Dark sound carries the dense cultural weight of darkness; it is the undertow of music that embodies melancholy, desire, grief, violence, rage, pain, loss and longing. Compelling and unnerving, dark sound immerses bodies in the darkest moments and delves into the depths of our hidden inner selves. There is a strangely perverse appeal about music that conjures intense affective states and about sound that can move its listeners to the very edge of the sayable. Through a series of case studies that include Moor Mother, Anna Calvi, Björk, Chelsea Wolfe and Diamanda Galás, D Ferrett argues that the extreme limits and transgressions of dark sound not only imply the limits of language, but are moreover tied to a cultural and historical association between darkness and the feminine within music and music discourse. Whilst the oppressive and violent associations between darkness and femininity are acknowledged, the author challenges their value to misogynistic, racist, capitalist and patriarchal power, showing how dark sound is charged with social, creative and political momentum.

Germany, in the final years of the Third Reich. Hermann Karnau is a sound engineer obsessed with recording the human voice in all its variations—the rantings of leaders, the roar of crowds, the rasp of throats constricted in fear—and indifferent to everything else. Employed by the Nazis, his assignments take him to Party rallies, to the Eastern Front, and into the household of Joseph Goebbels. There he meets Helga, the eldest daughter: bright, good-natured, and just beginning to suspect the horror that surrounds her... Based on an acclaimed novel by Marcel Beyer, Voices in the Dark is the first fictional graphic novel by Ulli Lust, whose award-winning graphic memoir Today Is the Last Day of the Rest of Your Life appeared in English in 2013. It is the story of an unlikely friendship and of a childhood betrayed, a grim parable of naïveté and evil, and a vivid, unsettling masterpiece. This NYRC edition is a trade paperback and features full color throughout and new English hand-lettering.

Eight-year-old Jack and his younger sister Annie find a magic treehouse, which whisks them back to an ancient time zone where they see live dinosaurs.

Encouraging readers to dream the impossible, The Darkest Dark follows a young boy intrigued by space, but afraid of the dark, inspired by the childhood of real-life astronaut Chris Hadfield and brought to life by Terry and Eric Fan's lush, evocative illustrations. Chris loves rockets and planets and pretending he's a brave astronaut, exploring the universe. Only one problem. At night, Chris doesn't feel so brave. He's afraid of the dark. When he watches the groundbreaking moon landing on TV, Chris learns that space is the darkest dark there is, and through that lesson discovers that the dark isn't just scary, but beautiful and exciting—especially when you have big dreams to keep you company.

The Book of the Sacred Magic of Abramelin the Mage-originally published in 1900, translated by Samuel Mathers from a 15th-century French document-was purportedly written by Abraham for his son Lamech. Within this volume are three books. The first book is Abraham's autobiography in which he speaks to his son. The second book is an explanation of the purification rituals necessary to bring the magician's personal demon under his control. And the third book details what feats can be accomplished once the practitioner is able to use a form of magic controlled and directed through sigils of magic words written on a grid. Anyone with an interest in the occult will find this an interesting, though perhaps impractical, guide for exploring mystic arts.

The year is 2319. Lt. Comm Roy O'Hara leads his squadron against the enemy's latest Super Destroyer and is shot down over an unexplored planet. The planet holds secrets to a long lost alien weapon and the key to Roy's own destiny. Near death Roy is found by Katreena, a beautiful and mysterious woman. When she finds Roy, he's broken and battered, and saves his life with the Boto Stone. Yet she is unaware that by doing so she will create a deep bond and awaken an affect not seen for hundreds of years; the ability to communicate to each other in dreams. An unguarded moment leads to a forbidden night of intimacy; an act of betrayal to the crown, an act that will put both their lives in jeopardy. Katreena flees to save them both. Danger increases as their secret may be discovered and war erupts on their planet.

Covering almost 30 years in the life and loves of Mark Lennan, The Dark Flower opens in 1880 with 18-year-old undergraduate Mark studying art at Oxford, and ends 30 years later with Mark ostensibly happily married, yet torn between his wife and a beautiful teenage girl--the last and most disturbing manifestation of the "dark flower" of passion. Within a dozen pages, Galsworthy establishes his mastery of compelling narrative and sketches an irresistible plot. Much of his achievement lies in the mixture of pathos and humor that he derives from characters little able to express their feelings. There is much else to admire, from Galsworthy's impressionistic descriptions and eye for detail to the subtle symmetry he creates between his characters, emphasizing the cyclical nature of the story. Published in 1913, the story also holds the fascination of a world about to be transformed by war--one in which a love letter could still be delivered by the hand of a discreet manservant, and the residents of Piccadilly kept their horses stabled close by so that they could gallop down to Richmond for fresh air.

Cumulative tale featuring a mouse in a spooky house.