Bestselling collection of interviews with the Eighties underground. Republished. A classic rock read.

Thirty-one years ago John Sutherland nearly lost everything to drink. It was time to sober up. Or die. Last Drink To LA is part reportage, part confession - not a temperance tale (told to terrify, inform and instruct), not what AA calls a "drunkalog", but a moving and thought-provoking meditation - some thinking about drinking.

Reminiscent of Three Women and The State of Affairs—and based on years of research and in-depth interviews with more than sixty men—this eye-opening and explosive study explores why men cheat, how they do it, and the repercussions that infidelity has on every aspect of life. It is estimated that one in four married men cheat on their wives. Of those, roughly half claim that they are “very happy” in their marriages. So why risk ruining it all? Is it the sex? The affirmation? The danger? Yes, it’s all of that. But it’s also so much more. The author of this book has conducted a series of in-depth interviews with men and women of all ages and backgrounds who have cheated in the past or are currently cheating on their spouses. They talked openly and intimately about details of their affairs, and the emotions that they experience before, during, and after. The book breaks down the five major categories of cheaters, defines the typical cheater personality, and looks at how husbands can cheat while also loving their wives. It reveals the tips and tricks spouses use to get away with secret affairs and examines everything from the influence of cheating parents on their children to the possible outcomes once an affair is discovered. This unfiltered window into the hearts and minds of men explores the psychological roots of cheating and proposes a new vision of masculinity that is more emotionally aware and could significantly change relationships for the better.

In this thinker's guide to rock and roll, Robert Pattison contends that rock music mirrors the tradition of 19th-century Romanticism. The music is vulgar, he notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romanticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts.

With his critically acclaimed Rip It Up and Start Again, renowned music journalist Simon Reynolds applied a unique understanding to an entire generation of musicians working in the wake of punk rock. Spawning artists as singular as Talking Heads, Joy Division, The Specials, Siouxsie and the Banshees, Gang of Four, and Devo, postpunk achieved new relevance in the first decade of the twenty-first century through its profound influence on bands such as Radiohead, Franz Ferdinand, and Vampire Weekend. With Totally Wired the conversation continues. The book features thirty-two interviews with postpunks most innovative personalities—such as Ari Up, Jah Wobble, David Byrne, and Lydia Lunch—alongside an overview” section of further reflections from Reynolds on postpunks key icons and crucial scenes. Included among them are John Lydon and PIL, Ian Curtis and Joy Division, and art-school conceptualists and proto-postpunkers Brian Eno and Malcolm McLaren. Reynolds follows these exceptional, often eccentric characters from their beginnings through the highs and lows of postpunks heyday. Crackling with argument and anecdote, Totally Wired paints a vivid portrait of individuals struggling against the odds to make their world as interesting as possible, in the process leaving a legacy of artistic ambition and provocation that reverberates to this day.

Following on from the dubious, but resounding, success of Lolly Scramble, comedian Tony Martin returns with another collection of tales from his life outside show business. Outrageous coincidences, disgraceful errors of judgement, ancient family disputes and misguided attempts to impress women are just part of the story. You'll be both amused and appalled as Martin establishes his own junior detective agency, discovers that his parents are censoring bare breasts from the National Geographic, has his braces repossessed by the government, ruins several plays in an attempt to find a girlfriend, gets caught two-timing his local video shop, mars an awards night with a burst of foul language, attends a racist dinner at an Indian restaurant, allows cameras to enter his every bodily orifice, and returns to his hometown to discover that his grandfather is not the man he thought he was. A Nest of Occasionals is a series of supersize set pieces from a life lived in miniature. But what does the title mean? There's only one way to find out.

What makes people tick? What about families, organizations such as schools and businesses, or societies? By understanding them, can we make them tick better? Where does religion fit in? In this entertaining book, England's odd couple--psychiatrist-scholar Robin Skynner and comic John Cleese--answer these provocative questions and others, as they embark on a fascinating, mind-stretching search for what really matters in life. Cartoons throughout. Media publicity.

This book collects more than 90 of the best articles — profiles, interviews and histories — that appeared in the magazine fans have called “the bible of alternative rock” but had a broader mission than that. Sections on: · the 1960s · classic rock · glam rock · prog and art rock · reggae · the roots of punk · American punk and new wave · UK punk and new wave · post-punk Annotated with recollections and reflections on the changing times, the ridiculous business of independent magazine publishing and the colorful, complicated artists — illustrated with cartoons, covers, documents and ads from the Trouser Press archive — Zip It Up! is vintage rock journalism of a form that is no longer widely practiced: features heavy on historical detail and lengthy, probing interviews, all written with wit, intelligence and a willful expression of opinions and values. It is also an extensive document of rock’s evolution from the 1970s to the mid-’80s, often capturing now-iconic bands in the early stages of their existence. By turns reverent, snarky, adulatory and cynical, Zip It Up! is a rich grazing ground for fans and students of music and music journalism. Articles on: Small Faces, Syd Barrett, Jimmy Page, Pete Townshend, Todd Rundgren, Ray Davies, KISS, Joy Division, Frank Zappa, Cheap Trick, Ritchie Blackmore, T. Rex, New York Dolls, Lou Reed, Sparks, Bryan Ferry, Brian Eno, Genesis, Robert Fripp, Kate Bush, Peter Tosh, Black Uhuru, Iggy Pop, Graham Parker, Television, Eurythmics, Ramones, Blondie, R.E.M., Violent Femmes, Devo vs. William S. Burroughs, the Go-Go’s, Black Flag, X, Holly and the Italians, the Clash, Sex Pistols, X-Ray Spex, Elvis Costello, Nick Lowe, Cure, U2, Joan Armatrading, Human League, Gang of Four, Adam Ant, Joan Jett, Malcolm McLaren, Public Image Ltd., Eddy Grant and Billy Idol.

Among The Village Voices 25 Favorite Books of 2006 Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category. Sometime after Andy Warhol’s heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as “Downtown.“ Willfully unpolished and subversively intelligent, figures such as Spalding Gray, Kathy Acker, Richard Hell, David Wojnarowicz, Lynne Tillman, Miguel Piñero, and Eric Bogosian broke free from mainstream publishing to produce a flood of fiction, poetry, experimental theater, art, and music that breathed the life of the street. The first book to capture the spontaneity of the Downtown literary scene, Up Is Up, But So Is Down collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. Reflecting the unconventional genres that marked this period, the book includes flyers, zines, newsprint weeklies, book covers, and photographs of people and the city, many of them here made available to readers outside the scene for the first time. The book's striking and quirky design—complete with 2-color interior—brings each of these unique documents and images to life. Brandon Stosuy arranges this hugely varied material chronologically to illustrate the dynamic views at play. He takes us from poetry readings in Alphabet City to happenings at Darinka, a Lower East Side apartment and performance space, to the St. Mark's Bookshop, unofficial crossroads of the counterculture, where home-printed copies of the latest zines were sold in Ziploc bags. Often attacking the bourgeois irony epitomized by the New Yorker’s short fiction, Downtown writers played ebulliently with form and content, sex and language, producing work that depicted the underbelly of real life. With an afterword by Downtown icons Dennis Cooper and Eileen Myles, Up Is Up, But So Is Down gathers almost twenty years of New York City’s smartest and most explosive—as well as hard to find—writing, providing an indispensable archive of one of the most exciting artistic scenes in U.S. history.

Archival material from the 1990s underground movement “preserves a vital history of feminism” (Ann Cvetkovich, author of Depression: A Public Feeling). For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women’s movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and ’90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.