MAN ON A MISSION Robert MacAulay, heir to the influential Baron of Ardincaple, will risk everything to help his father and his clan. But when Rob becomes involved in a legal tempest stirred by an irresistibly maddening lady, his mission is threatened before it begins . . . RECKLESS LADY Lady Muriella MacFarlan is impulsive, mercurial, and sometimes illogical. She is a spinner, not just of yarns and threads but also of stories. She can gild the lily or tell a half-truth. When her active imagination lands her in the suds, she's forced to turn to the ever truthful and blunt-spoken Rob for help. Their destinies now entwined, Rob and Muriella may discover that love is one truth that cannot be denied . . .

The Dancing Warrior Bride! is a book on spiritual alignment for those who desire to minister in the arts. It is not for the faint or weakhearted, but for those who dare to be sharpened and challenged by the Word of God so one can operate in a spirit of excellence that takes you beyond the dance. Special training emphasis on how to minister in the anointing by applying spiritual disciplines, walking in purity, holiness and the fear of the Lord are all included in this life changing arts course. You will quickly discover that the dance is the very last thing God requires of the movement artist. Some of the training topics that will be covered are: -Preparing for War, Introduction to Dance -Building Team Unity -Spiritual Requirements for the Dancer -The Ministry of Dance and the Prophetic -Priestly Garments -Weapons of War! (Dance, Tambourines, Flags, Streamers etc) -Pantomime/Mime -Evangelism and the Arts -Conditioning the Temple of God through Fitness and Nutrition and much more! God is raising up and calling forth a worship warrior Bride to make an impact in this generation. Its time to enlistHE WANTS YOU! But God chose the foolish things of the world to shame the wise. 1 Corinthians 1:27

The phrase "like a bride adorned" is one of the ways Revelation describes the new Jerusalem which descends from heaven. This phrase can also be read as describing one of the ways interpreters historically have understood the relationship between Revelation and its metaphorical language. In contrast to views that suggest Revelation's metaphorical language is simple adornment, Huber argues that Revelation's persuasive power resides within the text's metaphorical nature and she articulates a method for exploring how Revelation employs metaphor to shape an audience's thought. In order to gain a sense of how metaphorical language works in Revelation's highly metaphorical text,"Like a Bride Adorned:" Reading Metaphor in John's Apocalypse engages one set of conceptual metaphors in relation to Revelation's literary and social-historical milieu. Specifically, Huber explores the conceptual metaphors undergirding Revelation's nuptial or bridal imagery. Positioned at the culmination of the text's, nuptial imagery serves as one the text's final and arguably one of its most important characterizations of the Christian community. Examining the function of Revelation's nuptial imagery involves investigating how the text redeploys conventional metaphorical constructions used in the writings of the Hebrew prophets and how its imagery engages Greco-Roman depictions of women, weddings, and brides. Discourse about marriage and family was such an important part of Revelation's historical context, especially as it was shaped by the Roman Empire, that any discussion of the text's nuptial imagery must examine how it reflects and responds to this discourse. By addressing these questions, we see that Revelation's nuptial imagery serves to further the text's goal of shaping Christian identity in opposition to the social demands of the Roman Empire. Moreover, exploration of the conceptual metaphors undergirding Revelation's "bride adorned" reveals how John seeks to shape Christian identity as a transitional identity. Through metaphor, Revelation encourages its audience to envision the Christian community as a bride who constructs "her" own identity as she transitions into a new role in relation to God and the Lamb. Through the process of exploring Revelation's nuptial imagery with insights gained from conceptual metaphor theory, we uncover the ways that John employs metaphorical language to persuade his audience's thought about themselves and about others. Consequently, this work contributes both to our understanding of the text's nuptial imagery and to our knowledge of how Revelation employs metaphor as tool for persuasion.

When circumstances leave her with little choice but to volunteer for the Interstellar Bride Program, Hannah Johnson finds herself matched with not one but two mates. Her soon-to-be husbands are warriors of the planet Prillon, a world whose men are known far and wide for their prowess both in battle and in bed. Following her transport to a starship halfway across the galaxy, Hannah awakens in the presence of Zane Deston, the huge, fiercely handsome commander of the Prillon fleet. After informing her that she is now his mate, as well as the mate of his second, Zane takes it upon himself to supervise as Hannah is thoroughly and intimately examined. Her failure to properly cooperate with the ship’s doctor earns her a painful, embarrassing spanking on her bare bottom, but it is her body’s response to the exam which truly leaves her blushing. Though Hannah is shocked by the prospect of being shared by Zane and his second, the equally handsome warrior Dare, she cannot hide her arousal as her two dominant mates take their time in mastering her body. As the day of the claiming ceremony approaches, Hannah begins to long for the moment when Zane and Dare will make her fully theirs, but can she risk giving her heart to men who might die in battle any day?

Genealogies of Fiction is a study of gender, dynastic politics, and intertextuality in medieval and renaissance chivalric epic, focused on Ludovico Ariosto's Orlando furioso. Relying on the direct study of manuscripts and incunabula, this project challenges the fixed distinction between medieval and early modern texts and reclaims medieval popular epic as a key source for the Furioso. Tracing the formation of the character of the warrior woman, from the Amazon to Bradamante, the book analyzes the process of gender construction in early modern Italy. By reading the tension between the representations of women as fighters, lovers, and mothers, this study shows how the warrior woman is a symbolic center for the construction of legitimacy in the complex web of fears and expectations of the Northern Italian Renaissance court.

Being the only female on a ship full of hot dragon warriors would be a dream come true for most women. Stacy If it weren’t for all the wounded pouring into her med-center, Stacy might enjoy the novelty of being surrounded by so many admiring dragon males. Even a heads up when a battle was brewing would help. However their taciturn captain left much to be desired when it came to communication. Just when she was primed to give him a piece of her mind, he offered himself for scourging in punishment for his oversight. The poignant reminder of the abuse he’d suffered at the hands of his former queen melted away her anger. When her guard was down, she had to admit that big, scarred captain was attractive. Guarding her heart from him was going to be a nearly impossible task. Meric Draconian queens were deceitful, vicious and thought nothing of digging their claws into a warrior when least expected. Having been a breeder for ten long solars, Meric knew their ways well. Draconian females were hosts for parasites that fed on the pain of others. They’d lull a male into a false sense of security before unleashing horrible physical and emotional abuse. Humans were unlike the queens he’d known. They seemed open, outgoing and almost innocent compared to Draconian queens. There was no arguing that they were clever and intelligent beings, but Meric harbored reservations about their true motivations. He’d guard himself until he was sure they weren’t simply more skilled at deception. Especially the lovely healer who had insisted upon joining his crew. Meric knew that he spent far too much time thinking of the fair human female. It took all his discipline as a warrior not to follow her with his eyes and come running when she needed assistance. He refused to allow himself to become enamored with another cruel female, albeit it one wrapped in a beautiful package.

This volume consists consists of forty contributions written by an internationally renowned selection of scholars. The authors adopt an interdisciplinary methodology, examining both literary and archaeological sources, and a comparative perspective that transgresses national, chronological, and cultural boundaries, in order to investigate the nature of the links between text and image. This multifaceted approach to the study of ancient artifacts enables the authors to treat art and artistic production as activities that do not merely mirror social or cultural relationships but rather, and more significantly, as activities that create social and cultural relationships. The essays in this book are motivated by their authors' belief that there is no simple direct link between art and myths, art and text, or art and ritual, and that art should not be delegated to the role of a by-product of a literate culture. Instead, the contextual and symbolic analyses of artifacts and representations offered in this volume elucidate how art actively shaped myth, how it changed texts, how it transformed ritual, and how it altered the course of local, regional, and Mediterranean histories.

Venturing in the prophetic realm is an exciting adventure that changes your life and the lives of others. A team of well-known prophets share their insights and experiences. Inspiring topics include: • Power and Perils of the Prophetic by James W. Goll • Receiving and Responding to Prophetic Ministry by Mickey Robinson • The Prophetic and Justice by Patricia King • The Prophetic and the Realm of Glory by Jeff Jansen • Prophetic Intercession by Michal Ann Goll • Earthing the Prophetic, Bringing Heaven to Earth by Ryan Wyatt God wants to use prophetic means to bring Jesus into reality in your life today. You are about to discover the tangible power of the prophetic realm.