This book examines the popular publications of the Victorian period, illuminating the intricacies of courtship and marriage from the differing perspectives of the working, middle, and upper classes. In contemporary culture, the near obsessive pursuit of love and monogamous bliss is considered "normal," as evidenced by a wide range of online dating sites, television shows such as Sex in the City and The Bachelorette, and an endless stream of Hollywood romantic comedies. Ironically, when it comes to love and marriage, we still wrestle with many of the same emotional and social challenges as our 19th-century predecessors did over 100 years ago. Courtship and Marriage in Victorian England draws on little-known conduct books, letter-writing manuals, domestic guidebooks, periodical articles, letters, and novels to reveal what the period equivalents of "dating" and "tying the knot" were like in the Victorian era. By addressing topics such as the etiquette of introductions and home visits, the roles of parents and chaperones, the events of the London season, model love letters, and the specific challenges facing domestic servants seeking spouses, author Jennifer Phegley provides a fascinating examination of British courtship and marriage rituals among the working, middle, and upper classes from the 1830s to the 1910s.

In her study of the married couple as the smallest political unit, Phyllis Rose uses the marriages of five Victorian writers who wrote about their own lives with unusual candor: Charles Dickens, John Ruskin, Thomas Carlyle, John Stuart Mill, and George Eliot--née Marian Evans.

Women in Victorian England wore jewelry made from each other's hair and wrote poems celebrating decades of friendship. They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law. Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.

Bridging the fields of political theory and history, this comprehensive study of Victorian reforms in marriage law reshapes our understanding of the feminist movement of that period. As Mary Shanley shows, Victorian feminists argued that justice for women would not follow from public rights alone, but required a fundamental transformation of the marriage relationship.

By tracing the rise of the New Man alongside novelistic changes in the representations of marriage, MacDonald shows how this figure encouraged Victorian writers to reassess masculine behaviour and to re-imagine the marriage plot in light of wider social changes. She finds examples in novels by Dickens, Anne Brontë, George Eliot and George Gissing.

The Marriage of Minds examines the implications of the common Victorian claim that novel reading can achieve the psychic, ethical, and affective benefits also commonly associated with sympathy in married life. Through close readings of canonical texts in relation to the histories of sympathy, marriage, and reading, The Marriage of Minds begins to fill a long-standing gap between eighteenth-century philosophical notions of sympathy and twentieth-century psychoanalytic concepts of identification. It examines the wide variety of ways in which novels were understood to educate or reform readers in the mid-nineteenth century. Finally, it demonstrates how both the form of the Victorian novel and the experience supposed to result from that form were implicated in ongoing debates about the nature, purpose, and law of marriage.

An anthology of five full-length romance novels set in the 1800s when Queen Victoria sat on the throne of England, and the rest of the western world emulated her demeanor in decorum, protocol, dress and the social graces--except for certain bold and resourceful women like those in these stories, who strayed from the fold to embrace such notions as shedding corsets and crinolines, and remaining free of a husband's control. At least that was their intention... Until love entered the picture. So slip back in time to a world of adventurous ladies who become entangled with irresistible rogues, and rugged frontiersmen, and notorious rakes, and go along with them on their bumpy rides to everlasting love. The five books included in the anthology are Colby's Child, Come Be my Love, Miss Phipps and the Cattle Baron, Perilous Pleasures and Her Master's Touch. For information on the five books included please visit www.patriciawatters.com.

This interdisciplinary volume explores the fictional portrayal of marriage by women novelists between 1800 and 1900. It investigates the ways in which these novelists used the cultural form of the novel to engage with and contribute to the wider debates of the period around the fundamental cultural and social building block of marriage. The collection provides an important contribution to the emerging scholarly interest in nineteenth-century marriage, gender studies, and domesticity, opening up new possibilities for uncovering submerged, marginalized, and alternative stories in Victorian literature. An initial chapter outlines the public discourses around marriage in the nineteenth century, the legal reforms that were achieved as a result of public pressure, and the ways in which these laws and economic concerns impacted on the marital relationship. It beds the collection down in current critical thinking and draws on life writing, journalism, and conduct books to widen our understanding of how women responded to the ideological and cultural construct of marriage. Further chapters examine a range of texts by lesser-known writers as well as canonical authors structured around a timeline of the major legal reforms that impacted on marriage. This structure provides a clear framework for the collection, locating it firmly within contemporary debate and foregrounding female voices. An afterword reflects back on the topic of marriage in the nineteenth- century and considers how the activism of the period influenced and shaped reform post-1900. This volume will make an important contribution to scholarship on Victorian Literature, Gender Studies, Cultural Studies, and the Nineteenth Century.

This book is a detailed study of the domestic background of life in the Victorian army. It describes the lives of women who lived on the edge of the regimental community as wives, daughters, prostitutes, lovers and workers. It examines the development of policy on marriage of men in the ranks and discusses the links between the military regulation of marriage and Victorian legislation on prostitution. The early history of the service family and the sources of welfare available to families - the poor law, philanthropy, and the regimental system itself - are examined in the light of attitudes to soldiers' marriages. Women of the Regiment reveals the hitherto unexplored role played by the military in shaping Victorian social policy, domestic ideology and attitudes to sexuality. Its originality lies in its feminist discussions of an institution notorious as a male stronghold; as such it makes a vital contribution to our understanding of the nature of masculinity and women's oppression.

In 1852, on a steamer from France to England, nineteen-year-old Theresa Longworth met William Charles Yelverton, a soldier destined to become the Viscount of Avonmore. Their flirtation soon blossomed into a clandestine, epistolary affair, and five years later they married secretly in Edinburgh. Then, that same summer, they married again in Dublin - or did they? Separated by circumstance soon after they were wed, Theresa and Charles would never live together as husband and wife. And when Yelverton married another woman, an abandoned Theresa found herself forced to prove the validity of her marriage. Multiple trials ensued, and the press and the public seized upon the scandal and reported its every detail with relish. Wild Romance is the inspiring tale of a woman who never gave up, and who held on to her ideals of independence, dignity and - despite everything - love.