"I would like to write a beautiful prayer," writes the young Flannery O'Connor in this deeply spiritual journal, recently discovered among her papers in Georgia. "There is a whole sensible world around me that I should be able to turn to Your praise." Written between 1946 and 1947 while O'Connor was a student far from home at the University of Iowa, A Prayer Journal is a rare portal into the interior life of the great writer. Not only does it map O'Connor's singular relationship with the divine, but it shows how entwined her literary desire was with her yearning for God. "I must write down that I am to be an artist. Not in the sense of aesthetic frippery but in the sense of aesthetic craftsmanship; otherwise I will feel my loneliness continually . . . I do not want to be lonely all my life but people only make us lonelier by reminding us of God. Dear God please help me to be an artist, please let it lead to You." O'Connor could not be more plain about her literary ambition: "Please help me dear God to be a good writer and to get something else accepted," she writes. Yet she struggles with any trace of self-regard: "Don't let me ever think, dear God, that I was anything but the instrument for Your story." As W. A. Sessions, who knew O'Connor, writes in his introduction, it was no coincidence that she began writing the stories that would become her first novel, Wise Blood, during the years when she wrote these singularly imaginative Christian meditations. Including a facsimile of the entire journal in O'Connor's own hand, A Prayer Journal is the record of a brilliant young woman's coming-of-age, a cry from the heart for love, grace, and art.

A malevolent shadow hangs over Theysia, seeking vengeance for being snuffed out by those it believed inferior. Its eyes are set on the capital city of Minraz, where the decedents dwell. Nyzir and Sineram, two up-and-coming mystics, are roped into the plans of a being that makes even the mightiest beast subservient to its better. Though armed with powerful magic, the siblings must learn that power alone can’t protect and that sometimes the best weapon is both unconventional and unsuspecting.

Examines how Jessica Powers integrated her life and time in history with her religious experience to produce a mystical poetry and spiritual vision.

Enjoy this small town paranormal cozy mystery with an amateur sleuth by award-winning author Ada Bell. Much Ado About Murder When the local college announces the spring play, Aly’s roommate Amy proposes trying out together. Amy’s a drama major, so it should be fun. Aly’s surprised to be cast as understudy to the lead. Erica’s a real diva, so Aly vows to learn her lines and stay behind the scenes. But when a stage light falls onto their star, it’s curtains for Erica. Her death looks like a tragic accident until Aly receives a vision of murder. Initially, the police think Aly killed Erica to take her part, but what they don’t know is how badly Amy wanted the role. Or how much she hated Erica. When Amy takes center stage as the prime suspect, Aly takes on the detective role once more to prove her friend’s innocence. She just needs to do it without further implicating herself. Erica treated the entire cast and crew with contempt; who hated her enough to kill? Was it the ex-boyfriend forced to share the spotlight with the woman he once loved? The costume designer whose hard work wound up in tatters? Or was it the rival furious that Erica got cast as the lead? With Aly’s help, maybe the play’s the thing to catch the conscience of the killer. The Psychic's the Thing is the seventh book in the Shady Grove Psychic Mysteries series. This small town paranormal mystery with an amateur female sleuth will appeal to fans of Annabel Chase, Amy Boyles, and Lily Webb.

“With the elegance of simplicity, this book takes you on an exploration of consciousness that will shift you to a higher reality.” —Deepak Chopra, New York Times–bestselling author of The Seven Spiritual Laws of Success Constructed around a series of late-night conversations around a campfire between Cheryl Simone and Sadhguru Vasudev on an island in the middle of a Western North Carolina lake near her mountain home, Midnights with the Mystic is the most thorough exposition of the teachings of India’s most sought-after mystic. Sadhguru challenges us to embrace the possibility that to each of us is available a higher realm of reality, a peak of consciousness—an entrée into the realm of freedom and bliss. Simone, an Atlanta real estate developer, was the typical baby boomer in search of an authentic spiritual experience. Professionally successful, yet spiritually arid, she discovered a way into what she was looking for in the teachings of Sadhguru. Concrete and down-to-earth, Midnights with the Mystic provides both an introduction to profound spiritual teaching and a personal glimpse of a charismatic guru. “If you read this powerful book, you will discover who you really are, who we all are.” —Neale Donald Walsch, author of Conversations with God

Explores the visionary, mystical, and ecstatic traditions that influenced the music of the 1960s • Examines the visionary, spiritual, and mystical influences on the Grateful Dead, the Beatles, the Rolling Stones, Bob Dylan, Van Morrison, the Incredible String Band, the Left Banke, Lou Reed and the Velvet Underground, and others • Shows how the British Invasion acted as the “detonator” to explode visionary music into the mainstream • Explains how 1960s rock and roll music transformed consciousness on both the individual and collective levels The 1960s were a time of huge transformation, sustained and amplified by the music of that era: Rock and Roll. During the 19th and 20th centuries visionary and esoteric spiritual traditions influenced first literature, then film. In the 1960s they entered the realm of popular music, catalyzing the ecstatic experiences that empowered a generation. Exploring how 1960s rock and roll music became a school of visionary art, Christopher Hill shows how music raised consciousness on both the individual and collective levels to bring about a transformation of the planet. The author traces how rock and roll rose from the sacred music of the African Diaspora, harnessing its ecstatic power for evoking spiritual experiences through music. He shows how the British Invasion, beginning with the Beatles in the early 1960s, acted as the “detonator” to explode visionary music into the mainstream. He explains how 60s rock and roll made a direct appeal to the imaginations of young people, giving them a larger set of reference points around which to understand life. Exploring the sources 1960s musicians drew upon to evoke the initiatory experience, he reveals the influence of European folk traditions, medieval Troubadours, and a lost American history of ecstatic politics and shows how a revival of the ancient use of psychedelic substances was the strongest agent of change, causing the ecstatic, mythic, and sacred to enter the consciousness of a generation. The author examines the mythic narratives that underscored the work of the Grateful Dead, the French symbolist poets who inspired Bob Dylan, the hallucinatory England of the Beatles’ Sgt. Pepper, the tale of the Rolling Stones and the Lord of Misrule, Van Morrison’s astral journeys, and the dark mysticism of Lou Reed and the Velvet Underground. Evoking the visionary and apocalyptic atmosphere in which the music of the 1960s was received, the author helps each of us to better understand this transformative era and its mystical roots.

Sigal Samuel’s debut novel, in the vein of Nicole Krauss’s bestselling The History of Love, is an imaginative story that delves into the heart of Jewish mysticism, faith, and family. “This is not an ordinary tree I am making. “This,” he said, “this is the Tree of Knowledge.” In the half-Hasidic, half-hipster Montreal neighborhood of Mile End, eleven-year-old Lev Meyer is discovering that there may be a place for Judaism in his life. As he learns about science in his day school, Lev begins his own extracurricular study of the Bible’s Tree of Knowledge with neighbor Mr. Katz, who is building his own Tree out of trash. Meanwhile his sister Samara is secretly studying for her Bat Mitzvah with next-door neighbor and Holocaust survivor, Mr. Glassman. All the while his father, David, a professor of Jewish mysticism, is a non-believer. When, years later, David has a heart attack, he begins to believe God is speaking to him. While having an affair with one of his students, he delves into the complexities of Kabbalah. Months later Samara, too, grows obsessed with the Kabbalah’s Tree of Life—hiding her interest from those who love her most–and is overcome with reaching the Tree’s highest heights. The neighbors of Mile End have been there all along, but only one of them can catch her when she falls.

Can we really bend spoons with our minds? Do regular people have prophetic dreams? Can spirits speak to us from beyond? What does it really mean to be "enlightened?" How you can develop "healing hands." Author Thomas Lyons has seen it all and shares hundreds of stories of mystical experience.

From the first brilliant rush of horses to the triumphant sight of beautiful bays, chestnuts, shiny blacks, whites, grays, and paints galloping across the pages, Paul Goble's very special book will delight all who love horses and all who love stories that tell of the spiritual connection between people and animals. His magnificent, detailed paintings evoke an almost forgotten world as he recounts a stirring legend based on the oral tradition of the Pawnee. Focusing on a poor boy and his grandmother, adventure begins when the boy discovers an old, limping horse. Though ridiculed by his tribe, the boy cares for the horse and brings it back to health. In turn, the animal helps his friend achieve greatness, only to be betrayed. The boy's remorse is sincere, but will he be forgiven? Captivating readers, Caldecott medalist Paul Goble shows how a loving friendship changes the lives of a people.

Citing baby-boomer favorites including Bob Dylan, Bob Marley, the Beatles and other rock greats, the author shows that they have drawn on the same primal source from which mythology, dreams, and poetic insight arise. (Music)