A riveting cautionary tale about the ecstasy and dangers of loving Marvin Gaye, a performer passionately pursued by all—and a searing memoir of drugs, sex, and old school R&B from the wife of legendary soul icon Marvin Gaye. After her seventeenth birthday in 1973, Janis Hunter met Marvin Gaye—the soulful prince of Motown with the seductive liquid voice whose chart-topping, socially conscious album What’s Going On made him a superstar two years earlier. Despite a seventeen-year-age difference and Marvin’s marriage to the sister of Berry Gordy, Motown’s founder, the enchanted teenager and the emotionally volatile singer began a scorching relationship. One moment Jan was a high school student; the next she was accompanying Marvin to parties, navigating the intriguing world of 1970s-‘80s celebrity; hanging with Don Cornelius on the set of Soul Train, and helping to discover new talent like Frankie Beverly. But the burdens of fame, the chaos of dysfunctional families, and the irresistible temptations of drugs complicated their love. Primarily silent since Marvin’s tragic death in 1984, Jan at last opens up, sharing the moving, fervently charged story of one of music history’s most fabled marriages. Unsparing in its honesty and insight, illustrated with sixteen pages of black-and-white photos, After the Dance reveals what it’s like to be in love with a creative genius who transformed popular culture and whose artistry continues to be celebrated today.

After the Dance will show you how to overcome common obstacles in your marriage relationship and come together as a strong husband and wife team. This book deals with some crucial topics such as communication, famliy, finances, and sex that couples struggle with after the honeymoon is over. It is a no-nonsense approach to stating how to work past marital issues to achieve a more satisfying marriage.

In After the Dance, one of Haiti’s most renowned daughters returns to her homeland, taking readers on a stunning, exquisitely rendered journey beyond the hedonistic surface of Carnival and into its deep heart. Edwidge Danticat had long been scared off from Carnival by a loved one, who spun tales of people dislocating hips from gyrating with too much abandon, losing their voices from singing too loudly, going deaf from the clamor of immense speakers, and being punched, stabbed, pummeled, or fondled by other lustful revelers. Now an adult, she resolves to return and exorcise her Carnival demons. She spends the week before Carnival in the area around Jacmel, exploring the rolling hills and lush forests and meeting the people who live and die in them. During her journeys she traces the heroic and tragic history of the island, from French colonists and Haitian revolutionaries to American invaders and home-grown dictators. Danticat also introduces us to many of the performers, artists, and organizers who re-create the myths and legends that bring the Carnival festivities to life. When Carnival arrives, we watch as she goes from observer to participant and finally loses herself in the overwhelming embrace of the crowd. Part travelogue, part memoir, this is a lyrical narrative of a writer rediscovering her country along with a part of herself. It’s also a wonderful introduction to Haiti’s southern coast and to the true beauty of Carnival.

With love on the horizon for their children, but sabotage just around the corner, two friends fight for those they love... while having a blast, of course. In After the Dance is Over, Joan Jonker brings us another instalment of her hugely popular Molly and Nellie series, as the two friends get up to more mischief in their beloved Liverpool. Perfect for fans of Dilly Court and Katie Flynn. 'There's something for everyone and all delivered up in that inimitable Jonker style which is guaranteed to delight her large number of fans' - Middlesborough Evening Gazette There's never a dull moment when Nellie McDonough and Molly Bennett get together, and there's always something to keep them busy in their Liverpool street. First, Molly's son Tommy sets the date for his wedding to Rosie O'Grady, and everyone's saving hard to ensure their day is perfect. Then a new family arrive in the area and their daughter is determined to put a stop to the budding romance between Nellie's son Paul and Phoebe Corkhill. Meanwhile, Molly's daughter Doreen and her husband Phil make an announcement, and Nellie and Molly are determined to track down Phil's long lost family, so that they can share in the joyful news... What readers are saying about After the Dance is Over: 'Being an enthralled fan of Joan's books, I couldn't wait to read this book... this book is definitely the funniest yet! Molly and Nellie are hilarious, warm, honest and very touching' 'Enjoy a stroll down a Liverpool street in the early 40s, feel the warmth of the residents, laugh at the antics of two very humorous ladies, but also have a hanky ready to collect your tears of laughter'

"Haitian carnival offers a lens into popular power and politics. Political demonstrations in Haiti often manifest as musical performances. Studying carnival and political protest side by side brings insight to the musical engagement that ordinary citizens and celebrity musicians often cultivate and revere in contemporary Haiti. This book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. It moreover demonstrates that the practice of leveraging the carnivalesque for expedient political function has precedence in Haiti's history. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Author Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm"--

ORIGINS, is a science fiction story spanning several hundred thousand's of years of human history.The story details the journey of Commander Damuzi and his family as he leads the First Fleet to safety and a new start. When their civilization is threatened with extinction by all the suns in their galaxy going super nova.The First Fleet travels across the galaxy searching for a new home where a scouting mission had briefly reported before disappearing a millennia before.Who will be lost along the way? Will they reach Keringer? What hardships and challenges await them? Will they run into anyone on the way? Are they alone out there? Will there ancient Enemy wipe them out before they can escape all the destruction?The story captures the drama and excitement of clashing cultures and of Commander Dumazi's adventure to save the Human Race.

My Search is the result of over 10 years of research, testing and experimenting to find answers for all the people about allergies and sickness, and how and why they were getting them. The author feels that her work will serve and help people around the world. This book is a personal journey of an author who fundamentally cares about the welfare and health of her fellow man, and wanted to use her own personal challenges and transform them into opportunity to learn and better the world around her.

Dance is the art least susceptible to preservation since its embodied, kinaesthetic nature has proven difficult to capture in notation and even in still or moving images. However, frameworks have been established and guidance made available for keeping dances, performances, and choreographers’ legacies alive so that the dancers of today and tomorrow can experience and learn from the dances and dancers of the past. In this volume, a range of voices address the issue of dance preservation through memory, artistic choice, interpretation, imagery and notation, as well as looking at relevant archives, legal structures, documentation and artefacts. The intertwining of dance preservation and creativity is a core theme discussed throughout this text, pointing to the essential continuity of dance history and dance innovation. The demands of preservation stretch across time, geographies, institutions and interpersonal connections, and this book focuses on the fascinating web that supports the fragile yet urgent effort to sustain our dancing heritage. The articles in this book were originally published in the journal Dance Chronicle: Studies in Dance and the Related Arts.

A provocative fusion of truth and fiction fill the pages of this memoir. Annie Mae relives her life from innocence to a world of poverty, abuse, neglect, and alcoholism. On a not-so-pretty trip down memory lane, she travels across Texas panning for love, food, and shelter. The characters that come in and out of her life resemble members from a museum of oddities. She leaves no stone unturned with raw dialogue about her clandestine encounters, her unscrupulous family, and the faith that pulls her through.