The next thrilling Ham-Hill Murder Mystery from bestselling cosy crime author Frances Evesham. A winning horse. A fierce rivalry. A sudden death. Belinda Sandford thrills to the cheers of the crowd as her beautiful grey racehorse, ‘Butterfly Charm’, thunders past the finishing post first at Wincanton Racecourse. She feels like the luckiest girl in the world. But joy soon turns to despair as a stewards’ enquiry overturns the result and awards the race to her long-time rival, Alexandra Deacon. When Alex is found dead in suspicious circumstances, a host of accusing eyes turn to Belinda and her distraught mother begs Adam Hennessy, her neighbour, retired police officer and publican, to help clear her daughter’s name. As Adam, and local hotelier Imogen Bishop, dig deep into the murky and powerful undercurrents of the horse racing world, they lay bare the lives and loves of local jockeys, grooms, trainers and owners. They soon uncover a web of secrets hidden within the spectacular Somerset countryside as they strive to find the killer in time to prevent more murders. A brand new cosy mystery series from the bestselling author of A Village Murder, perfect for fans of Faith Martin, Betty Rowlands and M.C. Beaton. Other Books in the Ham Hill Murder Mystery series by Frances Evesham A Village Murder A Racing Murder A Harvest Murder Also by Frances Evesham - The Exham-on-Sea Murder Mystery Series Murder at the Lighthouse Murder on the Levels Murder on the Tor Murder at the Cathedral Murder at the Bridge Murder at the Castle Murder at the Gorge Murder at the Abbey

The Derby of Intolerable Suspense: 'Inspector,’ she said, ‘in this place, some experience far greater pleasure in seeing other men’s horses lose rather than see their own horse win!’ Nari Mansukhani, the notorious trainer, is shot dead at the racecourse. His murder triggers a chain of events which spiral out of control and rock the amoral world of horse racing, where fortunes are made or lost in less than 60 seconds. A deadly cocktail of scandal, doping, intrigue and betrayal perplexes the country’s top sleuths.

Triumph over Tragedy is a theological treaties in response to horrific and sudden deaths among Kingdom people. It is intended to address the superficial and often inadequate cultural dialogue that swirls around us when we face death generally, but most of all when we face tragic death. The discussion in the book examines several perspectives on grieving, one being the theological issue that when we view God as the "taker-of-life" more than the "giver-of-life", we run the risk of having a continual difficulty trusting Him to minister compassion and comfort. Yet, it remains one of the greatest tragedies in the minds of Christians today; to speak of God having "taken our love-ones away in death". But isn't the presence and experience of death a part of being human? And isn't the evil in this world part of God's permitted-will and not His perfected-will? This book is a challenge to the Body of Christ to take another look at questions like these; especially the incidence of sudden death and tragic loss. It provides sound answers based on strict biblical interpretation, and then it raises some other questions that we as believers may have never thought of asking.

The second of two volumes collecting the complete tragedies of Seneca. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE–65 CE). The two volumes of The Complete Tragedies presents all of his dramas, expertly rendered by preeminent scholars and translators. The first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. This second volume includes Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, and Agamemnon. High standards of accuracy, clarity, and style are maintained throughout the translations, which render Seneca into verse with as close a correspondence, line for line, to the original as possible, and with special attention paid to meter and overall flow. In addition, each tragedy is prefaced by an original translator’s introduction offering reflections on the work’s context and meaning. Notes are provided for the reader unfamiliar with the culture and history of classical antiquity. Accordingly, The Complete Tragedies will be of use to a general audience and professionals alike, from the Latinless student to scholars and instructors of comparative literature, classics, philosophy, drama, and more.