"[This book] examines the complicated early days of the band, graphically demonstrating the showbiz sweat that goes into making a a succeswsful act. [It] is centred around the ... quality of the songs - made entertaining by the band's psychotropic & ghoulish humour, its interest in all manner of conspiracy theories, cults, monsters, vampires, UFOs, fopul play, arcane spiritualism, alchemy, love lost & love buried, science fiction & friction. The author draws on hsi personal interviews with Roeser, Bloom, Albert & Joe Bouchard, along with drummer Bobby Rondinelli, ... band pproducer Murray Krugman and BOC expert Bolle Gregmar."--Back cover.

This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.

Collects reviews for one thousand enduring classic rock albums ranging from the extremely popular to more obscure works.

Shadow warfare, or lowaEUR"intensity warfare, is constantly being waged around the world. When talks or negotiations break down, the underbelly of government intelligence agencies go to work. The world of international politics and geopolitics is real, and sometimes warfare is the only solution. Meet the Nemesis, a mercenary who is highly skilled and crafty. He gets the job done. This story was first conceived and written in the early 1970s. Any similar historical event thereafter is mere coincidence.

This volume contains a selection of papers which go back to a conference on new employment actors, held at the University of Sydney in November 2006. The book contends that employment relations must be broadened to examine the new actors and processes and the role these play in the regulation and experience of work. It demonstrates this in the context of recent developments in Australia. In addition, the contributions evaluate the extent to which new employment actors either reinforce or replace the activities of the more established trade union, management, and state-based actors. It is argued that an inclusion of these new actors and processes is a more comprehensive way of understanding and explaining industrial society in the 21st century.

In a deeply ethnographic appraisal, based on years of in situ research, The Battle for Fortune looks at the rising stakes of Tibetans’ encounters with Chinese state-led development projects in the early 2000s. The book builds upon anthropology’s qualitative approach to personhood, power and space to rethink the premises and consequences of economic development campaigns in China's multiethnic northwestern province of Qinghai. Charlene Makley considers Tibetans’ encounters with development projects as first and foremost a historically situated interpretive politics, in which people negotiate the presence or absence of moral and authoritative persons and their associated jurisdictions and powers. Because most Tibetans believe the active presence of deities and other invisible beings has been the ground of power, causation, and fertile or fortunate landscapes, Makley also takes divine beings seriously, refusing to relegate them to a separate, less consequential, "religious" or "premodern" world. The Battle for Fortune, therefore challenges readers to grasp the unique reality of Tibetans’ values and fears in the face of their marginalization in China. Makley uses this approach to encourage a more multidimensional and dynamic understanding of state-local relations than mainstream accounts of development and unrest that portray Tibet and China as a kind of yin-and-yang pair for models of statehood and development in a new global order.

With insight and clarity, Norman Pratt makes available to the general reader an understanding of the major elements that shaped Seneca's plays. These he defines as Neo-Stoicism, declamatory rhetoric, and the chaotic, violent conditions of Senecan society. Seneca's drama shows the nature of this society and uses freely the declamatory rhetorical techniques familiar to any well-educated Roman. But the most important element, Pratt argues, is Neo-Stoicism, including technical aspects of this philosophy that previously have escaped notice. With these ingredients Seneca transformed the themes and characters inherited from Greek drama, casting them in a form that so radically departs from the earlier drama that Seneca's plays require a different mode of criticism. "The greatest need in the criticism of this drama is to understand its legitimacy as drama of a new kind in the anicent tradition," Pratt writes. "It cannot be explained as an inferior imitation of Greek tragedy because, though inferior, it is not imitative in the strict sense of the word and has its own nature and motivation." Pratt shows the functional interrelationship among philosophy, rhetoric, and "society" in Seneca's nine plays and assesses the plays' dramatic qualities. He finds that however melodramatic the plays may seem to the modern reader, Seneca's own career as Nero's mentor, statesman, and spokesman was scarcely less tumultuous than the lives of his characters. When the Neo-Stoicism and rhetoric of the plays are charged with Seneca's own tortured, passionate life, Pratt concludes, "The result is inevitably melodrama, melodrama of such energy and force that it changed the course of Western drama." Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

This enthralling new translation of Dante’s Inferno “immediately joins ranks with the very best” (Richard Lansing). One of the world’s transcendent literary masterpieces, the Inferno tells the timeless story of Dante’s journey through the nine circles of hell, guided by the poet Virgil, when in midlife he strays from his path in a dark wood. In this vivid verse translation into contemporary English, Peter Thornton makes the classic work fresh again for a new generation of readers. Recognizing that the Inferno was, for Dante and his peers, not simply an allegory but the most realistic work of fiction to date, he points out that hell was a lot like Italy of Dante's time. Thornton's translation captures the individuals represented, landscapes, and psychological immediacy of the dialogues as well as Dante's poetic effects. The product of decades of passionate dedication and research, his translation has been hailed by the leading Dante scholars on both sides of the Atlantic as exceptional in its accuracy, spontaneity, and vividness. Those qualities and its detailed notes explaining Dante's world and references make it both accessible for individual readers and perfect for class adoption.

The life and times of High Times’ enigmatic founder Thomas King Forçade, an underground newspaper editor and marijuana kingpin who—between police raids, smuggling runs, and outrageous stunts—battled both the US government and fellow radicals. Cover illustration by legendary comics artist Bill Sienkiewicz. At the end of the 1960s, the mysterious Tom Forçade suddenly appeared, insinuating himself into the top echelons of countercultural politics and assuming control of the Underground Press Syndicate, a coalition of newspapers across the country. Weathering government surveillance and harassment, he embarked on a landmark court battle to obtain White House press credentials. But his audacious exploits—pieing Congressional panelists, stealing presidential portraits, and picking fights with other activists—led to accusations that he was an agent provocateur. As the era of protest faded and the dark shadows of Watergate spread, Forçade hoped that marijuana could be the path to cultural and economic revolution. Bankrolled by drug-dealing profits, High Times would be the Playboy of pot, dragging a once-taboo subject into the mainstream. The magazine was a travelogue of globe-trotting adventure, a wellspring of news about “the business,” and an overnight success. But High Times soon threatened to become nothing more than the “hip capitalism” Forçade had railed against for so long, and he felt his enemies closing in. Assembled from exclusive interviews, archived correspondences, and declassified documents, Agents of Chaos is a tale of attacks on journalism, disinformation campaigns, governmental secrecy, corporatism, and political factionalism. Its triumphs and tragedies mirror the cultural transformations of 1970s America, wrought by forces that continue to clash in the spaces between activism and power.

In 1653 Cromwell sent Luke Tremayne and his deputy Harry Lloyd to Paris to negotiate secretly with the exiled King Charles II. After a serious mishap to Luke, Harry is forced to complete the mission alone. Luke is nevertheless gainfully employed by a wealthy French aristocrat the Marquis des Anges to investigate the murder of his first wife and the attempted murder of his second. Harry assists the English courtiers to solve the murder of two young ladies-in-waiting to the Queen Mother Henriette Marie, and together with a Royalist peer is falsely imprisoned and tortured. He escapes and after many life threatening adventures is rescued on the orders of Frances chief minister, Cardinal Mazarin. Meanwhile Lukes investigations are complicated by a feisty abbess, hysterical nuns, a Canadian adventurer, a rampaging bear and a mysterious treasure of English Catholic gold and silverinvestigations that provoke a series of fatal bombings. Harrys determination to find and exact revenge on a renegade French aristocrat responsible for his torture leads him eventually to the French chateau where Luke is pursuing his villains.