WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.

Everyone will want to get their hands on this book to lift the flaps, peek in pockets, and reveal all of these fairy-tale villains' secrets For a twist on well-known tales, the giant, the wolf, and the witch each have their own interactive flaps, hiding spots, and a personality card. Dig into this book to see the diabolical thoughts inside the villains' heads, what lurks beneath their disguises, or the victims of their last meals (now comfortably settled inside their stomachs ). Personality cards show strengths and weaknesses, pastimes, physical characteristics, favorite meals and--of course--their favorite books. And if the wolf bites your fingers while you're reading, you can always pull his tail...

The darkly captivating seventh novel in the popular Villains series follows the rise and fall of the deranged and glamorous fan favorite, Cruella De Vil. If it doesn't scare you, no evil thing will...

She shot him just above the belt and left him for dead. Then they torched the house, with Parker in it, and took the money he had helped them steal. It all went down just the way they'd planned, except for one thing: Parker didn't die. In The Hunter, the first volume in the Parker series, our ruthless antihero roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption. The volume that kickstarted Parker's forty-plus-year career of larceny—and inspired the 1967 motion picture Point Blank, starring Lee Marvin—The Hunter is back, ready to thrill a new generation of noir fans.

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

As any comics fan knows, a Super Hero is nothing without a worthy foe to battle. For every Batman there has to be a super-villain like The Joker, and for every Superman a Lex Luthor. This deluxe book celebrates nearly eighty years of compellingly corrupt characters from the DC Universe’s remarkable gallery of super-villains. From the Penguin to Harley Quinn and Doomsday to General Zod, DC Comics: Super-Villains explores the story of these beloved baddies through new interviews with acclaimed writers and artists, including Jim Lee, Mike Carlin, Dan DiDio, and Chuck Dixon. Charting the dynamic way in which DC Comics evildoers have evolved throughout the years, the book brings together the very best super-villain art from the DC Comics archives. Also featuring a foreword by filmmaker and comic book writer Kevin Smith, and an exclusive cover illustrated by acclaimed artist Phil Jimenez, DC Comics: Super-Villains is the ultimate celebration of the nefarious DC Comics characters that fans love to hate.

What is the moral of the human trafficking story, and how can the narrative be shaped and evolved? Stories of human trafficking are prolific in the public domain, proving immensely powerful in guiding our understandings of trafficking, and offering something tangible on which to base policy and action. Yet these stories also misrepresent the problem, establishing a dominant narrative that stifles other stories and fails to capture the complexity of human trafficking. This book deconstructs the human trafficking narrative in public discourse, examining the victims, villains, and heroes of trafficking stories. Sex slaves, exploited workers, mobsters, pimps and johns, consumers, governments, and anti-trafficking activists are all characters in the story, serving to illustrate who is to blame for the problem of trafficking, and how that problem might be solved. Erin O’Brien argues that a constrained narrative of ideal victims, foreign villains, and western heroes dominates the discourse, underpinned by cultural assumptions about gender and ethnicity, and wider narratives of border security, consumerism, and western exceptionalism. Drawing on depictions of trafficking in entertainment and news media, awareness campaigns, and government reports in Australia, the United Kingdom, and the United States of America, this book will be of interest to criminologists, political scientists, sociologists, and those engaged with human rights activism and the politics of international justice

Your life is a book that the LORD is reading. If GOD read your book today, what do you think HE would do with it? Would HE keep it in HIS righteous collection, or would HE toss it away from HIM? 'Right the Book' is a dynamic and super-charged book that will give you a Heaven's eye view of your life. 'Right the Book' relates the choices and consequences of each individual to a page in life's book. Find out just how your decisions yesterday has affected your today. In addition, discover how you can change the script of your life and start afresh. You will never see your life in the same view. This book will give you the knowledge and tools that you need to align today to become a better tomorrow.