"Like Rebecca Makkai's The Great Believers, author-activist Malloy's newest novel is a heartrending portrayal of the realities of healing.” —Oprah Daily, Best LGBTQ Books of 2021 Acclaimed author Brian Malloy brings insight, humor, and the authenticity of his own experiences as a member of the AIDS generation to this universal story of love and loss set in New York City and Minneapolis at the peak of the AIDS crisis. Published on the 40th anniversary of the disease’s first reported cases, After Francesco is both a tribute to a generation lost to the pandemic as well as a powerful and universal exploration of heartbreak, recovery and how love can defy grief. The year is 1988 and 28-year-old Kevin Doyle is bone-tired of attending funerals. It’s been two years since his partner Francesco died from AIDS, an epidemic ravaging New York City and going largely ignored by the government, leaving those effected to suffer in silence, feeling unjustifiable shame and guilt on top of their loss. Some people might insist that Francesco and the other friends he’s lost to the disease are in a better place, but Kevin definitely isn’t. Half-alive, he spends his days at a mind-numbing job and nights with the ghost of Francesco, drunk and drowning in memories of a man who was too young to die. When Kevin hits an all-time low, he realizes it’s time to move back home to Minnesota and figure out how to start living again—without Francesco. With the help of a surviving partners support group and friends both old and new, Kevin slowly starts to do just that. But an unthinkable family betrayal, and the news that his best friend is fighting for his life in New York, will force a reckoning and a defining choice. "This novel is fresh, well-observed, often funny, sometimes angry, and always real. I can't think of another novel about the AIDS years that captures that difficult, messy, intense age more accurately or movingly." —Christopher Bram, author of Eminent Outlaws: The Gay Writers Who Changed America "In this highly recommended novel, the pain and rage felt by Kevin and those in the trenches with him is palpable and uncomfortable and real. So too is the love and warmth of spirit they manage to nurture in order to survive." —Library Journal(Starred Review)

“Callahan and her cohort of continuing characters...are great company...If Happy Never After were a song, we’d be dancing in the streets.” — San Jose Mercury News In the fourth installment of Andrews’s acclaimed series about Callahan Garrity, Atlanta’s most inquisitive cleaning lady, she sets out to prove the innocence of a rock idol of her childhood. Callahan Garrity is a former Atlanta cop, a part-time sleuth and full-time owner of House Mouse, a cleaning service that tidies up after Atlanta’s elite. She and her coterie of devoted helpers can ransack a house for clues faster than it takes a fingerprint to set. Callahan needs all the help she can get trying to keep Rita Fontaine, a washed-up 1960s teenage rock star, out of jail. It’s nothing less than murder when Stu Hightower, the vain, temperamental president of a thriving Atlanta recording company, is found dead in the designer den of his posh home. His only companions are the slug in his heart and Rita, dead-drunk and looking guilty. Callahan believes in Rita’s innocence because, after all, Hightower had made more enemies than records in his career. But discovering who hated him enough to kill him could send her floating down a river of lost dreams without a paddle.

Since retiring from the Atlanta Police Department, Callahan Garrity is really cleaning up with her House Mouse housecleaning company -- especially since she added"crime investigation" to the list of services offered. Callahan agrees to locate the missing member of the popular '60s girl group, the VelvetTeens, and she doesn't have to search long. Deloras Carter, the a.w.o.l. singer, is found passed out drunk by a swimming pool near the dead body of the trio's former producer. The smoking gun in Deloras's hand suggests that the VelvetTeens won't be reuniting for a comeback tour anytime in the near future ... unless Callahan and her "Mice" can spotlight -- and survive -- a different killer act.

My grandfather, Edward Austin Reno was the son of Edward Munn Reno, Dean of American Magicians, a pioneer in the entertainment field of Illusions. Edward Austin Reno took his big top tent theater along the Circuit Chautauqua and rural Redpath route. His daughter, my mother, gave birth to me while they entertained a week in each town offering stage plays, comedy routines and of course, Ed Reno's magic act. Reno's Funmakers had a history in show business. It was what they did. It was all they knew. It was a life they loved with all their hearts. The Great Depression coupled with WW2 finally brought the family off the road. They always planned to return once the war ended. Like so many plans we make ourselves, theirs didn't materialize. I grew up in the midst of their disappointment, thus the book. My career took a different path. First college, majoring in business, chemistry and art. (my medium being oils). Followed by management positions and later, with a partner, forming my own manufacturing company called Pilot Industrial Battery. After selling the company I consulted to the battery industry until retiring here in Florida. I'v always been interested in writing. But, mostly as a guest columnist in newspapers and technical articles. Reno's Funmakers is my first novel. My second is currently being worked on.

Something was on the horizon. Something bad. Something that had the potential to be even worse than the Last War. For all their sakes, she hoped it wasn’t true. The Last War was over. Rothk’s troubles were supposed to be too. Yet nothing is farther from the truth. Daniel, the son of the mage that led Rothk to victory during the Last War, is hiding a secret. Magnus, the Crown Prince of Rothk, is desperate to protect someone he loves at all costs. Stephan, a young warlock, is forced to do the bidding of someone who is eager to bring Rothk to its knees. When their paths intertwine, shocking truths are brought to light – ones that will shake Rothk to its very core.

Once you look at the world through Jimmy's eyes, you'll never see it the same again. Jimmy's world is a place where a boy can grow to be a man, even if he's "special." Where angels hover, mostly unseen. Where danger can happen, and hearts can falter—but love is never wasted. From best-selling author Robert Whitlow comes a poignant tale of innocence and courage in the tradition of Huckleberry Finn and To Kill A Mockingbird.

“Everybody’s Son probes directly into the tender spots of race and privilege in America. . . . With assured prose and deep insight into the human heart, Umrigar explores the moral gray zone of what parents, no matter their race, will do for love.” — Celeste Ng, author of Everything I Never Told You During a terrible heat wave in 1991—the worst in a decade—ten-year-old Anton has been locked in an apartment in the projects, alone, for seven days, without air conditioning or a fan. With no electricity, the refrigerator and lights do not work. Hot, hungry, and desperate, Anton shatters a window and climbs out. Cutting his leg on the broken glass, he is covered in blood when the police find him. Juanita, his mother, is discovered in a crack house less than three blocks away, nearly unconscious and half-naked. When she comes to, she repeatedly asks for her baby boy. She never meant to leave Anton—she went out for a quick hit and was headed right back, until her drug dealer raped her and kept her high. Though the bond between mother and son is extremely strong, Anton is placed with child services while Juanita goes to jail. The Harvard-educated son of a US senator, Judge David Coleman is a scion of northeastern white privilege. Desperate to have a child in the house again after the tragic death of his teenage son, David uses his power and connections to keep his new foster son, Anton, with him and his wife, Delores—actions that will have devastating consequences in the years to come. Following in his adopted family’s footsteps, Anton, too, rises within the establishment. But when he discovers the truth about his life, his birth mother, and his adopted parents, this man of the law must come to terms with the moral complexities of crimes committed by the people he loves most.

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Cases argued and determined in the Supreme Court of North Carolina.