Celebrates zombie pop culture that has evolved since "Night of the Living Dead," tracing early mythological origins in African folklore and Haitian voodoo as well as modern incarnations in film, literature, and video gaming.

Challenging the human understanding of life and death, the zombie figure represents a fragmentation of personhood. From its earliest appearances in literature, the zombie characterized a human being that was no longer an indivisible whole, embodying the ontological debate over which elements of personhood are most uniquely human. Through its literary evolution, the zombie's missing element gradually approached a finer definition, as narratives moved beyond highlighting metaphysically opaque concepts like "soul" or "will." Studying over a century of American literary history, this book explores how zombies translate cultural concepts and definitions of personhood. Chapters detail how literary zombies have long presented narratives of American cultural self-examination.

"Describes the mystery, cool characteristics, and interest in zombies, including historical and contemporary examples"--Provided by publisher.

The hilarious yet chilling account of the recent Zombie invasion of the United States and Mexico. Unable to guard itself the U.S. watches helplessly as its citizens are eaten, power plants, oil refineries and water supplies destroyed. In a moment of sobriety the President of the U.S. pleads with Laserman for his help. Fortunately Laserman accepts the challenge and proposes a devious yet ingenious plan to save planet earth, "Zombie World". Terrifying deserted cities where captured Zombies prowl darkened buildings and lurk in wretched alleyways as heavily armed humans stalk them. The spectacular hunts are a rage and telecast live across the U.S. Then something goes terribly wrong.

Make your own movie from start to finish with this entertaining, practical choose-your-path nonfiction guide to the world of filmmaking, from the critically acclaimed author of The Lady from the Black Lagoon. Girls belong in the world of filmmaking. While we see them acting on-screen, there are also countless women working every single job possible behind the scenes as part of the film's crew. Are you a girl who is interested in film making? Do you wonder how you actually make a movie? Well, this is the book for you. Girls Make Movies puts you in the driver’s seat as you create a fictitious zombie blockbuster and are guided through each stage of production and learn about the processes, techniques, and people involved in making a Hollywood hit. Luckily, every path through this nonfiction book results in the film being made, but you will be asked to make choices that will affect the outcome of the movie. Will you shoot on location or on a studio lot? Use practical or special effects? Hire a greensperson or a someone to do pyrotechnics? The choices are up to you! Written by critically acclaimed author Mallory O'Meara and paired with eye-catching, graphic illustrations by popular comic book artist Jen Vaugh, this unique, practical book provides young girls with advice and inspiration while offering a sense of adventure as they learn how to create a movie!

Transnational Zombie Cinema, 2010 to 2020: Readings in a Mutating Tradition examines selected films produced outside the United States in the second decade of the millennial zombie renaissance. Ziegler analyzes how the films adapt the zombie myth to localized concerns as it circulates in post-Great Recession transnational zombie cinema.

This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. It serves not only as a follow-up to its predecessor (The Zombie Movie Encyclopedia, McFarland 2001), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creature in more than 280 feature-length movies, from 28 countries and filmed on six continents. An appendix offers shorter entries for more than 100 shorts and serials.

The 1932 horror film White Zombie starring Bela Lugosi has received controversial attention from film reviewers and scholars--but it is unarguably a cult classic worthy of study. This book analyzes the film text from nearly every possible viewpoint, using both academic and popular film theories. Also supplied is an extensive intellectual history of the predecessor works to White Zombie, as well as information on the significance it carried for subsequent books and films, its theatrical release around the country, its modern cultural influence, and the attempts to restore the film to its original state. Other noteworthy features of this work include an in-depth biography of White Zombie director Victor Halperin, the first complete study of his life and career, and 244 images and photographs.

Rock out with a zombie in the next spook-tacular episode of Scream Street. Bwah-ha-ha! Deadstock, the world’s greatest zombie rock festival, is coming to Scream Street! Too bad Sir Otto Sneer is not in the mood for dancing—and when he banishes the concert’s headliners, the fleshmetal band Brain Drain, to the evil Underlands, he causes a riot. Now if Luke and his pals want to restore peace to the neighborhood (and find the fourth relic they seek), they have no choice but to follow the band . . . into the darkest depths of the earth.

An innovative investigation into how zombie narratives over the past ten years have been specifically leading up to a unique intersection with the world as it exists in the 2020s, this book posits the undead as a vehicle to communicate humanity's pathway into, and out of, the ideological, health and environmental pandemics of our time. Exploring depictions of zombies across literature, poetry, comics, television, film and video games, Simon Bacon brings together this timely intervention into how zombies enable speculation about future modes of being in a changing world and represent the fluid notion of 'old' and 'new' normals. With each chapter moving beyond traditional readings of the undead, Zombie Futures situates the zombie as an evolving cultural imaginary at the centre of discourses around how human cognition and embodiment are effected by global realities such as consumerism, new technologies, climate change and planetary degeneration. Structured around contagious partisan ideologies, ecological sickness, mental health crisis and the very literal COVID-19 virus, this book establishes how the zombie figure might manifest post-human and post-normative futures. Works featured include graphic novels and comics like The West + Zombies, Crossed and Endzeit, the South Korean series and films Kingdom, Train to Busan and Peninsula, The Last of Us and the Resident Evil game franchises, Bollywood horror anthology Ghost Stories, Joss Whedon's Serenity, Cargo and literature such as The Girl with All the Gifts, the fiction of Stephen Graham Jones and Ryan Mecum's Zombie Haiku. In a time when popular culture and scholarship has been overrun with the undead, this original study offers a refreshing look at the zombie and what it can tell us about about our world going into and emerging from global catastrophe.