Mulokozi discusses African epic poetry from a context-performance perspective, and asserts that oral epic poetry is a living and lived event, besides being a literary text. His work is based on previously unpublished material from the Enanga epic tradition of the Bahaya of Tanzania, and material on the African epic, gathered from West, Central, Southern and Eastern Africa since 1970, and arises from the controversies about the occurrence of the epic in Africa from this time. It includes full texts of the poems themselves in the original Luhaya language and set alongside English translations. For each poem, the author presents a profile of the singer, and an introduction and anaylsis of the socio-historical context, literary content and stylistic features of the poem. Adopting a sociological, generative approach, he re-examines questions of oral composition, oral poetics, the nature and role of music in epic performance, the concept of heroism in African epic poetry, and how it stands in relation to history and philosophy. As a whole, the study reaffirms the existence of the African epic, and generates new definitions and theoretical approaches taking forward scholarly debate on epic poetry in Africa.

Western criticism has largely failed to acknowledge the distinctiveness of African literary aesthetics. This book revises traditional literary canons in examining the social, cultural and emotional specificity of African epics and highlighting distinguishing features, such as the significance of the fantastic and its use in the epic dramatic structure.

A pillar of the West African oral tradition for centuries, this epic traces the adventures and achievements of the Mande hero, Sunjata, as he liberates his people from Sumaworo Kanté, the sorcerer king of Soso, and establishes the great medieval empire of Mali. David Conrad conveys the strong narrative thrust of the Sunjata epic in his presentation of substantial excerpts from his translation of a performance by Djanka Tassey Condé. Readers approaching the epic for the first time will appreciate the translation's highly readable, poetic English as well as Conrad's informative Introduction and notes. Scholars will find the familiar heroes and heroines taking on new dimensions, secondary characters gaining increased prominence, and previously unknown figures emerging from obscurity. "Thanks to his careful editing and translating of Condé's narrative, Conrad offers a highly readable version of the epic that is about a third of its original length. The translation communicates not only the poetic qualities and the essential events of the Sunjata legend but also the master bard's performance values. Thus, this rendering will fascinate those who already know the story and culture and those coming to the epic for the first time. Conrad provides an excellent introduction to Mande oral tradition, the role of the griot, and the Manding belief system. Though he makes no claim for this as the complete scholarly edition, he does provide helpful scholarly notes, a glossary, and a good bibliography. . . . Summing up: Highly recommended." --L. W. Yoder, CHOICE

It seems incredible that heretofore there has not been an introductory anthology of African epics presented in English. Western literary culture has long emphasized the heritage of such well-known epics as the Iliad, the Odyssey, and Aeneid. But it is only recently that scholars have turned their attention toward capturing the rich oral tradition that is still alive in Africa. The twenty-five excerpts in this volume have been selected and introduced so as to offer English-speaking readers a broad sample of the extensive epic traditions in Africa. The general introduction and the background on each epic will enable readers to understand the context of each epic and will also provide leads for further inquiry.

"Belcher's volume contains a much needed and extremely well-integrated overview and discussion of a vast inter-related West African culture complex that deserves and requires the kind of original, insightful treatment it receives here." —David Conrad Epic Traditions of Africa crosses boundaries of language, distance, and time to gather material from diverse African oral epic traditions. Stephen Belcher explores the rich past and poetic force of African epics and places them in historical and social, as well as artistic contexts. Colorful narratives from Central and West African traditions are illuminated along with texts that are more widely available to Western readers—the Mande Sunjata and the Bamana Segou. Belcher also takes up questions about European influences on African epic poetry and the possibility of mutual influence through out the genre. This lively and informative volume will inspire an appreciation for the distinctive qualities of this uniquely African form of verbal art.

Africa south of the Sahara is a land of wide-ranging traditions and varying cultures. Despite the diversity and the lack of early written records, the continent possesses a rich body of folk tales and legends that have been passed down through the strong custom of storytelling and which often share similar elements, characters and ideas between peoples. So this collection offers a hefty selection of legends and tales – stories of the gods, creation and origins, trickster exploits, animal fables and stories which entertain and edify – from ‘Obatala Creates Mankind’, from the Yoruba people of west Africa, to ‘The Girl Of The Early Race, Who Made Stars’, from the San people of southern Africa, all collected in a gorgeous gold-foiled and embossed hardback to treasure.

The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among the greatest works of world literature. This prodigious narrative tells the story of pre-Islamic Persia, from the mythical creation of the world and the dawn of Persian civilization through the seventh-century Arab conquest. The stories of the Shahnameh are deeply embedded in Persian culture and beyond, as attested by their appearance in such works as The Kite Runner and the love poems of Rumi and Hafez. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A rousing tale of wars and heroes, Gassires Lute recounts the fall of the city-state Wagadu and tells how Gassire, warrior son of the ruling family, renounced his noble birth to become his peoples first bard. As an example of the relatively unknown oral literature of Africa, this poem is rich in historical and cultural interest. But it can be read and enjoyed simply as a beautiful and exciting story that shows clearly the universality of art and of human experience. The Waveland reprint includes an essay by the translator (The Origin of Soninke Bardic Art), which is meant to provide pertinent information for understanding and enjoying the poem.

Juni Ba’s Djeliya is a stunning graphic novel retelling, recontextualization, and remix of the West African Sundiata epic of Mandé origin. Inspired by West African folklore and stories handed over centuries, this unique graphic novel follows the adventures of Mansour Keita, last prince of a dying kingdom, and Awa Kouyaté, his loyal Djeli, or 'royal storyteller' as they journey to meet the great wizard who destroyed their world and then withdrew into his tower, never to be seen again. On their journey they'll cross paths with friend and foe, from myth and legend alike, and revisit the traditions, tales, and stories that gave birth to their people and nurture them still. But what dark secret lies at the heart of these stories, and what purpose do their tellers truly serve?

" . . . a major addition to the literature on oral traditions." —Journal of Religion in Africa This 750-year-old epic celebrates the exploits of the legendary founder of the Empire of Old Mali. It constitutes a virtual social, political, and cultural charter and embodies deep-rooted aspects of Mande cosmology. The fully annotated translation is accompanied by an introduction that provides a historical and contextual framework for understanding the recitation of this African epic.