ignited each conflagration was quite different. Jakarta pursued anti-communism; the Khmer Rouge were communists. In East Timor the major Indonesian goal was conquest. In Cambodia, the Khmer Rouge's goal was revolution. Maoist ideology influenced Pol Pot's regime, but it also influenced the East Timorese resistance to the Indonesia's occupiers. Genocide and Resistance in Southeast Asia is significant both for its historical documentation and for its contribution to the study of the politics and mechanisms of genocide. It is a fundamental contribution that will be read by historians, human rights activists, and genocide studies specialists.

Naldo Rei was just six months old when Indonesia invaded East Timor in December 1975. He spent the first three years of his life in the jungle, where his family had fled for safety. After his father was murdered for his work in the resistance movement, nine-year-old Naldo was recruited by the clandestine Fretilin network and began his own extraordinary journey fighting for East Timor's freedom. Throughout his teenage years, Naldo was imprisoned and tortured regularly for his covert resistance to the brutal Indonesian regime. Eventually, in too much danger to remain in his homeland, he escaped to Indonesia and then Australia for several years. Now living in an independent East Timor, Naldo Rei can tell his incredible story. His life is proof that no amount of danger and loss can crush the human spirit.

'The tall trees nearby called them up and red-tailed black cockatoos carried messages to them that they told no one else about.' Pushing Back is John Kinsella's most haunting and timely fiction to date. It is populated with eccentric, compelling characters, drifters, unlikely friendships, the silences of dissolving relationships, haunted dwellings and lonely highways, the ghosts of cleared bushland and the threats of right-wing nationalists and senseless destruction. A couple make love in an abandoned asbestos house, a desperate carpet cleaner beholden to the gig economy begs a financially distressed client not to cancel his booking, an addict cannot bear to see his partner without the watch he once gave her, a mother casts her shearer son's ashes on the property on which he worked, fascists pile into a little red car with the intent of terrorising tourists on the Nullarbor, a man more at home with machinery than people rescues a drowning kitten. Yet throughout this assured distillation of contemporary Australian life, empathy rises like the red- tailed black cockatoos that appear and reappear, nature coalescing with the human spirit, the animals, the trees, the land, the people pushing back. These stories are at once disturbing, tender and hopeful. 'One of the nation's most significant living writers.' — Tony Hughes-d'Aeth, Australian Book Review

TRINITY STREET WEST RITA Award Winning Author In a world of shadows… BENEATH THE SURFACE… Running away had never been Caitlin Murphy's style, especially when a child's life had been claimed by the dangers of Trinity Street West. And the one man whose help she needed was a cocky detective with a love 'em and leave 'em reputation…. LAY A LOVER'S SECRETS. But Quisto Romero wasn't exactly what she'd expected. He was willing to infiltrate a ruthless gang to catch the young boy's killer. And he would do anything to slip past Caitlin's defenses to find the vulnerable, passionate woman underneath…. TRINITY STREET WEST. Where danger lies around every corner—and the biggest danger of all is falling in love.

Jack retreats to an Airbnb cottage in a small coastal town. As a writer he is pre-occupied with the phenomenon of found people: the Somerton Man, the Gippsland Man, the Isdal Woman, people who are found dead — their identities unknown or erased — and the mysterious pull this has on the public mind. In Blue Bay, as well as encountering the town's colourful inhabitants, Jack befriends Sarah, whose sister Alice is one of the many thousands of people who go missing every year. Sarah has been painting her sister's likeness in murals throughout the country, hoping that Alice will be found. Then Jack discovers a book about the people of the town, and about Sarah, which was written by a man who called himself Simon. Who once lived in the same cottage and created a backyard garden comprised of crazy mosaics. Until he too disappeared. While Sarah's life seems beholden to an ambiguous grief, Jack's own condition is unclear. Is he writing or dying? In The Fifth Season Philip Salom brings his virtuoso gifts for storytelling, humour and character to a haunting and unforgettable novel about the tenuousness of life and what it means to be both lost and found. 'An immensely wise, witty, recognisable and haunting story.' — Robert Drewe