The survivors of the angel apocalypse begin to scrape back together what's left of the modern world. When a group of people capture Penryn's sister Paige, thinking she's a monster, the situation ends in a massacre. Paige disappears. Humans are terrified. Mom is heartbroken. Penryn drives through the streets of San Francisco looking for Paige. Why are the streets so empty? Where is everybody? Her search leads her into the heart of the angels' secret plans, where she catches a glimpse of their motivations, and learns the horrifying extent to which the angels are willing to go.

When adventurer, Barry Horn, is chosen to be the worlds first Rocketeer, the first human to set foot on other worlds, he is reluctant to accept the job until he receives a vision seemingly from his late wife telling him he must go or all humanity will be lost. When his mission goes wrong, he winds up in a suspended state. Conscious that he has failed, but unable to move, he has visions of mankind through the centuries. He witnesses his descendents going into space, creating the first living robot, sees the rise of the Robot Corporation, and its enslavement of man. When he is finally awakened, Barry finds that the knowledge he possesses after his long slumber is man's last hope to survive against the robots. Hugo and Nebula Award winner, Jack Williamson, has crafted a sweeping epic of space opera, harkening back to the Buck Rogers and Flash Gordon serials of the 1930's.

In a graduate student residence at Oxford University in the early 1990s, Kevin, an Irish Montrealer, meets Leon, a London Jew from a Communist family, and Alex, a Soviet defector’s son brought up in Toronto. When Alex begins to tutor a charming yet troubled upper-class English undergraduate, the dynamics in their conflicted three-way friendship culminate in Kevin and Leon playing a prank on Alex. The act’s disastrous outcome binds the three young men together emotionally even as it dispatches them on separate courses through the 1990s. Ranging from a precisely and ironically evoked Oxford, which parodies that of Evelyn Waugh’s Brideshead Revisited, to post-Referendum Montreal, war-ravaged former Yugoslavia, London, Moscow, Poland and Berlin, The World of After depicts the 1990s as an interlude of freedom and confused but enriching self-discovery between the rigidity of the Cold War and the stark divisions of the post-September 11, 2001 world. Kevin struggles to find love, recover a friendship he has betrayed and chart a world he no longer understands as Leon dodges his past and Alex descends into a criminal culture that leads to a confrontation with his own values.

In the decades following World War II, a movement of clergy and laity sought to restore liberal Protestantism to the center of American urban life. Chastened by their failure to avert war and the Holocaust, and troubled by missionaries’ complicity with colonial regimes, they redirected their energies back home. Renewal explores the rise and fall of this movement, which began as an effort to restore the church’s standing but wound up as nothing less than an openhearted crusade to remake our nation’s cities. These campaigns reached beyond church walls to build or lend a hand to scores of organizations fighting for welfare, social justice, and community empowerment among the increasingly nonwhite urban working class. Church leaders extended their efforts far beyond traditional evangelicalism, often dovetailing with many of the contemporaneous social currents coursing through the nation, including black freedom movements and the War on Poverty. Renewal illuminates the overlooked story of how religious institutions both shaped and were shaped by postwar urban America.

Technological progress has shifted scarcity for humanity. When we were foragers, food was scarce. During the agrarian age, it was land. Following the industrial revolution, capital became scarce. With digital technologies, scarcity is shifting once more. We need to figure out how to live in The World After Capital in which the only scarcity is our attention.

After the End of the World by Jonathan L. Howard brings the H.P. Lovecraft mythos into the twenty-first century. The Unfolded World is a bitter and unfriendly place for Daniel Carter and Emily Lovecraft. In this world, the Cold War never happened because the Soviet Union ceased to exist in 1941. In this world the Nazi Großdeutschland is the premier superpower, and is not merely tolerated but indulged because, in this world, the Holocaust happened behind the ruins of the Iron Curtain and consumed only Bolsheviks, Communists, and others the West was glad to see gone. In this world, there are monsters, and not all of them are human. But even in the Unfolded World, there are still bills to pay and jobs to do. Carter finds himself working for the German secret security service to uncover the truth behind a major scientific joint project that is going suspiciously well. The trail takes Lovecraft and him to a distant, abandoned island, and a conspiracy that threatens everything. To fight it, Lovecraft must walk a perilously narrow path between forbidden knowledge and soul-destroying insanity. Fortunately, she also has a shotgun.

The World Religions Paradigm has been the subject of critique and controversy in Religious Studies for many years. After World Religions provides a rationale for overhauling the World Religions curriculum, as well as a roadmap for doing so. The volume offers concise and practical introductions to cutting-edge Religious Studies method and theory, introducing a wide range of pedagogical situations and innovative solutions. An international team of scholars addresses the challenges presented in their different departmental, institutional, and geographical contexts. Instructors developing syllabi will find supplementary reading lists and specific suggestions to help guide their teaching. Students at all levels will find the book an invaluable entry point into an area of ongoing scholarly debate.

Engaging with the work of M. Jacqui Alexander and Black feminist thought more generally, Alexis Pauline Gumbs's M Archive is a series of prose poems that speculatively documents the survival of Black people following a worldwide cataclysm while examining the possibilities of being that exceed the human.

Lyrical and highly charged, these poems examine the strengths and frailties of the human psyche as it functions under the stress of loss, disappointment and mortality. As the poet struggles with reality's continuing failure to satisfy basic human needs, she develops a deepened reliance on the imagination as a source of restorative powers. "I like Christine Garren's poetry for its fervor and idiosyncrasy. It lives in the common places of daily life but opens into mysterious invisible orders. Afterworld is a strange and compelling book by a gifted visionary artist."—W. S. Di Piero "In Afterworld, Christine Garren calls up again and again how it feels to be touched by some relatively familiar thing that happens. A cluster of balloons rises from a birthday party, night falls, and it is left for her to sing about the separate moments with remarkable and unforced grace. Her poems confirm that there's as much at stake in evanescences as we've always suspected but not found ways to say."—James McMichael "The language seems but a shade, a muted rendering of Garren's images, so concrete and ethereal, knowing and innocent. If this reviewer is being abstract it's because these poems do that to you—they create an arrangement of words, so that, for a while, I believed there was none other."—Harvard Review

This book describes how the states in post-1945 Austria, Germany, and Japan have tried to deal with the legacy of the Second World War and how their policies have affected their relations with other countries in the region. It focuses on the intersection of national interest and popular emotions and argues that it is possible to reconcile over historical issues, but that to do so can exact a considerable political cost.