Morgan Stark Hanlon is introduced to love in the ticket office at the University of Tulsa. Addison Paine, her lover, leaves for law school in the Northeast and life becomes very difficult for Morgan but she handles it as best she can. Eight years later Addison Paine appears outside the doorway of a classroom at TU where Morgan is teaching. After some discussion, Morgan and Addison can't seem to help themselves. Before long, they are back in that very same room behind the ticket office doing what they used to do. A STADIUM KING OF LOVE is a gripping story of how two confused, misinformed people find each other and finally learn to trust their love for each other once again. And no...it's not about football at all. Sex and romance are the only things that go on in the TU stadium with these two folks.

Triumphant wins, gut-wrenching losses, last-second shots, underdogs, competition, and loyalty—it’s fun to be a fan. But when a football player takes a hit to the head after yet another study has warned of the dangers of CTE, or when a team whose mascot was born in an era of racism and bigotry takes the field, or when a relief pitcher accused of domestic violence saves the game, how is one to cheer? Welcome to the club for sports fans who care too much. In Loving Sports When They Don’t Love You Back, acclaimed sports writers Jessica Luther and Kavitha A. Davidson tackle the most pressing issues in sports, why they matter, and how we can do better. For the authors, “sticking to sports” is not an option—not when our taxes are paying for the stadiums, and college athletes aren’t getting paid at all. But simply quitting a favorite team won’t change corrupt and deplorable practices, and the root causes of many of these problems are endemic in our wider society. An essential read for modern fans, Loving Sports When They Don’t Love You Back challenges the status quo and explores how we might begin to reconcile our conscience with our fandom.

"Stadium Games begins with the events leading to the arrival of the Twins and Vikings to the state in 1961 and traces subsequent controversies about professional sports in the region up to the present. Weiner discusses the factors that make Minnesota the poster child for the nation's stadium debates - the recent departure of the North Stars hockey team, the near departure of the Timberwolves, the strong opposition of taxpayers, and the apparent greed of team owners. Stadium Games reveals the behind-the-scenes deals and inside scoop on what went wrong in the recent unsuccessful campaign for a new ballpark, divulging how public relations experts failed and how government leaders conspired to fake out Minnesota's citizens."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

When Ruby Mullen took the job as the public relations director of the Valley Falls Strikers, her only concern was working with professional athletes. She despised them. Turns out, the guys on the team were amazing. Well, except one guy. Dallas Ramos. He irritated her. Drove her crazy. His partying ways and womanizing were exactly why she hated athletes. Never mind that it seemed like he’d made a change in his life. Tigers didn’t change their stripes. As the star midfielder for the Strikers, Dallas was used to hard work. He had no problem knocking a guy out of the way, or sliding to take the ball away. His life off the field was different. He could walk into a bar and he’d have women flocking to his side. He didn’t have to work for them. Or at least he used to have them flocking to his side. That was before. Before he decided he wanted more out of life than one-night stands and women who didn’t understand him. Enter. Ruby Mullen. She was constantly on him about something, yelling and arguing with him whenever they were in the same room. Somehow, that turned him on. He wanted her and it was time to do something about it.

American cities have experienced a remarkable surge in convention center development over the last two decades, with exhibit hall space growing from 40 million square feet in 1990 to 70 million in 2011—an increase of almost 75 percent. Proponents of these projects promised new jobs, new private development, and new tax revenues. Yet even as cities from Boston and Orlando to Phoenix and Seattle have invested in more convention center space, the return on that investment has proven limited and elusive. Why, then, do cities keep building them? Written by one of the nation's foremost urban development experts, Convention Center Follies exposes the forces behind convention center development and the revolution in local government finance that has privileged convention centers over alternative public investments. Through wide-ranging examples from cities across the country as well as in-depth case studies of Chicago, Atlanta, and St. Louis, Heywood T. Sanders examines the genesis of center projects, the dealmaking, and the circular logic of convention center development. Using a robust set of archival resources—including internal minutes of business consultants and the personal papers of big city mayors—Sanders offers a systematic analysis of the consultant forecasts and promises that have sustained center development and the ways those forecasts have been manipulated and proven false. This record reveals that business leaders sought not community-wide economic benefit or growth but, rather, to reshape land values and development opportunities in the downtown core. A probing look at a so-called economic panacea, Convention Center Follies dissects the inner workings of America's convention center boom and provides valuable lessons in urban government, local business growth, and civic redevelopment.

An exhilarating, splendidly illustrated, entirely new look at the history of baseball: told through the stories of the vibrant and ever-changing ballparks where the game was and is staged, by the Pulitzer Prize-winning architectural critic. From the earliest corrals of the mid-1800s (Union Grounds in Brooklyn was a "saloon in the open air"), to the much mourned parks of the early 1900s (Detroit's Tiger Stadium, Cincinnati's Palace of the Fans), to the stadiums we fill today, Paul Goldberger makes clear the inextricable bond between the American city and America's favorite pastime. In the changing locations and architecture of our ballparks, Goldberger reveals the manifestations of a changing society: the earliest ballparks evoked the Victorian age in their accommodations--bleachers for the riffraff, grandstands for the middle-class; the "concrete donuts" of the 1950s and '60s made plain television's grip on the public's attention; and more recent ballparks, like Baltimore's Camden Yards, signal a new way forward for stadium design and for baseball's role in urban development. Throughout, Goldberger shows us the way in which baseball's history is concurrent with our cultural history: the rise of urban parks and public transportation; the development of new building materials and engineering and design skills. And how the site details and the requirements of the game--the diamond, the outfields, the walls, the grandstands--shaped our most beloved ballparks. A fascinating, exuberant ode to the Edens at the heart of our cities--where dreams are as limitless as the outfields.

In the half-century since its birth, as Sports Illustrated grew from a struggling start-up to America's preeminent sports magazine, one thing has remained constant: the commitment to great storytelling. That part of the magazine's mission has always been easy to define: Identify the most compelling sports stories of our time and get the best writers in the business to tell them. This book brings together a lineup of writing talent worthy of the Hall of Fame and the classic stories they produced for Sports Illustrated over the past 50 years. Many of the writers whose work is collected here are longtime favorites of SI readers (Frank Deford, Rick Reilly, Steve Rushin, Gary Smith). Others are former SI staffers or contributors who left the fold, but not before making an indelible mark on SI's history (Dan Jenkins, Rick Telander, Mark Kram, Roy Blount Jr., William Nack). There are celebrated journalists (A.J. Liebling, Jimmy Breslin, George Plimpton), screenwriters (Budd Schulberg and Kenny Moore), renowned novelists (Thomas McGuane, Pete Dexter, Wallace Stegner, Don DeLillo) and even a couple of Nobel Prize winners in literature (William Faulkner and John Steinbeck). The stories themselves are a mirror of our times. Included in this volume are accounts of some of the most memorable athletic feats of our era (Secretariat's Belmont victory, the Thrilla in Manila, and Bobby Thomson's shot heard round the world). Profiles of the towering athletic figures of our time (Bill Russell and Wilt Chamberlain, Ted Williams and Johnny Unitas). Good guys (Yogi Berra and Harry Caray) and bad guys (Sonny Liston and Mike Tyson). The fast (Roger Bannister) and the furious (Dick Butkus). The ridiculous (Howard Cosell) and the sublime (Josh Gibson). And the stories that simply touch our hearts and inspire us (Frank Deford's masterpiece on light heavyweight champ Billy Conn). This is the very best of the world's best sports magazine ¾ and it just doesn't get any better than that.

A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry. Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of a wide variety of poets such as T. S. Eliot, Wallace Stevens, Frank O’Hara, Anne Carson, Theresa Hak Kyung Cha, Harryette Mullen, Al-Khansā’, Rainer Maria Rilke, Arthur Rimbaud, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making—its objects, its coordinates, its variables—while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry’s primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page.